Genuinely creepy Yea Forums characters

What a great song. What a great villain.

Attached: Scarecrow.jpg (969x1079, 72K)

Making the lich into a joke of himself killed an interest i had left in the show, which was already wanning at that point.

Attached: 6D114E65-0AD3-46DA-92F8-5C63A492F6A4.png (957x769, 309K)

What are some good Yea Forums related examples of evil personified? I want SCP 3999 or 2718 tier incomprehensible mindfuckery that subverts concepts that humans hold to be self evident (time, the senses, etc...)

Attached: IMG_2459.jpg (1280x852, 222K)

Two out of three of the shows in that picture - Korra, She-Ra - don't intentionally disregard structure at all. In Korra's case the adherence to a structure is the problem in the first place. Is this just "new cartoons bad"?

AT had subversive elements from the get go. In fact, subversion was the basis for a lot of the humor in the show. It was also never about a grand, overarching narrative. I don't know why people expected it to turn into something it never was. Ironically, it would've been subversive if it had turned into a rigidly structured story.

If anything Korra and She-Ra are too by the numbers. The idea that they are in any way a challenge of basic story structure is laughable.

TLDR; that pic is dumb and you should feel bad.

Return the slab

Attached: King_ramses.jpg (960x720, 301K)

Great redesign.

CLARISSA'S DAD IS NOT FUNNY

Clarissa's dad embodies absolute evil. He doesn't give long monologues about how he's loves his children, or waste time by having sex with his catatonic wife.

When he wants to have sexual intercourse, he just enters his 8 year old daughter's room, locks the door, and rapes her until she wants to die in her own body and wither into the nothing her father treats her as.

Dealing with Clarissa's dad is serious and dangerous business.

It requires exceptional stealth and strategy, and knowing Clarissa and her family, they'll probably just let him keep doing what he does.

Luckily, hes just a cartoon and a figment of human imagination, sealed away in the pages and horrified minds who read the works he features in.

Still though, he's a powerful and evil force that's waiting patiently for nightfall so he can knock on Clarissa's door and unbuckle his pants and be the good father he thinks he is.

Luckily for us, there are no humans like him and there never have been and there never will be....right Yea Forums?

Attached: ADJxR71.jpg (150x150, 9K)

A lot of TMNT2012 villains, starting with Rat King.

Attached: tmnt-13-19.jpg (1280x800, 38K)

I feel like cartoons overshadow comics on this board.

Attached: 1546003062190.jpg (1232x1600, 437K)

Or this giant Cockroach-terminator thing...

Attached: giphy.gif (399x222, 1.29M)

Which turned into whatever the fuck this is.

Attached: Spy_roach7.png (500x281, 128K)

Attached: 1362271100264.png (765x815, 158K)

Or April's supposed mom...

Attached: Mother_thing.png (525x291, 253K)

Ha. Ha.

Attached: 1539183739157.jpg (640x480, 65K)

Odd choice of picture but ok.

TMNT 2012 had many problems but not one of them involved villains or characters in general and they were all pretty GOAT.

They subverted my expectations by making it fucking boring.

The idea of defeating the Lich by turning him into a living being is great and was the stand-out moment. However, they should have saved it for the end, but instead we had to deal with weird babyLich for the rest of the show, which went nowhere. And then the rest of the episode was the beginning of that awful "muh dad" plot.

Is he from Fritz?

Yeah

Attached: 1534150555648.jpg (550x550, 57K)

AT was not as subversive as a lot of people took it for. Though it appeared chaotic and random on the surface, a lot of its appeal came from quite traditional qualities: thrill of adventure, characters you could empathize with, interesting stories, heart. This is even true in Season 1, even if its less obvious. Paradoxically, this is what made AT subversive compared to the mostly straight, unserious comedies that preceded it.

>It was also never about a grand, overarching narrative. I don't know why people expected it to turn into something it never was.
People hoped it would be good. But it had no narrative. So it sucked.
In their quest to be subversive as fuck the creators just turned AT into a shitshow that spun its wheels for 12 seasons.

Please do not post this evil here.

>Unironically using that image

Attached: 1553025899048.png (726x520, 268K)

You're not wrong

He’s not even the villain, just a pawn in whatever twisted fantasy those lizards wanted. The real villain in Fritz is that we live in a society

Yes, this shit is literally all the same thing as "JUSTIN BEIVER IS CRAAAP I LISTEN 2 REAL MUSIC LIKE LED ZEEPLIN"

I remember when i was about 10 or so i saw the first subliminal message of my life, if you could even call it that, in one episode. I got so startled and freaked out i literally got sick, very ill, i think my pressure dropped or something as i witnessed the image of him flash on top of another character. Or perhaps it was a big coincidence?

Frtiz is the antagonist if you wanted to be literal. Blu is creepy because guys like him exist. Men who will stare blankly off at a wall for half an hour then randomly start beating a person with a wrench. No change in expression, no passion or emotion. He's just there.

I never know whether to count this guy as a terrifying villain or not.
Since the final reveal is that he's not as threatening or strong as he projects himself as being.

But the effectiveness of his projection is in itself his power and they do a really good job building him up.

>AT was not as subversive as a lot of people took it for.
I don't know what people took it for exactly, but there's no denying it has always had a subversive undercurrent to it. Episodes like the Witch's Garden where Jake doesn't actually learn anything, or Tree Trunks where she explodes at the end are classic examples of this. AT thrives off its offbeat nature and ability to surprise the audience. That's not to say that AT is completely absent of traditional storytelling of course. But it's weird to criticize the show for having a lack of traditional story structure in the later seasons, when it never really did to begin with.

I respect your straightforwardness.

I liked Sweet Pea, but I agree they should've done more with him. Kent Osborne said they were planning to if they got another season. Oh well.

>But it had no narrative. So it sucked.
Plenty of great cartoons have no overarching narrative. Go watch one that does if that's what you want.

The Beast was a little scary
Aku was too much funny but he had moments

Attached: Aku_by_Mystic_Forces.jpg (900x1165, 109K)

Define evil.

Pic related was pretty close. So was the Imperial Japanese Army.

Literally the most wrong statement on Yea Forums I've ever seen. It's always capeshit 24/7 on this fucking board.

Attached: Untitled.jpg (1280x720, 95K)

Attached: Untitled.jpg (1600x800, 279K)

Comics aren't live action.

I dropped it there because that should have been the conclusion anyway.

callahan

Attached: trumpnation-the-smiler-callahan.png (500x497, 428K)

Attached: 1356274543424.jpg (500x500, 45K)

Isn't that like Spiders-man?

Not only that, but AT never really had anything to do with traditional storytelling or conventional genres. It wasn't subversive because it never made any attempt to set up any expectations of a standard story to begin with.

AT never claimed to have a narrative.

>which went nowhere
He became new Billy at the end

Subversion wasn't the endgoal for anything in AT, people were just trying to tell stories they wanted to tell. Admittedly, not all of these stories were good, but trying to simplify it to the level of "duhh subversion bad" is fucking dumb.

All you see is an empty stare but there's a lot going on behind their eyes. These people are partially depersonalized and when they react in an extreme manner, it's because of how stressed they are. They want to break out of their situation.

Or they are on heroin and are too high to express how much they are getting off when they throw dinner plates at their wives. One of the other.