Pitch your cartoon idea

>side plot concerns the kitten
>when doggo was in heaven she meets a creepy mother cat missing her son and wanting him to see her very soon
>later learn that the mother cat in heaven was his mom and she tried to kill him believing he wouldn't survive the blast or after
>dog starts developing parental feelings for the kitten
>one day the kitten fails to get the dog and the prey gets away
>kitty scared of getting eaten runs away
>cat gets into trouble with mutant predators leaving zombie dog to fend them off
>dog forgives cat for his failure and that he's free
>cat stays with zombie dog mom because she's the only family the kitten's got

>legends of the talking zombie dog spread far and wide striking fear across the wasteland and end up reaching the boy who thinks it's just a myth
>the dog and cat eventually find the boy but he doesn't recognized her as the dog he lost since he was so young and thinks the dog just looks similar and doesn't believe in ghosts
>dog decides to keep her true identity hidden for now as not to scare him
>they soon get ambushed in a creepy forest by raiders
>dog gets shot to pieces or something and presumed dead
>dog starts regenerating before their eyes and shit gets spooky
>starts slaughtering the raiders
>boy gets held hostage by one of them
>raider know about the zombie dog legend and demands the dog to speak and explain why it's on earth
>dog starts talking and tells him she came back for her boy
>boy realizes who she really is and freaks out
>raider lets him go and tries to kill the dog as a prize
>raider cuts her eyes out and cuts her face off while trying to kill her
>they both "die" killing each other
>but of course dog get back up and slowly walks to the boy with her face cut open exposing her entire top skull and empty eye sockets
>boy is scared shitless but is to scared to move
>dog gets closer to him
>boy starts crying about how she should be dead and stayed dead
>dog faces him
>dog licks his face
>dog asks if he missed her in a joking tone
>she eats the rest of the bodies and the trio walk off into the dark unknown night as the credits roll

they already made one with bill nye

I don't wanna put a large idea so, think with the image.
And this song in Avatar Mode fights & scenes:
youtube.com/watch?v=uKRpAECFSzc
Let's dance

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Here's one I had a while back. I might have posted it in a couple of these sorts of threads some time ago

A dark adult comedy set in Hell, where seven (fictional) evil people from throughout history are punished by having to live with each other, with the character's original time periods ranging from prehistoric times to the twentieth century. I was thinking seven so that they'd each be based on the sins, but I might change that if I do any more work on this idea and it sounds too cliche. They live in a large house that’s a bizarre patchwork combination of homes from the various different eras they’re from, and the layout is often changing spontaneously, usually in a way to better torment its inhabitants. The seven sinners often try to put up with each other, find ways to make their situation slightly more tolerable, or try to reason with Hell’s higher ups for leniency. Of course, they are rarely successful in any of this, due to both their own many failings and due to the way Hell works. I think part of what I'd want to focus on with this idea is that there'd be all sorts of people from different cultures, places, and time periods throughout history in the same place, as I don't see that touched upon a lot with most fictional afterlifes.

I haven't really thought much on title ideas, but "Living Hell" is sort of the working title.

A cartoon about JUNKERS

I'm gonna break the barrier and destroy western animation.

The idea I have is gonna be an action comedy show revolving around six or seven stickmen imprisoned inside a dimensional universe by a mysterious Big Bad. They are guided by a wise man who can communicate with them via hologram and the man helps the team train themselves to eventually kill the Big Bad by defeating multiple monster enemies and stickman antagonists that are scattered across areas of the imprisoned dimension.

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Regular show but for adults.

Sure why not

Sounds interesting

>sex, drugs and swearing.
Can it still have those? And violence?
But not JUST those, there would be actual substance as well, but those aren’t off the table, right?

I have this concept about a show that have this one guy explore the internet. Like the guy would wear what looks like a spacesuit with a bracelet. The bracelet is like a browser, it controls us and what we can do. While the spacesuit is more like the protection we have. Like adblocker or something. Websites are like planets and search engines are like our ride to that planet. There's also links which are codes to be used to instantly teleport us to that planet. The story would be about the guy at first having fun exploring the internet. So, memes and all that. Go to Yea Forums. Meet /pol/. Go to reddit. Meet lefty/pol/. Youtube, advertisers. Anime users. It will have all of that. He was having fun until our guy here, meet one hacker where he will learn the world of hacking. Then he will work with the other guy he met to stop a hacking syndicate.

An animated adaptation of my novel.
Think about it, my novel has 2 stories, the first is about depression, war, tragedy, death, consensual romance, complex argument, vengeance, sex and more related to sad stuff.
The second story has everything first mentioned but sex consensual scenes, 80's, street fight scenes, disco dance scenes, karaoke scenes, musical events scenes and more.
I could go bankrupt but I assure you that it will have prestige, quality and international recognition.

DiY or DIE
That's not development meeting

Mooncorp
A comedy about a future mega corporation that operates on a moon with the corporate building being the size of an entire city
>Straight edge cyborg businessman and his perky genetically modified catgirl assistant trying to not get murdered by their coworkers and while trying climb up the office ladder
>The escapades of two clone guards of different ages with one being a spry cadet fresh from the academy and the other being a jaded older clone from an early batch fighting breached mutants and poor people from the space slums.
>Bumbling Scientist trying to come up with new products and services to sell and the unethical yet funny shenanigans with little to no foresight.
They all have to watch out or else the budget won't be the only thing getting cut.

As long as it's not completely about those. Treat them like spice.

>story is about group of paranormal investigators in a future that's basically a milder version of the bad future in Danny phantom
>ie paranormal shit has gotten to national emergency levels, governments have legit witch hunting divisions, ghost science, ghostbusters and shadowrun style tech
>how magic and the paranormal works is based on 70s parapsychology and chariots of the gods type stuff, with touches of Lovecraft and old marvel horror.
>main mythology sources (where the gods and monsters come from) are Greece, pre Islamic Middle East and pre Colombian meso America .
>most of the first world nations are in a semi military paranormal control group called the edf, as well as parts of Western Africa and Central America.
>each geographic region of the edf has a sort of overseer who is nominally in charge of the area in all paranormal matters.
>Middle East is fucked to hell, so are the Slavic areas both are unaffiliated.
>Edf overseer of the Pacific Northwest has an idea to make a completely expendable strike force with scientific training.
>made to come in to solve problems that require precision and scientific know how but have a high mortality rate.
>scientists and specialists who no one will mis if they die are in short supply.
>decides to enlist double agents who they think have gone native , criminals with science backgrounds and their own employees with shaky records.
>series consists of a team of criminals, hackers and weirdos unintentionally uncovering and stopping larger and larger conspiracies that are unified by a great big one
>big one literally goes back to the beginning of time.

If people want I can post the characters but I feel that the setting is the major drawing point and the deep lore will be revealed over the course of the series itself rather than from the get go.

This is some twelve oz mouse shit and I love it.

This could be handled well but if done poorly it could end up as deviantart Warriors fanfic shit.

>Setting
A fantasy world that's little more than a series of floating islands floating in endless sky.
Everything is powered by crystals and everyone can do magic. Big magitek crystalpunk aesthetic

>Main Characters
-A happy go lucky optimist country girl. Shortstack, thick curly red hair with freckles and denim overalls. Stupid(ly strong) and straightforward. Youngest of 12, dad's a veteran.
-A mischievous, competitive city girl. Slightly taller, thinner, and better dressed than the other two. Only child, raised by overly strict immigrant parents. Basically the Vegeta/Sasuke to country girl
-Sad, anxious nerd boy tagalong. Equal height to immigrant, more willowy build, glasses and big clothes. Spoiled by overprotective single mother. Used to exposit relevant setting info, for comic relief, and to play damsel/techie for plot grease.

>Plot
The kids go to school to learn about the setting and the different laws/applications of magic. This lets us drip feed the audience information as the kids learn it. This will be mostly episodic lessons and adventures in the form of school activities. Magical training can be as wacky and fun as imaginable. Basic lessons about playing nice, working hard, respecting others, etc will be punctuated by big magical spectacle, usually in the form of action.

If the series got popular, I'd do a second book where they're aged up to teenagers and are sky pirates or something. Pivot to something more actiony. Then if this idea was still clinging to relevancy by then I'd age them up AGAIN to pivot towards something like political drama, just because.

Only 90s Kids Will Remember...

An obnoxious Macaulay Culkin-like child star in the early 90s gets bashed in the head by an angry director and goes into a coma. He finally wakes up in modern times, now a child in a man's body with all a child's drives and desires, and tries to continue living like he did, but reality always gets in the way and his attempts to hang out with modern kids either backfire because he's so out of touch, or he comes off as a pedo unintentionally. Whole episodes are about him trying to acquire lost childhood toys that are now expensive collector's items. His childhood bully from before he became famous is now the closest thing he has to a friend, as he's arguably even more pathetic. The director who bashed his head in is now a famous "woke" sitcom producer and corrupt as all hell, and he occasionally hires hitmen to do away with his old nemesis lest he tell who hit him in the head. Our hero's parents are also so deluded and boomer-ish they act like nothing's happened, and try to explain away their son's long absence to neighbors as him being away making foreign films and then attending college, and try and fake him being a success; they still give him the same $20 a week allowance he used to get. The closest thing he has to a love interest is this nerdy nostalgia-freak neighbor girl who acts like she was a 90's kid because she was technically born in the 90s (11:59 PM, December 31st, 1999) and is a fan of all his shitty films.

There will also be a talking Eel in a tank, but it will be left ambiguous if the Eel is a real anthropomorphic animal, or a product of the main character's enduring brain damage.

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A young man/older boy is framed for a crime and must leave his upper middle class family life to live incognito/on the run. He is found by a middle-aged woman who is an experienced member of the societal underworld and the two form a pseudo mommydom/ss type relationship. It would be an urban fantasy action series with the woman doing most of the fighting.

Post - scarcity society
Mongolian Astro-turf image board
Now that's just for starters what next, how is this a show? Who are the characters? Are they memes? Can we get away with that in this post-christchurch shooting?

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>it's a slice of life cartoon about a guy who did a ton of horrible things he did in his youth and high school who regrets doing those horrible things and being an asshole, attempts his best to become a new man and genuinely nice guy to seek redemption for his bad deeds.
>sometimes he tries to contact the people he's bullied on social media and vents of how much of a bad person they were to them, seeking forgiveness, but either gets no response or is damned to hell.
>he gets a job where one of his co-workers is is a girl he bullied in elementary school.
>she doesn't give him the time of day either for forgivenessand doesn't believe that he's a changed man
>she goes out her way making multiple attempts to either get him fired or make his life a living hell
>guy notices her attempts and tries his best too not stoop to her level or go back to his old ways, and finds ways to avoid getting fired from her bullshit.
>sometimes she gets it her way, but somehow doesn't end in him getting fired from job.
>times goes by and more and more start to hate main character over false rumors generated by female coworker.
>at some point main character just breaks down over how much he's trying his best not to be a better person but this one chick isn't giving him a chance

>vents of how much of a bad person they were to them,
he was to them*

That's all I needed to hear
>A twenty-something college dropout with no day job living off his middle-class brother in LA has his monotonous life turned upside down when a stray cat possessed by his dead father and a Dirty Harry-ish loose cannon vampire agent of a sort of MiB organization that deals with the paranormal and supernatural wake him up in the middle of the night.
>Tom (let's call him Tom for now) puts his life on the line trying to protect his cat-dad, who's being hunted by the vampire, and impresses him enough that he decides to try getting him a job at the organization/agency.
>Now Tom has to balance his private life (relationship with his brother, reconnecting with his dad, adjusting to his new apartment roommate, and trying to find a girl he can actually form a meaningful and stable relationship with) with his job, which at first is working at a secret warehouse facility, as well as being an informant for his "partner"
>Drama, comedy, action, and a few other things depending on the episode await as Tom, Rodney (that's what we'll call the vampire for now), and the whoever else gets involved have to make do with whatever life throws at them, it won't be easy, but that's just how it is.

