The Betty Cohen era (1992–2001) was different, truly revolutionary, rebellious, fun, and surprisingly (and ironically) anti-corporate. They made fun of themselves because they knew who they were, a channel built up on fond memories of the shows they used to watch when they were growing up but can now show to a new generation of viewers simply because they can. They didn't even TRY to be like their competitors because, well, they felt that their competitors sucked, a sentiment felt by many of the viewers back then.
They aired cartoons for the young and the young at heart. Primetime was filled with great programming and familiar characters. Sure, they developed brands to showcase their wares (Super Chunk, 70s Super Explosion, Super Adventures, Toonapalooza, Hootnanny, Boomerang, and Toonami), but there was a sense of unity and fun.
The Jim Samples era (2001–07) was the total antithesis of the BC era, particularly 05-06. Samples was more or less a lemming; the equivalent of a high-school wallflower trying to be like the other guys down to wearing similar clothing. The JS way kept it safe and corporate. They tried to pretend to mock themselves, but by looking at how they promote themselves, it's tamer than in years' past.
Samples believed that cartoons were just for kids and tried to separate anything that may remotely attract older audiences from the rest of the lineup, which was why Toonami was moved to Saturday nights, why Adult Swim became its own separate network, and why cartoons with huge teen/adult followings like Sheep in the Big City, original Cartoon Cartoons, Looney Tunes, Tex Avery shorts, Popeye, and Sunday Pants were removed.
Primetime in the mid-00s was filled with cartoons that relied on gross-out gags and kids creating chaos. Adults were rarely seen on the network in those days because they didn't want kids to know what they'll eventually become.
>yfw we will literally never EVER see Cartoon Network have its old level of charm and SOUL again.