If you had to pick the biggest stories in the DCU by decade, what would you pick?
Not the best necessarily... but the ones with a lasting legacy. Infinite Crisis was a huge story but 10 years on it doesn't really matter and the DCU isn't any different for it existing.
Caveat: The 1980s is Crisis on Infinite Earths. I hate it and it is poorly structured... but it is woven through the DCU's DNA. No debating that one.
Do we count the stuff from other companies that DC bought out later, or just stuff that DC themselves published?
Hunter Adams
90s would be death of superman
Nathan Wright
DC stuff that was DC at the time.
For me: 1930s -- Action Comics #1. Superman is introduced, spawning a horde of imitators and creating the 'superhero' as we know it. Plus it is a decent story and cements the social justice stance that defined superheroes until WWII.
I'm not fond of making 'character debuts' the most important story of their decade but Superman's first appearance literally did lay the foundation for the entire genre. (Some early precursors aside.)
Brandon Morales
>90s would be death of superman Bullshit. 90s is Kingdom Come.
Michael Evans
Death of superman almost crippled a whole industry
Jace Carter
Fair point. I was talking about the universe, not thew wider industry... but your argument is valid.
Jonathan Morris
Why are you idiots only focused on big "events" instead of what actually influenced the artform? The answer is the 80s. Not just for DC but for the medium. Stuff like Watchmen and Dark Knight/Year One have much stronger legacies than any action-figure smashing does.
Ian Bailey
Oh well kingdome come wouldnt matter anyway because lol elseworlds
Josiah Smith
i'm trying to think of a good one for the 60s and the flash of two worlds feels like the best choice. it established the multiverse and gets referenced even today
I thought the current trend was to blame that on X-Men #1?
Christopher Martin
Big time. The immediate years following Crisis I think are the best comics ever.
>Swamp Thing >Watchmen >Killing Joke >Animal Man >Doom Patrol >Sandman >Longbow Hunters >Atlantis Chronicles >Hawkworld >Suicide Squad >Justice League International >The Question Off the top of my head. Such a fertile period.
Sebastian Bailey
Starman and Spectre are pretty good too.
Ryder Cook
Post Crisis to like Infinite Crisis is the best DC era
Wyatt Reed
The 80s were pretty big in retrospective: >COIE >The Dark Knight Returns >Watchmen >The Killing Joke >New Teen Titans >Morrison's Animal Man >Moore's Swamp Thing >Morrison's Doom Patrol
Alexander Allen
Shit I even forgot all the great Batman stuff like Dark Knight, Year One, The Cult, Son of the Demon, Knightfall and others. Jim Starlin's run on Batman will always be a favorite of mine. Forgot those too. Yeah the decade following Crisis is just incredible.
Jonathan Miller
>Oh well kingdome come wouldnt matter anyway because lol elseworlds The mainline DCU spent a spent decade chasing Kingdom Come though.
Noah Walker
Agree on that one fore the 1960s.
Isaac Cox
Oh, and >Suicide Squad >The Sandman >Justice League International
Logan Phillips
People bought death of superman thinking it was the last appearance of superman and they would wait 20-30 years and sell the last issue for millions of dollars but that never happened because so many people bought it. Comics are valuable because they're genuinely rare, ac 1 is valuable because most copies were destroyed or thrown out or whatever. Xmen 1 and other (marvel) books sell so shittily that they reboot the series and have a big 1 on them, but the legacy number is still going higher. It also doesnt help that theres 20 variant covers so theres more copies of the same issue essentially floating around.
DoS is why everyone hates collectors
Aiden Lewis
Look at wonder woman
Elijah Perry
>Xmen 1 and other (marvel) books sell so shittily that they reboot the series and have a big 1 on them, but the legacy number is still going higher. It also doesnt help that theres 20 variant covers so theres more copies of the same issue essentially floating around. I'm talking about X-Men #1 of the adjective adjectiveless series from 1991. It's the highest selling comic of all time but they sold so many to comic shops that they could never move them all and it partially helped tank the industry.
Ryder Brown
Late 80s/90s/early 2000s DC was peak.
Parker Collins
so essentially most of the jeanette kahn eera
Matthew Green
New Earth Defense Force detected
Joshua Sanders
Oh shit yeah that contributed also. I bought a copy of xmen 1 for cover price a few weeks ago online.
Luke Price
When did DC became what it is today?Kinda like how Marvel became what it is today with Avengers Disassembled.
I would say it was Titans/Young Justice: Graduation Day, with identity Crisis and (later on) Flashpoint being the ones that solidified the change.
Ethan Thompson
For me, its doom patrol and JLA, Grant Morrisons greatest works.
Jeremiah Cooper
Unironically when dan didio and jim Lee took control
Jeremiah Walker
Yeah, that's another way of putting it.
Kevin Foster
Also when they thought it was a great idea to put bendis on action and superman. Jurgens run was really good and they messed it all up
Jonathan Gutierrez
It can be exactly pinpointed to Graduation Day. That's when it all started going downhill.
Leo James
>Jurgens run was really good Holy shit you must be a fucking retard. Jurgens wa shucking awful, nothing but jacking off to his shitty Cyborg Superman character.
Ryder Johnson
Paul Levitz retiring was the end
John Gray
Graduation Day was the first of a series of editorial dictates that killed DC's age of prosperity. But all of those dictates were just individual parts of a single vision. So yeah... Graduation Day is the first chime of a clock which ran the hour in 5 stages... or some other metaphor.