All I got is kid show ideas. Though you could probably just add swears and sex to bump up the ratings.

1. Jenny Averagegirl was just your normal teenage girl, until one day, after a series of extremely unlikely events, she managed to get turned into a Vampire AND a Werewolf. Now she has to try to juggle a triple life, hiding her werewolfness from her new vampire friends, her vampireness from her new werewolf friends, and BOTH from her old human friends.

Things get REALLY complicated when she starts several simultaneous relationships with some boys and girls among her carefully segregated social circles. Throw in bitchy ghosts, jealous selkie bitches, finding out your human crush is from a long family line of monster hunters, and all sorts of supernatural drama it' s a wonder how she can keep her whole life from falling apart.

She's not completely alone in this charade. She has her ambiguously magical childhood bestest friend in the world, Placeholdername Mysterygirl (man what IS her deal? witch? Fey? Angel/demon? Eldritch thing? Man fuck if we know) and uh, apparently her own Shadow has gotten up and decided to evolve its own kinda rude personalty.

it's a cash grab vaping cartoon that's like avatar the last airbender.

2. A Single mother lives out in the vaguely scandinavian kinda magical wilderness with her seven daughters (ages 8-14) just a few hours outside a moderate sized town.

Here's the twist. With the exception of her oldest daughter, all her kids are half monster! The third oldest is part succubus, the youngest is some kind of werewolf, another one got horns and a tail ect. ect. Everyone mostly just has slice of life wacky fun and small adventures with moderate supernatural magical realism bullshit.

Don't think to hard about the Moms sex life please.

No need to be so lewd.

>(ages 8-14)
The Loud Fags cometh

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Here’s my movie take on the old tale “the princess who never laughed”. A princess is born. She almost didnt make it through birth so her parents signed a deal with the devil. And if she laughs the whole kingdom will perish in a natural disaster. She is raised by her sister and is nicknamed “Misery”. Then a cartoon girl from toontown wonders into town after running away from home, she wants to know what its like to be sad so she finds her way to the dark halloween miserable kingdom where Princess Misery wants to laughs but cant. The toon girl makes misery laugh and they both get casted out. Thats all i wrote so far

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>Go looking for work.
See your character's already too morally superior to be relatable to television audiences. Are you going to make a television show for Telemundo or something here?

Im also thinking maybe the ending climax could be Misery and Patch the silly girl making there way to hollywoodland and fighting the devil himself to get rid of the curse in his movie studio where enemies will be different vices and drugs kinda like cuphead.

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I'd like to help, but I'm tired now, could you please bumb the thread tomorrow?

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I want a cartoon that features the entire bat senpai. Episode one is ducks parents getting murdered and the first few episodes are just him and Beuce and Alfred but as the show continues and the seasons move forward we get pretty much the entire family and all relevant story arcs. Jason dies and becomes the main villain for a season before getting a redemption thing, Babs is a badass before she becomes a cripple and learns she can do more for her family as Oracle. Eventually we get Tim, Cassandra, Stephanie, Damian and Kate
And Ace

Aw. This reads like Culkin's Last Stand. Don't worry. Reads like a fated series. Name could be Awoken.

muggle muggle-studies-teacher at off-brand-hogwarts.
MC is a fucking useless shitbag who's got some knowledge of the modern world, but not any practical skills. after a blood transfusion or an organ transplant or something (or wearing tinfoil hats) he's able to see through the "someone else's problem" field and is basically hired because the other teachers are fucking useless.

most of the humor is highly related to tech..

guy/muggle could also be an exchange student who got the wrong address.

A show with no gay characters.

Towns and school districts function as city states, vying and clawing for supremacy through high school sports and territorial conquests. Order is kept largely through the strength of Incorporated, youth, typically in high school, with promise and drive enough to create their own circle of clout.

The story focuses in on three individuals trapped between the warring of two rival school districts. A rising basketball star sick of all the posturing and pillaging that comes with popularity, a chronic loser-turned deserter now caught deep behind enemy lines, and a bright-eyed lone idealist desperately trying to fix their broken world. Together they, and a small but growing cast of friends/allies/enemies launch a rebellion, not just against the Americana kingdoms they serve, but against the entire natural order of their world and the powerful gods who will do anything to keep it that way.

Think Greek epic mixed into high school drama, with a healthy dose of black humor all around.

Ok so when i was 13/14 me and my friend had this cartoon idea where 2 dumb ass's based on ourselves me being a pot head thinking every idea is a bad one and my friend be a violent hot head the big plot was that my character and my friends character got the cops called on them for loitering or something dumb and my pot head character convinces the hot head character that we should flee to the forest where they find a trailer with some other characters loosely based on people we know irl like a dog (based on a quiet kid) that wouldn't bark wouldn't talk or even move much but there would be moments where the viewer would hear the dogs thoughts and this dog is super smart and talks about how big of a dumbass everyone was we also had an idea for a girl character that was based on a guy we know and would constantly talk about girls and have girlfriends he even dated his cousin at one point. We had some other character ideas but the main idea would be two dumb young adults try to live off the grid and me and my friend also wanted to center alot of the comedy around currant events kinda like Southpark with a animation style like Hot Streets or a toned down Superjail

Cyberpunk setting with a kind of decopunk aesthetic. The two main protags are both people suffering from the side effects of cybernetic implants that stunted their physical growth, in that both are very short.
Beatrice is a genetically and cybernetically augmented human, previously an agent for a shadowy government agency. Her enhancements make her muscles and bones much more dense, but her primary implant is effectively an extra lobe in her brain that gives her inhumanely fast reflexes. Installing this ruined her ears, so she has bunny ears on top of her head. Has lived her life so long as an agent that she can't really function as a normal citizen, gets by in service industry. Also, mild addiction to violence as an art form, even if repulsed by actually hurting people unnecessarily.
The other is a vitriolic English expat/second generation British/Pakistani, nicknamed "Paddy." Hers was a medical suite that serves as a live in doctor, but viewed puberty's flood of hormones as an attack, stunting her growth until someone finally noticed something was wrong and corrected it. Still like... 4' nothing and built like a 14 year old. Overcompensates with hard drinking, smoking, swearing, but is an immature mess on the inside. Massive lawsuit against the company and doctor responsible means she doesn't have to work, does so to keep busy.
Together, they will learn to be functional human beings through the power of friendship, and occasional bouts of high octane violence, as Beatrice's vents her "problem" occasionally on mafia wiseguys that patronize her workplace after they leave.

A short miniseries about twenty or so episodes about the lost soul of a child, who is saved from eternal death by the visage of a motherly like woman in a dying purgatory. She helps the child understand the world they've fallen in, a dead world devoid of any color outside of the one from their own soul, outside of that which occasionally falls from the sky and brings back dead plants. Over time this child must travel this realm in an effort to cope with the realization that yes, they have died. The woman whose there, their surrogate mother, eventually sets them out to try and be reborn on Earth by leaving the purgatory.

Dark atmosphere, quiet moments a plenty, not so much dialogue, and plenty of ambiance. The point of it in essence would be how to move on from Death, with the child occasionally getting glimpses of the life of their parents and how its affected them, along with some other moments.

would watch if it ever became a thing

id say change the name to nostalgia goggles or some shit

3. Last one. Setting is vaguely defined quasi-medieval fantasy mishmash. Mostly a character comedy so we can make up world details as we go along.

Our main and most important character is Knight Herogirl. A freakishly strong and tough 12 year old girl who is brave, kind, and dumber then a sack of rocks. She's obsessed with being a hero in general, and rescuing Princesses specifically. Her favorite things are telling people she's a knight even though she isn't, Princesses, fighting and roughhousing in general, sketchy dark brooding anti-hero dudes way to old for her, meat, punching wizards, and unicorns. And also her best friends. And really pretty Princesses.

God she loves princesses.

Her three best friends are

Sidekick McCynic Del Getsownedalot. A 15 year old compulsive Crimester with a comically absurdly tragic backstory that constantly gets added to every time we flash back to his childhood in The Worst City, the Worst Country. Even after all this time together Hero still thinks he's just some sort of Bard or Entertainer, considering that was what he was pretending to be when they first met. What he actually is is a liar, thief, conman, prostitute, begger, haver of MANY little knives, cat burglar, second story man, and other such euphemisms for "taker of other people things". His cowardice is match only by his ability to hold a grudge, and he's mainly here to be the one to notice when people are trying to take advantage of how fucking dumb Hero is, and to be the one to suggest going in the backdoor when the front gates are obvious suicide.

Poshaccent Wildgirl. 14 year old brown jungle girl who's secretly a run-away from a rich family. She's got cat themed shapeshifting (she can do both "scary werecat" and "tiny kitten") and other moderate druidish magic like making vines grow from the wooden spears she never seems to run out of and such. An expert on monsters and animals and the wilderness and can be REALLY smug about it.
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well, an idea I've kicked around that's a bit more Yea Forums than Yea Forums, but it's basically a post apocalypse harem series. I'm guessing I lost you already.

But basically focuses on the group of survivors coming together, learning to trust eachother, work through their issues, contemplate the future of humanity, finding beauty in nature reclaiming the world, and protect themselves from the hardships of broken society. Oh, and dealing with loss because characters will die. A lot. (like, Darkest Dungeon shit)

First act would be about getting the group together and learning survival in a cabin in the woods. Then they find out nuclear plants across the globe have begun failing because no one is maintaining them and need to start moving to find a new and safe place to settle before they just become full stalker.

I'd like to think relationship drama would be over with quickly to focus more on other stresses of a post apocalypse world. (even simple shit like someone catching a flu can be bad when medicine isn't easily accessed and you're trying to stay on the move and madmax cosplayers might be out to eat your skin)

I dubbed it: There Will Come Soft Rains

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Both of those are good titles, actually.

yesterday i saw a glimpse of something. only for an instant a vision struct my mind of something new, an image worth grasping, but it faded as quickly as it came.

And her last best friend is: Her Magic Armor!

She wears some magic armor that is actually a wisecracking low level shapeshifting demon. It's TECHNICALLY cursed, but Hero and the demon get along so well that he doesn't ever bother to do any of the usual things he does to fuck with the people that usually try to wear him for his powers. The powers arn't TOO impressive. A general boost to strength speed and toughness and some utility tentacles. "Man, Hero didn't even know I DID any of that when she dived into the dungeon to find me. All she wanted was, aha, I'm not one to spill a friends private hobbies to strangers."

Other Important characters:

FKP (Frequently Kidnapped Princesses)
Most Princesses only get kidnapped once or so. But a few manage to be less lucky.

Supersweet Surprsinglyfrisky; An almost annoyingly sweet and kind 13 year old who at this point is obviously intentionally getting kidnapped as an excuse to get rescued by and subsequently reward Hero. Has a oddly intelligent tiny magical animal companion of unknown species.

Elfbrat: Haughty bitchy elf princess who is here specifically to get competently owned as often as possible.

Goblin Princess: Goblins don't actually have a monarchy, but Hero is dumb as hell and No goblin girl can resist an easy mark.

Not Princesses:

What If That Girl From "It's not my fault I'm not popular" was also an evil warlock and was torn between her petty evil childish bullshit and her crush on the entire hero team.

A Dragon Who Turns into a little girl and likes to pull pranks.

