>>107350153

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I'm going to mix things up for the X-Men storytime - I'll be including commentary from the now-defunct X-comic blog The X-Axis, because the guy who wrote it had a pretty good handle on the series and its early days

>As if you really need to be told, it's the first appearance of the original X-Men - Angel, Beast, Cyclops, Iceman and the original Marvel Girl, together with their mentor Professor X. The characters don't really seem fully formed - the powers are there, but aside from Iceman in the "youngster" role, they don't really develop their personality quirks until a couple of issues in. Cyclops is a bit officious at one point, but that's about it.

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>We see the Mansion for the first time, and it's identified as being in Westchester County, New York. The town was later named as Scarsdale in issue #99, and subsequently revised to Salem Center on thematic grounds.

>The X-Men are already formed when the story opens, although Marvel Girl only joins at the beginning of the issue. We don't get an explanation of how the team was formed until the "Origins of the X-Men" back-up strip, which ran from issue #38 to #56.

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>Xavier is training the X-Men to "receive his thoughts." Soon, he says, he won't need to speak at all! Obviously, that idea goes out the window fairly quickly. Lee and Kirby quickly settle down to the idea that Xavier can speak to you telepathically, whether you've had any training or not.

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>Iceman looks like a snowman in the early days. That lasts until issue #8, when he's given the more familiar ice design.

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>Jean Grey officially joins the team and becomes the original Marvel Girl. The story is clearly written on the basis that this is the first time she's come to the Mansion, hence all of the exposition she helpfully soaks up. All of this was swept aside by 1981's Bizarre Adventures #27. That issue has a Phoenix story by Chris Claremont which contains the first account of Jean Grey's origin (she was left out of "Origins of the X-Men", presumably because was already saw her join in this issue). In Claremont's version, Xavier met Jean years before this point and had been helping her with her powers for some time. He also suppressed her telepathy in order to help her cope. Later stories suggest that they spent some time adventuring together, most of which hasn't been depicted (though there are snippets of it in the Classic X-Men back-up strips). Anyway, all of that means that for continuity purposes, this story has to be read as if Jean and Xavier are putting on a show for the benefit of the other X-Men.

>Cyclops' real name is given as "Slim Summers." The nickname didn't last very long. Kirby also gives him a truly hideous pair of checked trousers.

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>Xavier says that his parents worked on the first A-bomb project. A recurring Silver Age theme was that radiation was, basically, magic and could do all sorts of incredible yet slightly scary things. These days everyone knows that it just gives you nasty diseases, so the modern equivalent is genetic engineering. The idea of Xavier's father (if not his mother) working on dodgy experiments stuck around, although references to the A-bomb faded away fairly quickly.

>Xavier gives a broad outline of the X-Men's mission which pretty much establishes the core concept. Mutants are people born with superpowers. He thinks he might be the first. (Later stories establish that he's wrong, but he never claims it as fact here, so there's no contradiction.) Ordinary humans don't trust mutants, so he's running the school in secret.

>Xavier attributes his paralysis to "a childhood accident." That's quickly forgotten about, and issue #9 substitutes the canonical explanation: he was injured in a battle with a supervillain called Lucifer.

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>This is Magneto's public debut (although later stories establish that he's been using the codename for some time, since his Nazi-hunting days, and he's had the costume for a while as well). His plan in this issue is, apparently, simply to make a show of strength. We don't get into his philosophy in any depth for some considerable time to come (and the all-important Holocaust survivor stuff doesn't come along for 20 years or so).

>The term "homo superior" is used for the first time, in a soliloquy by Magneto.

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>Cape Citadel had appeared before. It was the launch site for John Jameson's rocket in Amazing Spider-Man vol 1 #1.

>The missiles in Cape Citadel are "democracy's silent sentinels." We're never expressly told that they're nuclear, but Magneto does describe one as "the mightiest rocket of all." (Issue #300 contains a flashback showing a conversation between Moira and Xavier which makes clear that Cape Citadel was a nuclear base.)

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>Magnetism is magic and can do anything. Magneto can trap soldiers in "a mighty shield of magnetic energy" by "simply narrowing my magnetic waves all around the lesser humans." Later writers would at least try and justify this sort of thing by talking about iron in the blood and so forth, but in this story, he's effectively just a telekinetic.

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>We establish that the Angel straps his wings down under his clothes. It has to be said that this calls for considerable suspension of disbelief, given that they're enormous, but the explanation stuck for decades.

>Professor X has a jet that he can guide from the ground! "By thought impulses!"

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>Irrational pseudoscience (1): Cyclops' optic beam can penetrate Magneto's force field because it's "a natural counterforce to batter the unnatural magnetic field!" Er, why are Cyclops' powers any more natural than Magneto's...?