Brandon Lopez
90s: Death of Superman, Kingdom Come, Knightfall, and Morrison JLA 00s: Johns Green Lantern, Morrison Batman, Flash: Rebirth, Flashpoint 10s: Snyder Batman, Johns Justice League, Dark Knights Metal
Jason Taylor
Compared to bendis it was good
Parker Allen
Oh yeah I’d also say Injustice for the 10s. I thought it was a trash story myself but it’s become “baby’s first Batman vs. Superman story” and has really poisoned Superman to a certain extent. Now everyone thinks he’s going to go crazy if Lois dies.
Connor Rogers
No it fucking wasn’t you tasteless faggot. I’ll take Bendis Action Comics over Jurgens any day, Jurgens is the most boring fucking writer to still work for the Big 2. Nothing but rehashes of his old stories.
David Rodriguez
I won't even address whether I agree with that or not, I will simply say that you mongoloids can only think in binary terms and you're ruining this website for it.
Camden Foster
>someone on the internet has different better taste than you
Why does this upset you
Dominic Morgan
Definitely a milestone issue and I'll also add Green Lantern #40. It's Krona's first appearance in the DC mythos, this story serves as the jumping off point for Crisis on Infinite Earths #7. Krona wanting to witness the birth of the universe unleashes evil into the multiverse and he even travels to Earth 2 to corrupt Alan Scott's power ring. This brings the empty hand into the DC Universe and the reason why the Green Lantern Corps was formed in the first place.
Zachary Anderson
From the 80s to flashpoint DC was good. After flashpoint DC has been getting worse and worse. It doesn't help that they hired Dan didio and bob Harris, the 2 that almost bankrupt marvel in the late 90s. Also having jim Lee as a idea man was horrid idea. I used to like his artwork but it seems to be getting worse and he hasn't evolved it in anyway. One could argue it's gotten worse than when he first started.
Jack Clark
None of these are even disputable.
30s: Action 1 (Defined the American superhero concept) 40s: All Star Comics 8 (First superhero team, and the introduction of the shared universe) 50s: Showcase 4 (Flash II debuts, the first true Legacy hero, and the start of Earth-One) 60s: Flash 123 (Flash of Two Worlds, the multiverse begins) 70s: Green Lantern/Green Arrow (Grounded political topics, questionable grey morality, and realistic detailed anatomy ushered in the Bronze Age, which would define the industry for years to come) 80s: COIE (nuff said) 90s: Death of Superman (essentially removed the concept of death from capeshit comics forevermore, and would constantly be the aim of later attempts to copy its success) 00s: Identity Crisis (ruined DC for many years, with negative ramifications still echoing to this day) 10s: New 52 reboot, of course. Whether you want to define this by Flashpoint or by Justice League #1 is up to you.
As I said, none of these are even debatable, but feel free to discuss why all of these choices are correct. And perhaps come up with runners-up for each decade.
Mason Brooks
Ironically, I think COIE is the most debatable one if we count Watchmen as "DC".
John Hernandez
didio never worked for marvel my dude.
Levi Mitchell
Of course we should "count" Watchmen. What was more influential on all the comics that followed it? Nothing.
Isaiah Stewart
Bendis's Action hasn't had nearly the reaction of that shitshow when Jurgens had a white man who had just lost his job after being replaced by illegal immigrants (who wore Muslim clothes) shoot up the factory
Ryder Lewis
Wrong. OP said "DCU" not "DC Comics"
Leo Campbell
Oh. Nevermind then. Still it's worth pointing out that Watchmen informed the tone of the DCU after its release. But yeah, not a DCU story.
In that case I would switch my answer to Dark Knight which is DCU and equally influential.
Cooper Richardson
By DCU do we mean mainline DCU ?
Brayden Williams
DKR isn't half as influential as COIE. It's up there, but COIE inevented the line-wide "NOTHING WILL BE THE SAME" crossover event, which is STILL happening every couple months. DKR's influence has really come and gone in that period, despite its stature and importance.
Parker Murphy
>DKR's influence has really come and gone in that period, despite its stature and importance. Yeah but DKR also ruined the DCEU. (And a lot of other stuff as fuckheads latched onto its trappings and signifiers but missed everything about what made it work.)
Sebastian Williams
Crisis wasn’t even the first big event, Secret Wars was.
Colton Gutierrez
Paul Levitz was part of the problem. He let many of DC's most competent editors like Rasper and Helfer get fired while grooming guys like Dan Didio to be DC's top editor. As publisher Levitz imposed arbitrary censorship and editorial guidelines that drove guys like Morrison, Ellis and Millar over to Marvel. He is just as much responsible for the current state of current day DC as Didio and Lee.
Nicholas Garcia
It had lasting impact because the publisher and EiC of DC wanted it to mark the beginning of their decades long reign. So stuff like Kara Zor-el and Barry Allen being dead lasted until there was a regime change at DC
Owen Perry
>publisher and EiC of DC wanted it to mark the beginning of their decades long reign. You're either leaving some stuff out or are talking out your ass. DC did Crisis to make their universe more "modern", more "like Marvel." In the first half of the 80s, DC was getting absolutely annihilated in sales . Pic related tells the tale.