Young boy takes a poop. Poop comes to life and they go on zany adventures.

This would probably be the only one of these to get greenlit, sadly.

Isn't there an actual real cartoon on tv about a kid with a ghost coming out his ass?

bretty gud

Beat out Hazbin Hotel

>Beat out Hazbin Hotel
What do you mean?

Well since you asked... I had an idea for an adult cartoon.

The story revolves around a young girl, an ambitious zoologist engineer who wants to change the world with her inventions. After getting fired from the local Wildlife Preserve, she applies for a small organization for mad scientists made up of only four members:
>A retired, old, and egotistical physician and his dimwitted zombie best friend
>And a oblivious but kind robotics engineer with a robot for a husband.
Together they all conduct in crazy and/or dangerous experiments and end up in all sorts of weird but funny situations.

The Band of Merry Men
>Sir Hammersmith, a brave knight, is tasked by his monarch to cross the land of Scarshire in order to defeat Lord Albatross.
>Albatross is a cruel despot, who seeks to conquer the land of Scarshire and seize the throne to inherit its riches
>Along the way, Hammersmith encounters and recruits other brave and foolhardy warriors to aid him in his quest
>A bard, a priest, a warlock and a barbarian
>Hammersmith reluctantly recruits the last two characters as they simply seek revenge on Albatross.
>Along the way they encounter Albatross' forces, citizens in need of help and general fantasy monsters.
>Towards the end of the series, Hammersmith and the barbarian actually become good friends despite their differences.
>During the final battle against Albatross, the barbarian sacrifices himself
>After the final battle there's a touching scene in which Hammersmith carries the barbarian out of Albatross' fortress, insisting on a proper funeral.
>Upon returning to his monarch, Hammersmith is informed of further developments in his absence. Setting up a potential follow on series.

I'm sorry this wasn't too original, but fuck it, I just want a nice fantasy cartoon.

>An Angry Sloth
>Reviewer
>Jewtube Channel
>a group of losers obsessed with sloths.
>/Pol/
>Jaja Dab
>Rees Emith

What do you think about life?

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>Cartoon idea.
I have a comic idea. Cartoons are bit of a longshot and you have to aim to be a certain thing when making a cartoon.
Basically. A young man is informed by a talking animal that he is the reincarnation of a long dead prince consort, who was to be wed to a woman who would one day be the queen of the cosmos. An evil witch however intervened, killing her and him and now he is to help her rebuild the kingdom and bring peace to the universe.
The issue is that the girl that was supposed to be his wife? She's been missing for close to five years.The Witch was found dead around the same time, almost atomized. Her demons have turned to crime and have pretty much taken over the city's underworld.
With little choice but to investigate, he sets out to find out what happened.
There is no part of me that does not think this is a weird idea, but it is an idea that I've been working on recently. If the set up wasn't obvious enough, it's Sailor Moon where Usagi went missing and not only Beryl but Metaria were killed. Tuxedo is left with a mystery and a bunch of incredibly powerful demons to deal with, with little to no actual powers.
So to explain what this would actually be about beyond that vague premise, I think I like magical girls shows. Sort of. I watched the original Sailor Moon as a kid, never really watched any other anime and when it got more accessible and popular tried to get back into it and sort of came into a very changed idea of what a magical girl was. Not pretty cure, Pretty Cure was good for a magical girl show but the recent trend in terms of the militarization, deconstruction and having magical girls use guns.

The idea of a magical girl using a gun annoys me. It's just such a mundane and ugly weapon. I own several, like shooting them, read and watch plenty of films about guns, but in the hands of a magical being such as a magical girl, it just seems so boring in comparison to the fact that they're fucking magical. If anyone should be using a gun, it should be the useless as fuck Tuxedo Mask, and that's how this idea got birthed.
Start with a Tuxedo expy, who ends up having to use guns as the non significant, relatively speaking, member of the cast, and gradually expand the story to look at how magical girls have changed through the eyes of a long dead trope that really doesn't exist anymore. See how it has changed, and not shit on it, but just ask why now a lot of things in the genre are about guns and mental trauma.
As for why the main character is a Tuxedo Mask expy, it's not that I particularly loved the Tuxedo Mask archetype, but that writing a male as the main character would be significantly easier in the long run than focusing on female characters from the word go.

Basically just Rorschach from The Watchmen just being himself his own animated series. If it were to be an anime, it'd be animated by Trigger.

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>fetish fetish fetish fetish fetish fetish fetish fetish fetish fetish

try again, sweety :)

It's like jury duty but regular people become superheroes.
You get a summons for selection and if they pick you, they give you a pill or injection containing a temporary power specifically made for you and your objective.

Buddy Cops crime procedural, Set in a quasi 70s Detroit-esque Emerald City, starring the Scarecrow and Tinman

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Your channel is shit Doomentio

Well, Im interested.

I’d watch it

Music of the Heroes
An action, drama, fantasy, family cartoon.

A teenager and his younger sister, search for their parents in a world cursed with eternal overcast by the gods. With the help of a former greaser Maine coon, a pirate captain, and a genius inventor. They all search around the cloudy globe for clues to uplift the curse, all while occasionally pursued by assassins’ hired by a mysterious demon girl who wishes to become a goddess by stealing the magic held within the boys violin and the litte girls pendant.

Set in an alternate Earth with eternal overcast and in the late 1950’s with both human and animals living together as well as music being a powerful source of magic.

Episodes will consist of villain of the week characters with weapons powered by magic. Other episodes where the main characters travel to different parts of the world, exploring lore, legends and myths of the gods and of those different places. Occasional demon girl facing the main cast and also go into stand alone episodes as well and emotional episodes on the main cast being a family.

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Is the Cowardly Lion their Huggy Bear?
Who's the gruff Chief of Police? Because it better be Dorothy

Thought I'd join in on this.
Been working on this idea of a fantasy world and the people in it losing their ability to use magic and focus on the effects of that. For example no one really knows what magic is or how it works but they know how to use it (I imagine it like how a 5-6 year old uses a iphone or tablet) in various ways like medicine, making normally infertile land fertile, enchantments, etc. The majority of elves in their hidden kingdoms have mutated into monsters, living mockery of there once proud race. Only the nomadic elves and those out outside of the city remain unchanged though no one knows why. Dwarves rule the mountains and the sea as 2 seperate nations on the verge of war. A crisis in the north goes unnoticed. The reclusive northman have all but evacuated for a reason no one believes. Disease runs rampant and the kingdoms that have survived are almost on the verge of collapse. Daemons in this world i imagine as these massive insects that live undergound with some being somewhat capable of speech. I could go on and on but that's just some of the stuff I have as of now.

A group of Furries have to juggle their responsibilities at work/college etc with their urge to be who they really are.

A society of various primates. Not Planet of the Apes, just human society except with chimps as the majority, bonobos as the secondary majority, mandrills, baboons, oranguatans, macaques and the like.

It would take place in a company or organization with each type of primate working a certain department, meant to represent business politics rather than races to show archetypes of people one works with in an enterprise setting.

Yes, the show will be called "Monkey Business" and it'll drive you bananas.

Characters
>Malachi, the maine coon (pic related, that’s how big they can get). Lots of personality (like his breed), brave and enthusiastic when adventuring. A good investigator, has ties all over in the criminal underworld and is GAY (sometimes sleeps with other animal guys to get info or things he needs/wants).
>Age 24, white fur, curled Pompadour, black leather jacket, blue jeans, white t-shirt and a white scarf around his neck. Equipped with pistols and special gloves that tranform his claws into giant blades of magic made by the genius inventor.

>Esperanza, the spanish pirate captain. Age 22, scarlet hair, red coat, white blouse, chinos and black boots.
>two separate personalities, on land she’s cool and prideful, out on sea on her ship she is energetic and optimistic
>Golden pistols and a lone sword hilt of silver that can create any sword blade she wants with magic, also made by the inventor
>knows a vast arange of sword styles and techniques, to other pirates she is known as the “Crimson girl”.

>Thomas, the genius inventor, age 50, white hair and beard with a black diamond down to the tip. Dark grey coat, crimson sweater vest with white button up under. Beige pants and dark boots.
>builds machines that run on magic and hopes to revolutionize the world against the harsh polluting machines that are almost in every city
>vast knowledge on myths, legends the gods and magic
>learned how to store magic in his body and mainly fights hand-to-hand as well as creating objects and or weapons out of magic
>charming, gentle and caring, he loves Malachi and Esperanza deeply and wants to protect the children whom he let stay with him and the others in his big home

It's a interpersonal drama about a super villain with a good super scientists persona to the public. He's trying to change the world for the actual better and use his supervillian alter ego to do the things society disagrees with. He's also the puppet master to most of the super people that are starting to rise up in the shows setting of 1930's-40s eastern seaboard america. The world's a bit different with him introducing computers and robots in the mid 20s.
The stories would mostly set around 30s esp pulp style adventures as a backdrop but with the main character being almost to aware at how silly it all is. His drive Is based on his father's wishes to actually change the world for the better as he was a Victorian Era superhero, who never felt he had a positive impact on the world with his powers. The show if allowed would run up to about 1969 where the final plans of planetary unification are at hand and all the shadowboxing is dropped. Art style would liked to be fine in 2d, kinda in that sketchy style in Oliver and company.

I'd give you 2 seasons and a toy deal

More Characters!

>Alex, age 15, white button up and black dress shoes. Big round glasses and a violin case with a wooden silver violin that has been passed down in his family for generations and blonde hair.
>wary, nervous of strangers and naive of the outside world due to living all his life at home with his parents and sister in the woods far from the city
>intelligent in all kinds of animals

>Anna, age 7, long blonde hair with a black headband with a little bow tie, her dress is white along her torso and her skirt is black, white stockings and black dress pumps.
>wears a pendent that’s been passed down throughout generations
>cheerful, optimistic, thoughtful and generous, but naive of the outside world like her brother
>is a beautiful singer

>Demonica, age 12?, blonde hair with most of it tied behind her, a red coat and red pumps
>secretly a demon who was once a powerful demon lord
>smug, deceitful, full of wrath and absolutely no empathy
>only wants magic so she could become powerful enough to be a god
>hires assassins to track and retrieve the magic pact items of the children

I have more stuff, but I’ll post later if this thread is still around

Done, but on the conditions that Maurice LaMarche doesn't play too many characters and Terry Crews plays one of the mandrills, no gorilla roles for the big guy.

An adventure in Late bronze-age caucasia. I have become a bit infatuated with the era. Not really certain what it would be about. If I make it all magical and shit people will just compare it to Conan the Barbarian.

Deal. Also, zaxbys chicken is a major sponsor for some reason

The Unremarkables

It's a show about a world of superheroes and villains where every main character is a regular person with no powers. Episodes follow the life of one of several characters including:
>A broke college kid living in a low income neighborhood that was previously destroyed in an apocalyptic event. The rent is cheap due to how fucked the neighborhood is, but the downside is the place is a haven for Kite-Man tier criminals and 80% of the residence are assholes as a result.
>A detective who's entire life's goal is figuring out the identity of the country's most popular hero. Literally nobody he knows wants him to do what he does, but at this point, it's a compulsion more than anything.
>A 1940s business man who after coming into contact with a speedster, finds himself in an alternate Earth that takes place in the modern day. He's trapped in a reboot of his entire life, and has to adjust to everybody he ever knew from his friends to his family being essentially recasted.
>A brown-nosing mook from a long line of mooks, whose only friends are also mooks. He's currently the employee of the month for a low tier Supervillain. Everyday is a blessing, and he does his damn best to make his psychotic murderous boss happy.
>A boy who discovers the secret lair of a villainess when exploring the woods. The villainess doesn't have it in her to kill the child, so they just sort of hang out every Tuesday and she shows off her dank ass inventions.
>A woman trapped in a city that was thrown into another dimension last week. There's aliens FUCKING EVERYWHERE and this woman has to do her best to integrate with them.

