>electro black metal >blackened darksynth/new wave >synthesized guitar tones >compressed metal and electro drums >tragic-heroic vibes, melancholic and melodic >classical, synthwave, DSBM influences >for fans of Perturbator, GosT, Dan Terminus, Darkthrone, Batushka, Xasthur
Recs: Based and avant-garde as always, dig the part around 5:47 with the repeating motif, sounds like a siren. Reminds me of a more melodic version of Luigi Russolo's stuff. Vocals feel a little lackluster imo tbf, might be bias though cause I'm more use to reverb new wave stuff a la Molchat Doma or Funker Vogt. I like the sound and feel of everything though, only real personal suggestion is to fatten the vocals with some reverb and EQs maybe.
youtu.be/z83yC1jDHNs >instrumental hip hop >chopped drums >vocal samples >many synths >bouncy >funky >enigmatic
The lofi beat song is neat, I like how it both sounds relaxing and a bit unsettling, with a bit of a dark undertone. The drums are mixed well and bounce off the strings/guitar/synths satisfyingly. The main high pitched melody also brings it all together. I wish it was less of a loop and developed more, but there's already way more variety than the average lofi beat.
I’ve got some feedback if ya want it, I try to keep it positive and constructive I had a laugh but that’s probably not your intent when you made this Love when the gamorpazorp kicks in So much great content on yr pages, chevalerie is great, I really enjoy your fresh takes on dark music Song you linked is fantastic, very easy to listen and groove to, I was digging through some of your tracks looking for more like it, very interesting stuff Your vocals compliment the synths so well, the drums get a bit busy in the song you linked but I like busy Guitar tone is excellent, vocal accent really fits the punkier stuff well. I really like your synth material too Me
shill is still quite the journey. it made me hurracktovate my tiquagozaff numerous times. and also when reviewed months back. sounds goodly stretched and pitched in your typically greezidannk mania. also well mixed regardless. of the 22hr long track length. cant remember which one i listened to - check your profile - but hauntingly good keys. great spooky heavy tones and not earsplitting either. good mix for a listener this is so sublime. love the tremelo guitar. did you do that with just the wammy or patched effect? nicely layered and good use of space in my cans, twas terrific. could be a rock country. this is too clean for lofi. listened 3x. the schlingedalang in the platzz is kinda yertzling in the middle. needs a bit more gakkenton but is gud to gonk his balls hang low hahaha, poor roy. good tune. cant fault this for live track recording. need more of this is the shills. loved the speed shredding intro the most. the double kick and china crash mania at the end is a bit repetitive. so who in band does the shilling? asking for a flavelkgonk
tis mde
Nolan Long
RECC >soundcloud.com/akmv-18 >electro black metal >synthesized guitar tones Great stuff Really juicy and lush soundscape that fully caresses the ears The blending of organic guitars and electronic productions is tight Really liking this one in particular: soundcloud.com/akmv-18/quantum-metanoia
RECC >I buy the craziest sample packs and make hip hop instrumentals with them. Solid chill hop production. Office Hours is a nice just-getting-the-day-started kinda vibe
RECC >soundcloud.com/slave-beaver-revolt >metal/punk hybrid Top-tier all around, and it's honestly hard to find much to say because it's just perfect across the whole board. Great vocal prowess, good instrumentation and crisp mixing, album art goes hard.
RECC >liontrail.bandcamp.com >Punk, post hardcore, Alternative Very, very good shit right here. Great singer and really sick riffs and drum grooves. After browsing through other tracks I especially enjoy "The Voices Never Stop."
>Fusion, prog/art rock, future, trapsoul >Basically hodgepodge katamari-core melting pot >Dirty Loops in the streets, Snarky Puppy in the sheets type beat
the samples here are all chopped a little weird. you can hear a little bump at the start of each. I'm not sure what DAW or hardware you're using for this, but when I'm working with samples in my DAW, I always zoom into the sound wave as much as possible to try to clip the sample to where there isn't anything going above or below the middle. I don't know much of the technical terminology so I hope that makes sense. a lot of these synths sound like basic unedited software synths. I think you have a good ear for composition but I'm just not a fan of the sounds you're using. you can get some pretty versatile synths like the minilogue fairly cheap used online. I think this is a good start. I would compress that organ that comes in near the end, and if it's possible I would maybe automate down the end of each of those flute lines. they end a tiny bit abruptly for me. sounds good so far though, user.
fenyanoise.bandcamp.com/album/294006 >power electronics, death industrial, harsh noise, drone >free download >FFO Pharmakon, Uboa, Cathode Terror Secretion, Koufar
I like much of this but is too clean for me. I want more distorted. I love the black metal elements. just not much of a punk fan but you are good. I don't like stereo mix in genocide. interesting song idea but too heavy in left speaker.
