Personality in writing

Every person writes in a specific way. Based off your personality, mentality and experience tell us how you'd write.

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Poorly

I'd be too afraid of fucking up and write too safe, ironically leading to me being fired.

I'm a person who creates the entire story before writing/drawing, especially if it's story-driven and not immediately comedic.

Add some basic things like world building, backstories and some rules for myself to not get inconsistent and that's pre-production.

But I've so much fucking ideas spanning around my head that I'd go back to the pre-production to add it or go to spin that idea off to a new project.

I've written a lot of scripts and stories, so that's also that.

tl;dr - I try to keep it as structured and connected as possible, but my creative machine hampers me from going further

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You can tell bendis saw this growing up.

I would want to focus on the character's previous life experiences first. This will give me an idea how they will react in the story's plot progression and other character interactions. Without the problems of plot contrivances for the sake of it. True character motivations are key for a fleshed out believable conclusion.

I'm sure Bendis was in his 30s by the time this existed.

A poor imitation of the style of whatever I've been reading recently, even if I don't do it intentionally.

I love putting in relationships/characters working off eachother and complex or at least original emotional motivations for each character. I like to put in straight teamwork or concurrence based adventures. I'm really people focused but more so on my own emotions so I'd shill a bit of myself into mist characters. Most of my OCs are pretty much based on my emotional ramblings.
Minor things:
>build in all those things I've missed out on or want from life as opposed to most writers who do it based on experience (E. G. Romance, slice of life adventures)
>shill in all the things I love (at least one prom night episode for example, flashback episodes of old characters)
>think of emotionally conclusive ending and effective climax because those always hit me hard
>lots of epic bullshit
>intense yet cryptic focus on world building and intriguing details/background

This to some extent for me too. I like to think I've crossed the line of imitation to inspired most of the time, but I probably didnt

Just yesterday thought to myself that I'd probably hire someone for writing jokes that fit the tone because I'm a terribly unfunny person

I know how that feels. What makes it worse is that I have many important main characters that are supposed to be funny.

I have two methods of writing. One is just having the vague idea and outline in my head, and then just writing it without actual planning or outlining, making it all up as I go until I hit a wall. When that happens, I'm pretty much at a loss.

The other method I use is to plan everything out and write out all the lore and moments in the story, outlining it in great detail, figuring out the story from beginning to end, inside and out, so much that I rarely ever get to the actual writing phase.

Most of the characters and story and setting I have is pretty much an amalgamation of my actual life experiences, people I know, and all the cartoons and comics and games and stuff that I'm a big fan of, including the themes and messages from them that resonate with me. So, sometimes I have to worry if I'm just being too derivative, but they say "write what you know", and if all you know is comics and cartoons and stuff, then what can you do? If I wanna have a character based on my father with the powers of Spider-Man with a mech like SP//dr in a Cyberpunk setting with a nine-tail fox girlfriend, then that's what I'm gonna do.

I once wrote a sex scene that ended with scat. If I could write literally anything else as well as that one out of context scene, I'd be happy with my ability to write.
My greatest weakness as a writer is a lack of real world experience and understanding of the neurotypical mind. There are a lot of specific emotional experiences that I either can't or will never have, and that makes writing characters really hard.

I usually write clear simple but lifeless descriptions of a series of events.

Like a talentless hack. Where do I sign up to sell out?

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Nice try, CIA

Some jokes come as you write the story, but those are just the practical and situational gags

I like dark humor, surreal humor and that thing where you go with something completely ridiculous with complete sincerity- so here's hoping it shows through when I actually am writing

The fuck is you writing, son?

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>10
The shitposters were right, Yea Forums can't create

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>tfw you spend 3 years of your life obsessing over giant lavender shaded gargoyle cock instead of running your multi billion dollar company

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