I feel like something like this would work better as an adult cartoon, not for sex or excessive swearing, but just as a means with getting away with mooks having guns, and nice, pulpy damage when apocalyptic events are happening in the background.

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As somebody who kinda hate Oz stuff, this looks dope as fuck

What the fuck is wrong with sex and violence? These things form the foundation for all the "content" in life.

You know the movie Hackers? That, but it's an anime series spanning like 100 episodes or some shit

A Jewish mouse moves to America at the height of anti-immigrant xenophobia in the mid/late-19th Century and witnesses the Know Nothings beating the shit out of immigrants coming off the boats and the racial terror of the Klan burning crosses on their lawns to intimidate them.

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a big black trans man with a huge cock dick teams up with a 14 year old onions boy to take down the president

>trans man
>huge cock dick
choose one.

Gathered some ideas to piece togeather for a show which derive from Kill Bill, Samurai Jack and Afro Samurai.
>Setting
Basically a Kung Fu/Western atmosphere in terms of music and how the law is, where there are gangs, individual duels, bandits, etc.
Some crappy motorcycles and horses are transportation in this fictional setting in Japan and some villages act as the western towns.
>Characters
Lonesome wanderer who works for a ninja clan trying to be the best at everything which is his main flaw. His name is Jack reminiscent of Samurai Jack and Jack from Metal gear who are good at everything but this Jack isn’t making the “Jack of all trades is a master of none” his character arc. He wants to be the best or “number one” reference to Afro samurai but isn’t driven by revenge rather obeying the clan the best out of everyone. However his master (Voiced by Jackie Chan) tells him to help the younger students to truly prove it, as he had the same experience when Jack was young.
Jack has a friend named Jerome who is a black friend who isn’t like tucker from rush hour or Danny phantom or ninja ninja from Afro samurai, he is Jacks older mentor from when he was a kid who teaches jack just as much as his sensei.
>plot
The show would stick around adventures assigned by the clan to jack and Jerome where jack would appear, prepared and by the book to the task where Jerome would sometimes agree or try to abandon the job when another member of the clan is taking the task which sparks conflict with Jack. Jack never wants to admit that he needs Jerome even though Jerome would admit that he needs Jack. Jack also trying to keep his name an identity changes his name a lot, like John (Reference to solid snake and John Wayne and John marston) Jango (Jango Fett), James (Wolverine). Many western referenced some people who expose jack on his name changes call him the “man with many names”.
Which may be the name of the show I’m not sure.

Except excessive sex is fine.
Drugs is also fine.
Swearing on the other hand do get obnoxious.
Case in point: Three Robots

What about those with more feminism than actual substance?

No, the chief of police is actually another Oz Character, Ms. Tollydiggle who also happens to run the biggest brothel in town, the Jailhouse, which coincidentally is located in the back half of the building the Police Station and Jail is in.

The Cowardly Lion is actually a Vice cop with another Tinman, and are styled after the guys in the Miami Vice movie (Jaime Foxx and Colin Farrell), and are kind of the foils of our heroes, giving them a hard time and being douche bags.

As for the heroes, ,Detective S.Cary Crowe, graduated top of his class from Emerald City Police Academy, with the highest scores ever both academically, and on the shooting range. Crowe is super smart, "How smart is he?" you ask? He's a walking forensics lab, a law book, and criminal photo index in one. His expert marksmanship is attributed to his ability to visualize and calculate the trajectory of the shot before its fired. He carries a police issue Smith & Wesson Model 10 .38 Special. That suits his by the book personality just fine. He always wears a hat, and his patchwork brown suit, with an extra tight tie to help keep his stuffing in. With Det. Crowe, it's always cerebral. His partner is quite the opposite. For Detective Tim Woodman, its all about the heart, transferring in from Vice in Winkie County. Det. Woodman is passionate about life, passionate about his police work, and certainly passionate with the ladies. This passion has a flipside, and Woodman often found it hard to control his temper. Eventually, he learned control by becoming a practitioner of the martial arts. A Black-Belt in several forms of Kung-Fu, He has taken a vow to only use non-lethal force, and carries his shotgun, a Remington 870 Marine Magnum Shotgun aptly named "The Axe", that fires beanbag rounds to incapacitate a fleeing criminal instead of wound or kill him. He always wears his sunglasses, and always dresses to impress.

Slice of life teens with lewdable designs.

>A guy gets abducted by aliens and taken to their planet. He teams up with other abductees and escapes their prison. They now have to survive, and find a way back to their homes.
>Group of explorers are trapped in the jungle; or some other dangerous area, and get split up. They all try to find each other and a way back to civilization. Some make it out alive; others won't.

The first reminds me of when Twilight was still big and I had some awful story in mind for a derivative in which vampires and werewolves had their feud but both had a mutual hostility to witches because while vampire and werewolves were victims of circumstance with their supernatural ailments, witches -- while more long-lived than humans -- could CHOOSE a relatively normal life and instead actively sought to meddle in dark arts, which made them ironically less "natural" than vampires or werewolves.

Since witches set off alarms in both a vampire and a werewolve's senses, they never bit one without making sure to completely kill them, as a vampire or werewolf biting a witch and turning them would result in a Succubus or Skinwalker respectively, both of which were considerably more dangerous to whichever group turned them.

In the act 2 finale, little miss fuckwit, our protagonist, is a fledgling vampire that gets hunted down by the antagonist witch character and baited into biting her because she's such a newbie vampire, and shenanigans ensue from there.

precious

Do you have ideas for the characters? i know you specified fictional villains but i can assume you are gooing to be basing them off of real conquerors or leaders like genghis khan, caesar, columbus and hitler and such

a young aggressive, troubled black man named Trayn meets a young white woman, and she says she has been sent to earth to protect him from the dangers of inner city drugs and gangs that he is around every day. She tells him that her sisters have protected mortals for thousands of years, and her and her sisters have been regarded as "guardian angels" since the dawn of time. She becomes attracted to Trayn as she guards him, and threatens the ancient laws of the Angels when she want to have intense physical love with Trayn.

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please call it hero duty

this could work great as an anthology of different people bitching and trying to get out of hero duty and the shenanigans

I'll take 500 copies

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There's full penetration. And we show it.

>Hey Trayn wanna fuck my heavenly pussy and knock me up with your human seed and make powerful nephilim babies?
>I've been ovulating since the dawn of time.
>No Way, Fag.

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wasn´t there a live action show with that concept that bombed?

An alien crash lands on Earth next to a young man from a small town. Trying to immieditely kill his ass, the young man instead beats the alien down. This sets off a chain reaction, drawing alien empires, magical kingdoms, government orginazations, ancient conspiracies to the town to try to fuck up this young man.

Posted this in the last one of these but to sum it up again. Adventure of the week, about a guy who doesn't want to be involved, tries to actively avoid being involved but keeps winning fights with the extraordinary, leading to a constant wave of assholes trying to test him.

No real serialized plot, aside from an occasional status quo changer like him leaving the small town or acquiring a weapon of some sort. But really just about fights, adventures, and comedic situations.

Currently in the process of outlining and writing two plots. One where he accidentally punks an alien conquerer in front of his would be bride and sets off a wave of attempts at public duels to restore his honor and one where he's hired to basically be a bad luck shield as an ancient archeologist explores a tomb.

Eldrich Hills
>A neighborhood called Eldrich Hills for some mysterious reason is starting to attract unnatural beings like werewolves, robots from the future, aliens, vampires, etc. Luckily for said unnatural beings, most of the people in it are selfish morons who care more about their own problems than discovering the paranormal events in their town.
Basically, the town people are living in their own stupid soap opera while paranormal beings are infiltrating their neighborhood. Keep in mind, not all of these creatures are evil. Some of them just end up there to try and live a normal life and are even better people than this neighborhood inhabitants. But there´s also the creatures who seek to cause harm.
I plan it as a dark comedy.

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>1920s London
>3 Kids
>Betty, a batshit little diva who's a bit sociopathic and likes pink fluffy things. Will always fight to get whatever she wants, even if it means setting the world on fire
>Glasses, a pale, sickly child and a total sociopath. Locked his emotions in a box a long time ago (literally, he keeps it in his closet). Is great at planning and is Bettys accomplice in nearly everything she does
>Little Phillip, a complete weeny and pushover. Has some wit but is too polite for his own good. The other two bring him along cos he has money and is fun to push around. He sticks around since he has no other friends
>The three find a magical shop that showed up one day out of the blue. Run by the mysterious Dr Astoundyn, who talks in rhyme and looks like he belongs in a creepy carnival.
>Sells magic artefacts for excellent prices. Usually end up biting the user in the ass
>Plot revolves around these three shitty kids buying artefacts and fucking around with them. >Masks that turn people to stone, imps in bottles, forbidden tomes, all that good shit

It's simple but I think the character interactions and situations could be fun

I had a few so far, such as a cavegirl who's become highly intelligent from existing for so many thousands of years in the afterlife (as well as highly arrogant, as well as rather unhinged from spending the majority of those many thousands of years being tortured).

no clue

Ace Combat animation taking place over the events of Unsung War and the Belkan War

Swat Kats in space.
But it's more along the lines of a slice-of-life Megas XLR
and they deal with military junk and alien tech.

Not the samon but...
I explain those ideas in the novel, son.
I only need the budget & the greenlight someday.

A.C.T. or Anomaly Containment and Treatment
Ya know how in Invader Zim there's clearly aliens and big foot, but no one really cares or is to stupid to notice?
Well its kinda like that. This entire organization is essentially made up of nothing but Dibs and Dippers.
It's made of nothing but dorks, nerds, geeks, and losers because they were honestly the only one's who cared about all this stuff.
The rest of the government branches knows about this stuff but couldn't care less, they're all too busy tracking your personal information and cracking down on movie piracy. Yes every branch.
So all these dorks from every branch who cared (mostly janitors or rookies) came together and formed this part of the government.
And to be frank, they're PRETTY low on the government totem pole.
But they're all just happy to be their own branch and excited to meet all the monsters they were big fans of when they were kids, or they see in their games and movies.
They're also pretty nice to the creatures they capture and house cause they know what its like to have people who just kinda treat you like dirt, cause that's how they were all treated working for the other branches of the government.
Its also a reoccurring joke that they're the only branch that does anything of value, and they're always being out done by the V.C.D. (vegetable crimes division).

>Show follows an Yea Forums style weeb and lolicon loser. Total wasteoid who's a loser in nearly every sense of the word.
>One day while going to the pawn shop looking for anime bootleg shit, he finds a gross old katana.
>Buys it for like 5 bucks.
>Spends a week cleaning it and getting it to look sorta nice.
>After cleaning it, the sword "awakens". Turns out the thing is magic and now he's bound to it, he's now the chosen one.
>Grants him amazing sword skills with no effort. He's the greatest swordsmen ever.
>Fucks around for a bit being a jackass and trying to be cool and not caring that he's the chosen one.
>After a while, reality starts to catch up, and two guardians of the sword come to him to force him onto his destiny of being a hero and saving the world from a major threat.
>They travel the world, and it turns out a lot of myths and legends are true, and life is more like anime than the weeb though.
>That also means that weeb realizes everything he's done and idolized has major consequence.
>Try and bring more real world logic and consequences to fantastical ideas commonly found in fiction, mostly anime, but not just anime.
>Weeb kinda realities he's a shitty person and starts to grow and mature.
>Battlles all sorts of season bosses who work for the big bad.
>Near the end of the story it turns out the big bad threat is already dead, but he's been replaced with:
>The original chosen one. When the weeb bought the sword, he stole his destiny and left him a shallow and broken loser. HE was supposed to be the real hero. So instead he became a villain and is trying DESPERATELY to kill the weeb, not caring he'll probably kill everyone else in the process.
>Starts out as fun, weird, slice of life comedy and deconstruction of common things in fiction, slowly turns into a very late coming of age story as you watch this garbage weeb grow and realize his faults.
>No deepest lore, but over arching plot and character development.

