Why haven't there been any WWII films updated with an intense, chest-thumping nu-metal soundtrack...

Why haven't there been any WWII films updated with an intense, chest-thumping nu-metal soundtrack? Imagine a beach landing scene set to Saliva's Click Click Boom, for example. Or an aerial dogfight choreographed to Trapt's "Headstrong." It boggles the mind that this type of film has yet to be made.

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That's trashy, not classy. This would be why.

not gonna lie OP i wasnt going to post but your thread made me angry and i just want you to know

yikes

Because maybe war wasnt meant to look cool

Would you rather have yet more Vera Lynn and Edith fucking Piaf songs, or would you rather watch tanks rolling through the Ardennes as Puddle of Mudd's "Control" bombards the theatre?

Edith Piaf please.

Would be worth it just for the impotent incel rage

>BOOM! Here comes the BOOM!
>Ready or not, here come the boys from the South

Imagine what could be.

I M A G I N E
M
A
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Sounds cringe.

I mean I wouldn't be against someone using drums/bass/guitar for a soundtrack. But anything with lyrics, especially already recorded songs that weren't made for the movie. It would be really out of place. Movies that use already existing songs as part of their soundtrack generally are flicks or the sorta crap where the world isn't mean to be believable, and most often set in the modern day. The only other type is films that are set in the past and use songs from that era, which WW2 films do, hence the old timey songs. Playing nu songs would just be out of place.

go back with your absolute numale cringecore suggestion

It worked for Moulin Rouge. There's literally nothing wrong with setting an artillery duel to Breaking Benjamin's "So Cold."

Because numetal is soulless and everything it touches becomes soulless too

>Sounds cringe.
That's the whole point of the thread.

Cringe

>historical set piece
>modern fucking music
Anyone advocating for this is the plebbiest of fucking plebs. It's like using modern cars.

You zoomers have grown up on so many shitty movies made by music video directors you unironically think a slow-motion tableau with a sweet soundtrack is what makes a good movie.

It's an aesthetic choice. Think of it this way - when operas in the 1800's depict events in antiquity, did they limit themselves to what was then known about the music of ancient Greece/Rome? NO. They used what was then MODERN music to build the story.

Similarly, it cannot be debated the modern audiences will identify more with a band like Disturbed or Limp Bizkit than a WWII-contemporary musical act such as George Formby.

>Disturbed or Limp Bizkit

>modern audiences
>identifying with 20 year old bands
I like your commitment to this troll thread, though.

Dude I love it. Maybe we could get the USA side to be all WWE stars and then the Germanic side to be all UFC/MMA guys and have a lot of cool fights one on one. I’d pay a bundle to see it.

We can't have a fun ww2 movie because Jews would cry that we are making light of such a terrible time in their history.

Yes. We need to think beyond the current WWII film paradigm, which has become intolerably stale and dull.

But If the ovens start and we get to hear a classic like bawidabaw da bang da dang siggy by Kid Rock I think the Jews would be cool wit it.

>MY NAME IS KEEEEEEEEEEEEEEEEED...
>*gas releases*

>modern audiences will identify more with a band like

They don't need to identify with it retard. It's there to authenticate the setting.

Christ the other guys right, you would advocate to have American soldiers run up the beach with M4 Carbines from COD if you thought it would look cool. You'd probably use some shitty identity argument to justify it too.

>KEEEEEEEEEEEEED ROOOOOOOOOOOCK
>Wooden doors swing open

We're talking about fictional depictions. I wouldn't recommend that these techniques be used for a DOCUMENTARY or something. That would be inapposite. But in the realm of fiction, the goal is to craft a compelling story. And in fiction FILM, the goal is to combine a compelling story with compelling audiovisual elements.

The thing is, we have ALREADY SEEN fictional images of paratroopers slipping through the sky set to dramatic orchestral music. That has been accomplished. What we have NOT yet seen is that same visual element set against System of a Down's "Chop Suey." Ask yourself - why?

because it's retarded and tasteless

Men need to be emascualted, martial training needs to be demonized, and great feats of bravery need to be treated instead like they're tragedies.
The corporate world doesn't want violent men. They want docile men.