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>Irrational pseudoscience (2): Ice is attracted by speed. "Just as the hunter missiles are attracted by heat, so are the Iceman's ice grenades attracted by the missiles' speed!" Must have missed physics class that day...

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>At the end of the issue, one of the army officers describes the X-Men as "Uncanny." Presumably that was the inspiration for the later title change to Uncanny X-Men.

>Ah, the Silver Age. Let's be clear about a couple of things from the outset.

>First of all, 1960s superhero comics aren't for everyone. Yes, Lee and Kirby's work in the early sixties is a hugely important phase in the development of the genre, and it's all incredibly influential. Nonetheless, it's also pretty rough and ready by modern standards, and it would be fair to say that a lot of Silver Age comics haven't aged particularly well. Most fans find they can do quite happily without the Silver Age stories, and frankly, an awful lot of longtime X-Men fans act as if history started in 1975 when the book was revived and Chris Claremont took over.

>Secondly, X-Men isn't one of the better Silver Age Marvel books. If you're thinking of exploring the Silver Age, Amazing Spider-Man and Fantastic Four are safer bets.

>That said, these stories have an undeniable charm to them, aside from their historical interest. They're something of an acquired taste, admittedly, but there's certainly no point trying to review early sixties material in the same way as modern stories. If you're going to read this stuff at all, you've got to take a different approach.

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>That said, these stories have an undeniable charm to them, aside from their historical interest. They're something of an acquired taste, admittedly, but there's certainly no point trying to review early sixties material in the same way as modern stories. If you're going to read this stuff at all, you've got to take a different approach.

>Things were different back in the Silver Age. Let's be honest, there's no way you'd get away with some of these stories today. Besides, despite the impression you might get from listening to some people, things were much more relaxed back then. Stories were often a bit silly. Continuity was a tad loose. Stan Lee often couldn't even remember the names of his own characters. And, of course, a lot of it's very, very dated indeed. Depending on your point of view, all of this either condemns the Silver Age to a vaguely intriguing historical relic, or it's part of the charm.

>All that being said, the story in this issue is almost entirely throwaway. Magneto attacks a military base for no particularly clear reason, the X-Men fight him off. And that's pretty much it. Of course, it's really an exercise in introducing the characters - but one that reads a little strangely in retrospect, because the personalities were clearly still being developed, and key character traits don't really come along for a couple of issues. Frankly, it's an issue more famous for its historical significance than for any particularly outstanding content. It's not even one of the goofier Silver Age stories.

>But then, it's X-Men #1, and forty plus years of the X-Men start here. Historical significance takes it an awfully long way. Whether it's any good is almost beside the point. Any hardcore X-Men fan is going to read this issue at some point, if only because well... it's X-Men #1.

>In case you're wondering, Marvel didn't start crediting colourists until the early 1970s. The identities of Silver Age colourists have been lost to the mists of time.

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Peter Mayhew died on the 30th...

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... Bing Crosby, who narrated "The Legend of Sleepy Hollow" for Disney, was born 116 years ago today...

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... Chris Mulkey is 71...

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... Bill Sienkiewicz is 61...

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Reposting from a Moon Knight storytime thread from a few years back:

>this was actually supposed to be a seven pager when Moench wrote it, but Sienkiewicz went fucking crazy on the art and expanded it. Denny O'Neil never actually had any intention of printing it, but he had fucked up and had no back up issue to print. So Moench got a phone call at like 5 in the morning to come in and script it. So he was put in a little closet with a typewriter and started writing. It was even being lettered as the pages come off the typewriter. After two hours the issue went to the presses, and Moench was left wondering what the fuck Sienkiewicz did.

>It was later revealed Sienkiewicz was abused as a child, and went to town on this because he felt like he needed to. He had never told anyone before this, and this was his way of finally working it out of his system. Everyone was astonished, and it's part of why it's become such a classic Moon Knight issue, especially since Marvel never really dealt with social issues like these in such detail before.

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... Joe Murray is 58...

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... Adam Hughes is 52...

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... Bruce Cabot died 47 years ago today...

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... Christina Hendricks is 44...

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... Anthony Ainley died 15 years ago...

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... Peter O'Donnell died 9 years ago...

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Man, they all sound like jerks

Lee/Kirby X-Men is... interesting. They set up a lot of things, but good LORD is it rough.

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Cheers op

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... and Jackie Cooper died eight years ago.

Well, I'm done for today. I'll be back tomorrow, knock on wood, to give you some Dan Dare, as well as the usual stuff.

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bumping for OP