I have an idea of an action comedy horror show about an unemployed guy that get's a job in as a janitor in a multi-national company building. In his first night cleaning the multi-story building he finds a secret room full of strange artifacts.
Among the artifacts there were a pair of bracelets with strange patterns with a strange red light glowing on them.
Out of curiosity he tries one of bracelets on and inmediately it closes on his arm and he can't open it.
Out of fear of this strange event and afraid of getting fired if someone saw him wearing company's pproperty he runs around the bulding trying to take it off using different and hilarious methods (from pouring detergent on it to try to smash it with a stapler) in his state he didn't realised that the other bracelet followed him from a certain distance.
In the mean time a vampire girl was flying around in her bat form searching for a midnight snack and noticed a hysterical man running around screaming inside a building and thought that he may do it, she turned into mist to go through the building windows.
She then tranforms into her voluptuous sexy form and seductively walks towards him.
The guy is completely oblivious of her presence until she clears her throat, the moment he makes eye contact with her she mesmerizes him.
When she is about to bite him the other bracelet jumps in the air and closes on her arm.
Surprised by this she loses focus and hypnosis is broken. The guy takes the chance to run away realising that she's actually a vampire. The moment he is 10 meters away from she is pulled towards him by a strong force to the point she is flying in mid air screaming.
The guy thinks she flying towards him and ducks, the girl crashes face first into a wall and for the guy's surprise he feels pain all over his front body and screams in pain.

it's made out of muscle from his thigh, he can flex 20 pounds with that thing

fixed: slice of life teens which are all technically above age of consent but are all of different alien races that look like underaged girls AND they all get into sexytimes with each other in between workplace conflict and city living

give trayn more expressive range so he doesnt look like a racist cartoon

Friendly reminder that no one needs people who can only contribute ideas. Literally everyone has them. Consider picking up a craft if you want to see any of these ideas happen, even if it's just a writing class. And a special shout-out to those of you already on your way to making your ideas happen!

>And a special shout-out to those of you already on your way to making your ideas happen!
Just you wait!

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>team of teenage monsters (and an adult) going around solving mysteries and fighting monsters. The group live a double life as normal teens dealing with teenager shit. But once the sun sets on the horizon, the fangs come out. (The team’s main gimmick is that they’re based on universal horror monsters apart from hellfyre and yurei.)

though there will be sex references and weeb shit but it's a dime a dozen

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While all this is happening. In the first floor a wizard that was working as an intern entered in the artifact room to catalog them and realized that the bracelets were missing, then he heard the screams that came from the upper floor and runs there to see whats going on.
When he arrives he witnesses the scenario and he demands them to take off the bracelets and give them back. The guy and the girl start to blame the other for the terrible situation.
The wizard says something like "am not losing my chance of getting job for this shit" and starts shooting spells at them.
The guy and the girl run for their lives and the wizard runs after them without realising the colateral damage his actions are causing.
They end up reaching the basement where the wizard corners the vampire and the janitor. He casts a big fireball. The duo ducks and miraculously evades it.
When the fireball hits the wall the resulting explosion reveals a hidden chamber with a lot of machines and in the center a big block of ice.
The sound of an alarm starts to echoe through the building and the block of ice starts to melt revealing that inside of it there was a big muscular man wearing a leather armor and a big broadsword on his back.
The trio doesn't have time to understand what's going on be cause the left wall explodes and a group of armed men storms into the room. The wizard tries to calm them down telling them that he has everything under control and that he was an intern, to what the soldiers respond by shooting him in the arm. The wizard screams in pain and falls to the ground.
The muscular man perks his head up when he hears the scream grabs a big computer and throws it at the soldiers, then in a fast movement he punches the opposite wall down grabs the janitor, the vampire girl and the wounded wizard and runs away from the building.

And so the adventures and misadventures of this weird group begins. They got together by a series of unfortunate random events...or that's what they think.
Chased by a mysterious company.
Traveling around the world trying to solve mysteries like what are the bracelets and how can they take them off, who is the barbarian man and why was he frozen in the company's basement, would the janitor and the wizard get new jobs and so on.
In their travels they learn a lot from each other and start to reluctantly bond and trust wach other in different slice of life situations. Like the barbarian that carries around the vampire girl's coffin during the day that the wizard transmutated it to look like a cello case (but sometimes he forgets what it actually is and uses it a melee weapon).
They realise that the barbarian has something that he calls "heroic instinct" that makes him jump into action whenever he hears/sees someone in distress (this start's a fair amount of shenaningans). They learn that the vampire girl is also a tech genius with the capacity of hacking any system and create gadgets, the wizard understands that he can't rely on magic alone and starts to train with the barbarian as his coach. The janitor is street smart and for some reason the bracelets grants him half of the vampire girl's abilities.
Eventually a old catholic priest, who's also a war veteran, joins the group and becomes the jack of all trades of the team and sometimes the voice of reason of the team.

>different altered earth where Humans are Extinct and monster rule the earth. An evil monster who is the ruler from the underworld, decides to pull together a death tournament that will be broadcasted on t.v. Only few of the monsters are based on the Universal classics but, with an edgy flare. (Like a Cybor vampire or a Ninja Zombie) And, the inspiration for it was Horror and Mortal kombat or any 90s arcade fighting game with a spooky halloweenie vibe.

Sure. post the characters

oh man. guess i'm not the only with that idea...

>Scooby doo band of charachters do an /x/ meetup
>go to this town where spoopy stuff reported
>incidentaly, the spoopy stuff is real, the anomaly only started ramping up and the scooby doo kids are on the scene
>the anomaly is basically this psychic thing that projects the concerns of a nation into physical form
>wtf!? noise happens, kids get savvy to the anomalies shenanigans, CIA, FBI, DHS get involved, initially tell the kids to fuck off
>bad idea, kids were autists and knew their shit
>cia guy leading the investigation/cover-up goes depresso-loser mode and starts drinking and basically needs the kids back
>kids start saving the day in that one town affected by the anomaly.
>effects of the anomaly are stuff like terrorism, vidya, facebook, school shootings, anything.
>a guud excuse to be politically incorrect.

This sounds awesome as hell, sign me up!
Also
>Tinman with an afro
that's just hilarious

Cartoon about two twins who hunt monsters together. the setting is a ripoff of MH with a trillion other vidya references and total object lifts for background design. The warrior bro kills monsters and is good with melee weapons, and the brother is a sorcerer in a world where magic users are rare. The warrior brother is ditzy while getting on his brother's nerves, but they both fuck things up for the other about as often. The palico-ripoffs both can talk but they never get any real lines because they are subhumans, except for in the one episode where they get captured by a cat tribe. Obviously the hunter has a more friendly relationship with his apprentice, since they hunt together(and he loves cuddly animals), than the wizard has with his(who he just has fetch random materials, or uses for blood sacrifices)
it would work as a kids show if not for the fact that i want both humans and monsters to get gored to bits by violent cartoony slapstick, before being healed by potions (or turned into weapons and armor)
I am going to start storyboarding the first episode soon and i already have a script pastebin.com/uGrT175K

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youtube.com/watch?v=luvP9AKlXfs

You're never the only one with that idea user. Don't bother about being the first, push to be the best.

Anthro horse girl is a delivery girl in a cuttthroat world of deliveries. Pony Express!

I've had a third season of Wander planned out for a while now and the response was positive last time so I'll share it again with some bonus stuff

>main characters are Lord Dominator and Lord Hater
>main theme of the story is how being yourself can be a bad thing when you're a piece of shit and how if you want to be happy you have to change
>Dominator is the A-plot, lands on some shitty dilapidated workshop in the middle of nowhere and spends her days in a depressed, resentful haze drinking her sorrows away; basically acts 5% better than unfocused Hater all the time
>Eventually is found by Wander, cue some S1 Hater-esque antics before she has a stroke of genius and makes a deal with him where she'll go along with all his fun activities and games and other bullshit if he brings her building materials from his hat every session (which she claims is for a new ship, but is really for a new suit of armor)
>Rest of the season is about her slow mental degradation as she refuses to make any sort of moral or other compromise due to pride and denial of her insecurities and general unhappiness, distancing herself from Wander and any chance of redemption more and more as the plot goes on
>Hater is the B-plot and his arc is about initially going through a massive ego trip after conquering the entire galaxy and becoming loved among the people before having to deal with the escalating sense of boredom and general resentment after becoming sick of the complete lack of interesting activities and opposition, but mainly due to loneliness because Wander isn't around anymore and Peepers is too busy with re-organizing the galaxy remnants for subjugation
>both characters end up as shades of themselves by the end as a result of this
>penultimate chapter is the Galactic Villain Federation making a return to the galaxy, headed by a concert thrown by Emperor Awesome; Hater attends it out of boredom
>Dominator hijacks it with her new suit and everyone but Hater dies

1/2

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A show about a washed up former teen sidekick who comes out of retirement after his mentor dies

>As a big fuck you play and for the sake of theatrics because that's what you do when you're the bad guy, Dominator performs Gives You Hell to Hater with holograms of herself for the backup vocals and instrumental (i'm planning on making an animatic for this)
>After this is over and they talk for a bit the climax arrives which is
>Dominator and Hater beat the absolute shit out of each other, Dominator because she's gotten to the point where she considers him a worthy opponent after that whole thing with nuking her ship and wants to go out with a bang and Hater because he's just such a miserable person at this point that he wants to take it out on something
>This goes on for a while with motive rants and personal admissions and all that
>Both of them knock each other out eventually and Hater wakes up first on the other end of the planet
>Wander finds him and Hater confesses to him how he still feels like shit, how this didn't really solve anything and that he doesn't know what to do
>Wander tells him that it's not worth it to hang on to the bad things in life and think about what would make you happy, actually happy, and try to do that instead
>Hater takes this to heart and goes to find Dominator
>Eventually does, her suit's a wreck and she looks worse
>Hater comes and sits by her to make amends and apologizes for how things happened
>Dominator finally breaks down completely from this (not in a positive way), partly because she's the bad guy and doesn't understand on a basic level why anyone would do this after being hurt so much by them and partly because she doesn't want to face the fact that she hates being all alone so much and mostly because she's just fucking tired
>Hater tries telling her what Wander said but fucks it up so he just gives her a hug instead
>Dominator stops before weakly returning it

And that's all of it

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Are you having a stroke?

"Devil on my Shoulder"

The ghost of a young, abusive mother haunts her son with overwhelmingly strong Psychic Powers, and slowly grows to love him (again) as he struggles to come to terms with his emotional turmoil and desire to be loved.

>Set in vaguely 90's/00's/10's America with some elements of 40's-80's technology

>Major focus on the mother/son relationship, but the arguably main conflict of the story is the son growing as a person and trying to better himself when facing off against antagonists that only care about power

>Continuity is fairly strong, specific 'arcs' never last more than a few episodes with the exception of the long-term character arcs of the protagonists.