>I had a laugh but that’s probably not your intent when you made this Of course that was it. It's a song about a meme and killing hoes. Thanks for the feedback, fren :D
Hunter Roberts
basic was kinda what i wanted, going for a 2001 space odyssey thing (1970s) basic synth feels. most of my other stuff is quite the opposite. was using an mpk61 for this btw but also use a korg tactile 49
>about having to kill someone you love before they turn into a zombie >8 minutes long, 2 parts >1st part kinda emo indie folk, 2nd part more like sufjan stevens
>alt rock >folk >country >post rock >electronica >shoegaze >punk >ambient >pop >metal >emo >experimental >and many more
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cool dudes demented stuff. I dunno if I'd be able to enjoy the whole thing in one sitting but I sure do appreciate the utter madness. this is pretty original stuff. vocals remind me of black midi a bit. I'd turn up the volume on your latest track though original and pretty enjoyable in the quieter parts. the blast beat sections are a little grating imo John Maus type stuff. loved every bit of it. vocals are nice, same for the production and songwriting. liked and followed good relaxing music as always you definitely have a huge potential as a hip hop producer, man. crazy beat! very laidback. beautiful instrumentation and textures. some people might say this is overlong but I wouldn't agree with that.
Lynette: lo-fi, vinyl-sourced power / dream pop with a hip-hop bent. For the song we have posted, the main samples are from Elliott Smith, Aaliyah, and the 1983 Sumiton Church of God Choir band because I found an unopened copy at the thrift store.
recs: : I feel like this is actually close to being genuinely good. I think you could afford to be more experimental with the vocal chain, though. You've got a good croon for this kind of music but I think some additional treatment would go a long way in making the music more interesting. I would suggest experimenting with a harmonizer, whether doing it manually or with a plugin. Just blow up the vocal chain, try out different combinations and orders. Your voice lends itself well to post-production experimentation.
: Great sound. It reminds me of a bedroom pop version of Kid A / Amnesiac b-sides (mean that as a compliment). Very dense and texture driven, but the melodies are still very apparent and effective. I'm a "chord change" geek, I like weird chord progressions, and you really do a good job of keeping me guessing while maintaining structural semblance. If you were on soundcloud, I'd give you a follow.
This is pretty sick so far, great mix and treatment of samples here. Every vocal on here is great, I have never heard anything like this. Seriously, this shit is fucking cool.
This is some dark tormented, powerviolence schizo shit and I loved every second of it. Actually listened to half the project. Good stuff in this thread, new faces too.
No link yet cause this is just a demo, but I wanna see what other anons think. From my upcoming post-hardcore record which will be out in about two weeks hopefully. No vocals yet, unmixed. There are a few performance mistakes that I can patch up later. Will give other anons feedback later vocaroo.com/1b7YDXgFsjKt
>post-hardcore >emo >math rock >main influences are 90s Canadian bands: Shotmaker, Okara, Blake
Jaxon Ortiz
me The flow of that intro vocal reminds me of a darker version Pet Shop Boys which I appreciate listened to Wrong from How Music Ruined My Life. Overall the mix seems a bit dark, like it's missing frequencies ~10k and above. If that's the sound you're going for it's cool, if not you might wanna look into that. The instrumentals could also be a bit tighter, but the sloppy playing kinda leans into the vibe of the song your vocal delivery sounds uncannily like a dude i know irl. really delicate, i like it. I like the sparse acoustic guitar writing. reminds me of a less cringe version of Hey There Delilah
Eli Gray
There’s this one note that the guitar always plays that I got tired of hearing. Other than that though it’s very promising, come back and shill more when it’s got vocals added
Nathaniel Hill
so if schlipmagiger about an instrument its always to the same person? shazzbutt
Xavier Peterson
>two weeks
John Stewart
yeah i know its gonna be a crunch, i've accepted my fate. if im not happy with the quick mix i can always further edit it later, i just want some version of this record out soon