>conflict would be centered around or be connected to the son and his own feelings. ideals, desires, etc; never about if he can win, but how he solves a physical threat to himself and the consequences for it

>Show/story ultimately ends with the mother moving onto the afterlife and the son no longer needing her

1. Adult Show

The Bar at the edge of Reality

An anthology series about a seemingly ordinary local bar and grill gets transported to other worlds across the multiverse. A place of sanctuary for the residents to relax and vent to the local bar tender and his adopted daughter

2. Kid's show

The Life and Times of a Pixie

In ancient days gone by, the forests were protected by spirits and fairies who kept balance and protected all who lived in the wood. Thousands of years later, a brother and sister find an ancient secret and a hidden village of the forests long lost protectors; the pixies

I've had a story brewing for about 9 years now, and i've been waiting for an opportunity to show it. Here's a little "first episode" pitch for you guys.
>story revolves around a guy whose parents were abducted by aliens when he was a kid
>He's had a shitty life since then, living in an orphanage and currently in a crappy apartment
>one fateful day, he finds an alien in disguise while on a snack run at the convenience store
>jackpot
>he takes this opportunity to finally find out where his parents have finally went (and maybe escape his shitty life)
>he follows the alien to an underground facility that (as he later finds out) collects information about and protects the planet Earth.
>he gets caught by other aliens after sneaking in, and since humans aren't supposed to know that this place exists, that puts him in a bad place.
>he escapes from the two who catch him and find out that the facility is actually hiring
>idea.jpg
>When the aliens who originally caught him catch up to him, he offers them a proposition, where he works in the facility and he doesn't tell anyone about the place.
>one of the aliens decides to humor him and ask the boss if this human who just broke in could have a job.
>the boss says yes because they're THAT low on employees and they need a better way of researching humans than just looking at them through screens.
>The guy's plan actually fucking works, and he is now employed as a janitor in this alien facility.
That's my pitch. the rest of the series revolves around him making friends with the other aliens in the facility, visiting other planets (each with their own carefully constructed ecosystems, histories and cultures), and just doing fun stuff. Also, pic is of one of the aliens who originally finds him sneaking about. She's the medic of the organization.

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>6 hours later
Yeah, i had one.

Series about a group of weebs
>Socially normal casual anime fan
>Hardcore elitist who hates everything after 2005
>Black guy who only watches DBZ and other shonenshit
>Tumblr artist who's big into yaoi
>Zoomer who thinks MHA is the best anime ever
>Trap who doesn't even watch anime

Ed Edd n Eddy n Purgatory

Comedy/Horror

Exactly what it implies. It's the theory but less stuck up it's own ass and grim about it. The Eds and the rest rest of the kids are dead and stuck in purgatory after a mix-up with afterlife paper work.

Now the kids must survive and be judged in a realm that is nether paradise nor damnation.

All while a trio a succubi tempt the Eds down a path that leads all the way down.

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A series set in the future, in a post-intergalactic war Earth. Now open to alien races who wish to settle on the planet and integrate, the central government wants to keep xenos entering Earth in check and maintain peace so decided to outsource this job to private agencies. This is where the main cast comes in, a small agency set up by a former soldier who served in the Earth defense during the war. The cast are as follows:
>The boss who is a former soldier. Little is know about what unit she served or what rank she held but most assume it was important. Level headed and a bit of a hardass.
>A cyborg who helped found the agency with the boss. He use to be part of the local police force but due to an incident where civilians were caught in the crossfire, he was forced to retire. Has hang ups about fighting due to the incident but usually saves violence as a last resort.
>An alien thats a vampire squid like humanoid whom use to be work on trading ships. Despite being a xeno, the boss saw potential in her experience dealing with other alien races. Is the most comedic of the cast.
>Two human siblings who have went through genetic splicing and posses animal features. The older one's a reptile the younger one's a cat. Use to work for a crime syndicate until they felt underpaid and accidentally murdered the head in an altercation. The boss bailed them out of jail on the promise that they work for her. The older one is more hot headed and aggressive while the younger one is laid back.
>A mad scientist who was kicked out of the institution due to his questionable research on xenos. The boss hired him for his knowledge on aliens and to develop weapons for the members to use. Amoral individual who only wishes to get a greater understanding of aliens.
More characters are suppose to join the agency as the series progresses but this is how they start for now. Every episode will be about them tackling problems to do with human-xeno relations.

Thanks for the kind words! Not gonna quit my dayjob, but it's nice to see people thought this had potential. I was worried it would get compared to Bojack Horseman, even though I was inspired by Get A Life and Being There.

OK Yea Forums, I'll be giving feedback from the perspective of a potential exec. The suits are who you really need to impress. Why would they or would they not greenlight your show?

>Zombie Dog Mom
NGL, on a persona level I really like this and think its absolutely intriguing. However, this seems really risky and I'm not sure who'd watch this. How many adults are down for something about talking animals? How many teens are interested in a show where (adoptive) motherhood is a theme? This getting greenlit requires a strong programming block to offset the risk of this.

Truthfully I think this might work better as a movie or mini series. I would have it animated in its entirety, no live action (because it's more expensive and visually jarring) and I would condense your opening as much as possible, perhaps in a sort of montage form. Dog loves boy, dog plays with boy, family sad, dog dies, apocalypse, kid misses dog, dog rises from dead as we hear the demon's voice over. You want to get to zombie dog in 10 minutes or less, preferably 5 and I think it can be done. I don't think we need to see dog heaven or the kitten's mom. People don't want to spend 20 minutes being sad and won't give the rest a chance. With the right character design and some comedy elements you could pull off a Tim Burton type of creepy which has broader appeal. With strong character animation it could even be a mostly silent movie where the animals don't talk (I think you should be open to this, could be really cool).

I'd greenlight this for a Halloween special.

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I think this is interesting but very vague. I think he should have a more interesting motivation than looking for work, that's boring. Maybe he's a travelling photographer or something. How and why does he get wrapped up in this? While currently this is too vague for me to greenlight I think you can shape this up into something interesting. Focus on an Americana theme, almost like a travelogue show where the character interacts with real places and local legends instead of just making up towns and monsters. Its intriguing for Americans and would be interesting to people in foreign countries who might be unfamiliar with American paranormal legends and conspiracy communities.

Other ideas: are there any recurring characters for him to interact with? Since you mention AM radio maybe you want to look into HAM radio, CB radio and trucker culture as additional subjects to pepper the show.

Try pitching this once its better developed.

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interesting elevator pitch but you need to give more to get this greenlit. This is one of those pitches where the core idea isn't bad but not super stand out so it all comes down to execution and you need to present more. It sounds like a comedy.

I've seen this before. I think this is intriguing but could go wrong easily. So where is the house located? If its set in a larger environment why can't they just leave? It sounds to me like you've been thinking a lot about the house but if its set in a larger environment we (as execs) and viewers will want to know more about that larger environment (hell). If the only environment is hell than I think the premise can't support itself past a season.

I think you might want a smaller cast because a show about 7 assholes might be too much/ I'd look to It's Always Sunny for inspo about how that type of cast is handled well.

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*if the only environment is the house, my bad

have you seen animator vs animation?

I think this premise is too thin for a full show but might approve this for bumpers, sounds cheap.

Honestly sounds like a legal quagmire waiting to happen and would get dated super fast. If this gets greenlit when you're 32 can you guarantee that you'll have your finger on the pulse of internet culture better than the 18 year olds watching this? I don't want to be mean but I wouldn't greenlight this, I'm sure you have other ideas you feel passionate about.

Pitch this AFTER you've published your book to critical and commercial success, even moderate.Otherwise you've explained nothing.

Could be interesting, I think I'd like to see artwork if you have any. It sounds like an ensemble show, otherwise it sounds like you've got three separate pitches right there. Can you think of any way or reason these characters might all interact with each other? Not hating, I like this I just think you can polish it further and present this better.

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Came up with a really simple one a few days ago
>a show about a color coordinated street gang
>6 members that form the rainbow
>wear outfits similar to Team Skull from Pokemon S&M
>Red is phychotic and murderous
>Orange is a valleygirl
>Yellow is a crazy, always happy girl
>Green is a stoner
>Blue is a Shakespeare enthusiast and a reader
>Purple is the lustful gang leader
>they each use a unique weapon and a unique spray paint symbol
>every episode is just them causing trouble and doing crimes
>occasionally they’re anti heroes and help fight other gangs

This is the sort of premise where I feel I can tell that you've really thought about this and probably feel really passionate about but its really messy. I can see this getting too complicated too fast. You've described monumental problems all over the world and a potentially huge cast. I really don't intend to critique in ways that are completely discouraging or to tear people down but I think you should be open to my suggestions.

Sit down and think about how you can trim all the fat off this. Think about how this could be tightened, and given a smaller scope (maybe a city?). Think about the size of the cast and develop the characters as people we should care about before you get to the deep lore. In theory I think something like that could get greenlit but not to a newbie showrunner, the scope is just too much. Trim and trim till you think you can't get rid of anymore and *that* is what you should work with. You've just got SO much going on, you premise isn't nearly as clear to an outsider as it is to you. Its easier to add on than to take away, if you run an efficient story the first season you can slowly expand on that and that is how you should pitch it. Start off with the story of one city in season one and expand from there.

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too edgy and serious for Wander.

Yeah but I want it to be dark and serious, it'd start out goofy and gradually devolve to that point

This sounds really cute though I'd add another boy to the cast for gender parity. If you had any male side characters in mind consider if he might work in the main cast. Honestly love the idea, as simple as it is and I think kids would enjoy it. This sort of idea excels on the strength of its visual design and voice cast. Would greenlight, best idea so far.

90s nostalgia will soon make way for 2000s nostalgia, you pitched this too late

Not enough info. If you ever pitch this don't mention the mommydom shit ... anything that is obvious fetish bait will get thrown out. Regardless you need to give the characters depth beyond fetishbait. Is the guy meek and spineless the whole time? Does the mommy dom not have her vulnerabilities?

This is so fucking depressing I wouldn't greenlight this.This would work better in Live Action as a sort of indie film.

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Do this one

Wait your turn retard he's going down the list

I get that, in general most of it does take place in one fictional city in Oregon and focus on a cast of four/five but you're probably right about me trimming the fat. Would sticking to one mythology as inspiration be a good idea?

Alright awesome. All of them are in their 20s so they don't seem too pathetic

>Character 1:
Biohacker who used to work for the mob. Great biochemist, but a idiot about everything else, thinks he's a philosopher and onto the true workings of the world in a Dale Gribble sort of way. Raised by a single dad, mom fucked off when he was young. Somewhere along the line he picks up a magic hammer which bonds to him. Very aggressive likes metal.

>Character2:
Angsty Jewish monster hunter from a long line of monster hunters who was caught doing espionage for the Israel equivalent. Israel (or the equivalent) and the U.S had a falling out due to some stuff involving relics and is portrayed as the Slavic/middle eastern shithole it actually is outside of Tel Aviv. Relatively religious, concerned about modesty, shy around women, in culture shock due to the freedom and choice offered in the U.S as well as what he perceives as degenerate behavior.He has some degree of holy power but it's left ambiguous if it's divine or just normal magic. Nominally Sephardic, Lore expert, likes synthwave.

>Character 3:
Clone of an extinct species of hominid that inspired legends of Anubis and the cynocephali a powerful psychic raised on a science base in Antarctica , she was caught hacking into a quantum computer. She's extremely skilled in physics and engineering but is cowardly and acts like a ditzy stoner/surfer, plus she's still getting the hang of the whole psychic thing. She's Obssesed with 70s and 60s hippie and surfer culture and speaks in an ungodly mishmash of anachronistic slang and technobabble. Secretly afraid of being past her prime with nothing to show at the ripe age of 25.
>cont

4:
Ghost of a girl possessing her own body, detained for the crime of being undead. Her body is a mix of barely living cells and ectoplasm allowing her nigh indestructability and ghost powers. The only non scientist and expert in the group but also the most rounded and optimistic one of the four, usually plays the happy go lucky straight man. Used to be in a band. Her unfinished business is finding her friend/boyfriend/sibling who disappeared at the moment of her death who is presumably still alive.

>possible 5th character I'm toying with:
A cultist they accidentally picked up convinced the group and the organization they work for is the start of a new eldritch abomination to serve who acts like vinz clortho from ghostbusters. No idea about their gender or appearance.

If I do go with one main mythology to base it off it's probably gonna be Mesopotamian with bits of Lovecraft and Kabbalah.

A boy falls in love with a girl.
Unable to confess, he is gifted with by a deus ex machina with the girl's phone number. Never minding the strange area code, he immediately calls her, and is overjoyed to find out that she has a crush on him as well.
But, the next day, when he recounts the previous day's confessions to the girl, she only looks at him with a perplexed expression. After some investigation, he finds out that the girl he called is not the same girl he fell in love with. In fact, she doesn't exist in this universe at all. She is the girl's alternate universe counterpart, who has fallen in love with the MC's own AU self, who too is blissfully unaware of her crush.
Hijinks ensue as the two strike up a deal to give each other their darkest, most private secrets in order to equip the other with the weapons they need to conquer the heart of their other selves. While the two chase their respective loved ones, DRAMA ensues as they begin to fall in love with each other instead and question the NATURE of LOVE.

cute

doesnt this already exist. i know that's the joke but tell me what the name of this was

I'm seeing a lot of urban fantasy being posted. Your writing gives me the impression you might actually be good at writing comedy, and I like that this has a simpler story. Not everything needs a heavy story, lighter shows with simpler continuity are often very successful as shows that people can play to watch with other people or when they've gotten off work and want something simpler. I like that there are less commonly seen themes and relationships (adult son and father, brothers). Male heavy animated casts can attract fujos (for better or worse) but the cast and themes seem like they'd be something that would also interest male viewers who can be hard to attract. If the cat dad is cute we could sell merch easily.

Its getting pretty complicated but I think kids would like this. Your pitch is messy so I'd tighten up the cast, simplify where you can and pitch a neater seeming show. You've just got a whole lot going on but I could see girls liking this especially if the female characters are cute and fashionable. You might not have intended Monster High but that's not a bad point of comparison after all.

This also sounds cute. Again I think of things like Monster High. If you ever pitch this aim it at girls and give everyone cute designs and pretty dresses. Other people are right to say that this could be kinda lewd so maybe the mom is an adoptive mother and the girls are all adopted and fully monster for more varied designs. Don't involve anything like a succubus at all. You mention Scandinavia so I wonder if this might be better set in the past for more pretty dress designs.

Not developed enough. Don't pitch this. All your ideas are messy but this is too unfocused I'm not even sure how to begin polishing it.

Honestly of all your ideas the second is the best one. I can see lots of potential for merchandising and the premise is simple. Little girls would like it a lot.

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don't pitch anything involving established characters like this until you've already had success in television

I can see this being legally tricky. It would be funny at first but then trickles out. I actually like your idea of a non magic student A LOT better. I don't know that people will want to root for an idiot shitbag that lucked into such a nice position. But a kid could be cuter and more endearing and makes it less obviously Hogwarts.

It's interesting but I'm having such a hard time imagining what this would look like, its at a weird juncture where its got too much silliness and too much seriousness I really wonder who the audience would be. Do adults really want to see a show about high schoolers like this and do the type of teens that want to see animated content be interested in something so focused on teen rivalries and popularity?

Yes, stick to one mythology. Add a little more age variety to the cast, the fifth character being an older man makes sense and character two being in his early 30s seems sensible. I also like the idea of the ghost girl being in her teens or early teens, makes sense for the optimist to the youngest. DESU I think most of the cast being in their 30s makes a bit more sense but it isn't a requirement.

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*late teens

>If the cat dad is cute we could sell merch easily.
Probably cuter than the chupacabra would be.

don't pitch anything you co created with someone else. Format this better before I look at it.

This is very obviously designed with anime tropes in mind. If I'm a Western exec I don't want to greenlight something that apes anime so closely it directly competes with it compared to something more Western that offers something different. If the first character has lived so long as an agent maybe make her older but don't give her the dumb bunny ears. As for the second character hy wouldn't you just give her a petite design, why did you have to explicitly write out that she looks 14 and was rendered so by puberty hormones.? If she's only 4' she looks even younger, most 14 y/os are much taller than that. She is OBVIOUS fetish bait and I would never approve this. I don't want to deal with the bad PR if the show sexualizes her (and it will).

It seems way more interesting if the pair is a woman in her 40s and a legit midget/little person.

Honestly one of my favorites. I think you would have a tough time getting this greenlit though, honestly. If you published this as a book or comic you might have an easier time getting it approved. As much as I like this I wonder how I would justify approving something so sad and mature. Pitch this to an entity like netflix and find a way to make this shorter. I might approve a mini series (10 eps or less) or a movie to save on money because of how risky the idea is. The core idea is just so sad I don't know if audiences can stomach something so grim and painful for so many episodes. Think long and hard about how you can reduce this. 20 episodes is too much.

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I'd swear a super similar pitch was floated around by someone actually in the industry. So drop it they are either closer to actually getting it developed and greenlit or it wasn't greenlit for good reasons.

Regardless this is also really unfocused like your other ideas. Some of this seems really juvenile (not bad just that it appeals to kids) but some of the other ideas are clearly adult. You have to stick to one and ultimately I'm not sure it will succeed with either demo because its roots are pulling from such disparate places. Its super goofy but then you've got a character who is a teen prostitute and a main that comes across like a lesbian. Who is this for?

Your pitches are kind of frustrating because there are themes and details and writing that seem so marketable and appealing to children but its just so fucking obvious that you have a sexual interest in your young female characters. I liked your pitch for the 7 magic daughters so much but as a whole, reading every pitch puts me in a bind. All animators are fucking freaks but you're too transparent about it. As an exec I have to think about boring things like PR and dumb lawsuits. After all your pitches I'm less inclined to say yes because I've gathered the impression you'd be a liability.

I've got a 32 paged magical girl idea on a document and nothing to do it. It doesn't fit any demographic and I have no connections to the industry.

i got this idea about a bodyguard on a sort of post-post apocaliptic fantasy world, but it works better as a series of short stories, but it had monster girls!the "main character" was actually raised by monstergirls

>It's about a man with a really kick-ass sword being trained by a woman with another kick-ass sword to fight the god of kick-ass swords
>To do so, 665 of the 666 people with kick-ass swords need to die for our hero to finally meet the kick-ass sword god

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>There Will Come Soft Rains
i dig the name

All of your suggestions are really good man, I'm probably gonna go with Mesopotamian (Assyria,Sumerian,Babylon, Most Jewish mysticism ) in that case just because it's underused ,varied, can have biblical tie ins, goes well with chariots of the gods type stuff and can provide cool twists on classic monsters like werewolves and vampires.

Zack Snyder's Xerxes from 300, a cranky prospector robot, and a talking dog travel through time solving mysteries.

At least once per episode Xerxes, as a running gag, violate's the antagonist's personal space in a very provocative manner.

Pic related.

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The thing you have to remember is that I'm fully aware that I can not and will never be able to draw or write. I'll never afford art school to get the connections to get around those limitations. All I got is the dopamine rush of seeing (You) in Yea Forums threads and have no reason not to just indulge my insatiable 4chanian anime watching lust to fish for them.

Maybe a magic genie will grant me just enough drawing power to turn one of these into a shitty webcomic with patron porn

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>he doesn't just use online resources and buy like

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The story is set in a post-apoc world following a war and majority of humanity has converted themselves into cybernetic organisms, mutants walk the surface, and full AI robots are also hanging around. In the wake of the war two powerful groups known as the Union (Union of the New World) and the Pirates (Confederacy of Pirates) have risen up to take control of the world and compete against each for resources, territory, and lost technology.

The MC is an independent raider (IR) someone who independently searches through dangerous parts of the world to scavenge for lost technology and information. While going through a subterranean army base he discovers an old robot weapon who fought in the war and revives her. She then goes on a rant claiming that the war isn't over and that the enemy stole a superweapon which could end the world that she was suppose to protect with her unit.

The heroine then drags the MC on her quest to find the superweapon as they travel across the post-apoc world, encounter and help other people with their issues, deal with the heroine's war PTSD as they look for her old unit members while in search of the superweapon, and deal with Union and Pirate agents who desire to acquire the weapon to help enforce their ideals in the world.

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I get being apprehensive about learning drawing as it does take a while to master and I understand if you don't want to put in at least a 4 years of commitment, but writing is something you can drill into your head in a couple months.

yeah but then I'd have to go like 15 minutes without scrolling through Yea Forums for the 700th time or playing the same four videogames over and over.

I know this is sarcastic but you seriously need to do something with your life besides fucking around on Yea Forums and videogames, I'm not even saying this in a mean way I'm being completely honest. I would know because if I wasn't into art I'd literally be doing those two things 24/7 and as is it's enough torment

Another where I love the idea but have major reservations. That it's a harem series puts off most women and women watch more tv and spend more money on merch. You've shuttled a very viable demographic. This isn't Japan realistically you will only get to pitch to Western execs and if you won't budge on the harem shit I won't approve this. In that sort of scenario harems are realistic but that you lead with "its a harem series" and didn't describe the characters gives me the impression that the sexual fantasy of having a harem is of deep interest to you. I'm not approving hundreds of thousands of dollars if not millions on a wank fantasy, especially one that alienates such a valuable demographic.

Think hard about this, if you are going to be in a room full of suits are you really, REALLY going to pitch a harem show knowing it will be rejected? Or would you be willing to rework the show? Make it about a group of women if you hate the idea of competing male romantic interests, or add male characters that are blood related or gay so you don't ruin your fantasy of women without any sexual options but by God don't make it a harem show. I otherwise love the idea and the title (fucking love it) but you're describing your dream show, not a show that has any realistic chance of being picked up.

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This just doesn't sound very original. Itcould be good but you don't really give me a lot to work off of. I think the idea for the cast is interesting. Seems like it would appeal to women.

You're right it isn't very original. This will require great art direction to make viable. I'm not opposed to it but get good art in a pitch bible.

too much potential controversy, pass

I don't think its worth reworking fanfiction into something original, at least not for television or streaming. As a comic though you're onto something. But you'll have way more luck and attention actually making it a fancomic.

So simple but I think this would be successful with a good crew. Approved.

This only works as an anthology mini series. Not a bad idea but perhaps ill timed, there is already so much capeshit.

Love the work and concept. Could see this on Adult Swim though realistically I'm not sure it ends up being appealing enough to a large audience. Would approve this if we had a strong enough catalog or lineup otherwise, its cute but it is risky. Approved, albeit with reservations. Nothing wrong with the pitch, more like what's wrong with viewers who might not give something like this a chance.

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>
>Long ago in a distant land...
>I, Adolfku the shapeshifting master of National Socialism, UNLEASHED AN UNSPEAKABLE EVIL (that you will go to prison for if you attempt to deny its existence). But a pregnant Dutch-Jewish girl, wielding a magic diary stepped forth to oppose me.
>Before the Final Solution was struck, I tore open a portal in time and FLUNG her into the past, where Slave Power is law!
>Now the Jewess seeks to return from the past, and undo the future that is Adolfku...
>cue a heavily pregnant Anne Frank having her diary cushion her landing as she arrives in Maryland, 1862

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You're right! I need to make something of myself. Starting tomorrow I'll block Yea Forums for myself learn to draw! And maybe take up running. Eat healthier. Get a dog. Start going to therapy, join a yoga class. Just be the best me I can be!

*extremely narrator voice* He did none of those things. Worked his shitty retail job for eight more years until the hyperhurricanes/famine/random mass shooter mercy killed him.

Too many disparate elements, it doesn't seem focused. This is another pitch where I don't think there is anything *wrong* with it I'm just unsure adult audiences will give this a chance. Its not at all terrible it just doesn't have clear demographic focus. Its the type of concept that perhaps doesn't translate well in texts and needs some good storyboards to instill confidence in the idea.

Love the name Demonica.

You don't really describe any plot or any characters, only the environment. Its intriguing enough I might approve this, but probably as a mini series with an anthology format to keep the focus on the setting.

too bland, won't approve.

Make it rainforest themed and you will pique my interest. Make the monkeys cute and I might approve this.

I think you should double down on the dieselpunk. I think this is intriguing but this is another concept that I think just doesn't sound winnable through text alone but could be a very interesting and successful show this just isn't the best pitch format for it.

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Frankly? I'd be willing to rework the show. I have plenty of ideas for other cartoons, this one just seemed the most adult.

Namely by swinging things less on even the violence and sex within the mixed genres, but also the questions that come in the aftermath of such a thing: if society can be rebuilt (or if this downslide is 'progress' in it's own way or if society before was even so great), if it should be rebuilt, the question of future generations, what life is going to be like with all major governments having broken down, and so on.

Likewise the tension and drama from the fact that I imagine the cast would and could change around. Sometimes party members get separated, others split off and we follow those adventures alone.

and on the bleaker side: people die. (as mentioned)

As for thew characters... admittedly, few people are flesh out.

I do know I want them all to have strengths and weaknesses they all need to support eachother (and get over their issues) to cover for. One's a good survivalist, but they've cut themselves off from the rest of the world they're bad with tech. One's good with medicine, but is used to having access to their medical network. A rogue militia is skilled in firearms and actual combat but is used to perceived 'civilians' falling in line even when they don't know better. And so on.

My one fear is it becoming a bit too much like 'Walking Dead but without Zombies' I think.

not enough detail

Only as an anthology series, too unfocused for more than one season

Japan or Western, pick one, too unfocused but I like the characters

Prefer the jungle one, as a movie though. I dunno its not grabbing my attention.

I think his is a joke and yet I like this. But you want this approved by a network that has a history of approving edgy stuff like this. And have actual black people on crew lol. This is the only pitch that made me actually laugh out loud.

I'm kind of sceptical but open to seeing what else you've been putting together. This needs really strong comedic chops. Makes me think of Dan VS.

Kind of vague. Who are the main characters? Another I'd be open to approving but only as a mini series or single season.

Love it. Simple premise that appeals to kids and lorefags, lots of merch potential. One of my favorites. Instead of Little Philip maybe Li'l Pip?

actually interesting

Another I like despite the lack of any detail.

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Glad to be of help

Bitch you can write and publish the story on Wattpad and hire an artist to do a splash page per chapter if you were really dedicated. You've given me enough examples I think I can recognize any future pitches and won't bother critiquing them. Lots of people here are actually working on their ideas and deserve help.

I'm glad anyone is even open to suggestions, I know people can get attached to their ideas. I think your concerns over it ending up like the Walking Dead are valid but your show can stand out. For one, your idea of keeping few people fleshed out is probably a mistake. You want people to get invested in their successes so work on the characters. Perhaps you could have it set place somewhere very different from TWD (like Arizona or the PNW). Maybe instead of having it be mobile focus on a burgeoning, permanent encampment and explore how a new civilization is built from the ashes of the former. If you want stories set apart from the little town maybe there are professional scouts having adventures in the city, reporting back with detailed maps.

I advise you look into 'preppers' to see what sorts of conflicts they predict, might give you ideas.

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oh, it's not that I don't want to flesh them out, it's just that I haven't gotten to it. this is kind of a new idea. like... a few weeks or so.

And, funny enough, my idea for the apocalypse that caused the collapse the world was a series of major natural disasters.

>Wyoming Super volcano goes off about five hundred (or a thousand) years early
>this sets off several fault lines along the pacific coast and releases massive tsunamis
>Topping all this off with the resulting ashcloud putting humanity into a mini-ice age
>And before this, (I imagine the story being set in 2070 or so) society was already having massive economic issues, global warming was causing rising sea levels to flood coasts already, and generally situations that add to the question if society is worth rebuilding.

I wanted to avoid 'zombie/epidemic apocalypse' and 'nuclear war' apocalypse since those are both commonly done. Also the latter because, as mentioned, there would be a threat down the line about existing nuclear plants melting down and to avoid seeming like a fallout knockoff.

I'm open to hearing more, tell me about the characters and give me plot outlines

The potential audience for this is just too narrow, they need to be familiar with weebs and anime shit but weebs tend not to want to be made fun of and everyone else will assume its weebshit

First off, this is NOT how you pitch something. An exec wants to know the premise and the characters, the general theme and feel of a show. They don't need a second by second break down of the opening.

I'm gonna be honest that this isn't grabbing me, though I can tell you're really excited about it. At this point I've gone through a lot of pitches and I'm seeing a lot of people enthusiastically throwing really random categories of characters together and yours just isn't looking super unique anymore. If you want to make this more appealing put some comics or storyboards together. I hate being a Debbie Downer but if you look through this thread you'll start to see why yours doesn't look very unique.

That you have art puts you leagues ahead. Travissolo looks cute. I think teen girls would like this, but you need to give me a little more to critique this or give it approval.

This premise isn't very unique or complicated but if it had good art and combat choregraphy I might approve this. People tend to like battle tourneys. I'd only give it one season though. Set it up like WWE or a reality show with cutaways, confessional booths and plenty of comedy.

Minus the last two meme arrows I like this, but not animation. Live action Scooby Doo please.

Not gonna deal with something that is so admittedly a rip-off, that could be a legal liability and I'm not gonna approve paying for something that could land us in hot water. Be original user.

Love the name but no details

You've put time and thought into this but not an original idea?

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>I don't think its worth reworking fanfiction into something original, at least not for television or streaming. As a comic though you're onto something. But you'll have way more luck and attention actually making it a fancomic.
Oh nothing about it is supposed to be fanfiction. It would all be wholly original with just obvious references to actual works.

these sorts of themes are overdone

Damn I like this. It could be very twisted. Ever seen Bates Motel? You're otherwise kind of vague on the plot and premise. Flesh that out and then we'll talk. This actually sounds mature, in a good way.

First one has a too thin premise. TV isn't the right medium for this. The second sounds super cute and I'd approve this with the right artwork.

This is cute but I'd honestly like it a lot better if the protagonist was a kid. Adults are just less sympathetic. Would you be willing to rethink the ages? Perhaps he reunites with his family.

its just references, not the premise of a real show

wtf

Could be interested but stick to developing a core cast

Don't think this would appeal to adults, too silly

not enough details

Premise to thin, not enough detail

I like this but I'd need to see art or something to approve it

think thats everything

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I've had a bit of an idea rattling around in my head while working night shifts.
Expanded idea was typical fantasy setting; humans, elves, orcs, halfling and the like but set in a post industrial revolution setting, possibly a western or westward expansion type background
The biggest idea I had this far into my spitballing was a female half orc protagonist raising two orphaned brothers and their story of heading west towards independence from the greater sphere of influence of an expanding government and society in general

A robot epic that follows the life of an android from his first activation til his final death tens of thousands of years in the future. Along the way he gains and loses families, sees and participates in terrible wars and their fallout, witnesses the fall and resurgence of mankind, and ultimately lives until the destruction of the planet from the expanding sun. During the course of his life he goes through the grief and trauma we would expect of someone who outlives their family, eventually becoming withdrawn and morose. His victory comes when he accepts his existence as an immortal being and learns to cherish the present, not to cling to the past or to dread the future.

Just to be clear, you're talking the Yea Forums-series "Yakuza" and not the real thing, right?

murderedjapsweetie.jpeg

>Generic teen Mark has a crush on his childhood friend Carla
>Carla gets a boyfriend named Joe
>Mark hates his guts because he believes he deserves Carla
>While spying on one of their dates he meets a girl doing the same thing called Sue
>Sue is Joe's childhood friend and she's mad about their relationship too
>Sue and Mark team up to try and break up their childhood friend's relationships
>Pretty much everybody (including Carla and Joe) thinks Mark and Sue would make a good couple (but they've both got a bad case of Oneitis)

Adolf Hitler gets reborn in the body of a black kid in the 1980's bronx.
Jamal discovers via flashbacks who he once was. He accepts his new body and starts to plan his world domination, with the power of hip hop.

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Imagine world filled with anthropomorphic characters, and their favourite sport is futuristic racing we follow story of a younger rookie who finds out there's conspiracy behind his beloved sport.

Wow, I never heard that before.

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Yo thanks for the feedback on “Devil on my Shoulder”! I’ve been wrangling with the idea of psychic powers and abusive mothers for so long and only now-ish did that hook come to me of her being a ghost. Should’ve been obvious but now I think I can get beyond a one-chapter draft. Sorry about it being vague but I couldn’t really flesh it out without sounding like a total retard or being too confusing. I hope I can refine the story a lot more but I’m glad you like the barebones premise I had.

I’m on mobile and it’s 4:00 AM but fuck it, the protagonist, “Lucas”, is a meek, unsure-of-himself middle schooler in rural New England, in a world not too different from ours where Psychic Powers are an uncommon, but very real phenomenon that began to appear (on an uncontainable level) in the late 1940s. He’s a bit of an artist, one of the few things he’s good at aside from his own set of Psychic Abilties, but he doesn’t care for them much, as they can’t really fix his disaster of a mom or make him (meaningfully) likeable. He’s humble to a fault, tries his best to be kind, and wants to better himself despite having the social skills of the average Yea Forums user.

The mother, “Kagura” (name not final), is only 16 when she has Lucas, and while she isn’t thrilled to have a kid so early she manages to love and care for him despite minimal support from her family or the father/husband’s family. It isn’t until the disappearance and eventual death of the father where she falls apart (when Lucas isn’t even 5 yet), but he really pushes her over the edge when he says he wishes she “went away” instead of his dad during a tantrum, and it all falls apart after that. Kagura serves sort of as a foil to Lucas, brash, impulsive, sharp as a tack and would risk melting her wings trying to fly away from her own insecurities.

Approaching character limit and I probably won’t write more until a new thread but thanks again for the feedback!

I love the era too, but yeah, you need to have an actual idea, not just the setting.

Thank you I will forget about.
In what was I thinking?! I don't have what it takes.

Science fantasy exploration action show like Full Metal Alchemist but with more sci-fi.

This makes me like this a lot more. I'm gonna be honest in saying that successfully pitching something like this is gonna be hard for precisely the reasons why I like it. I've read a lot of pitches today that were comedies, tongue in cheek, edgy or self aware. By contrast yours is very sincere and the themes are pretty mature, only a few of the pitches gave me that impression. Look at the sorts of shows that generate discussion online (not just here on Yea Forums) and you start to put together an impression of the type of audience they attract. I love Yea Forums and I love western animation and must admit much of it is pretty juvenile and on the level of teens. You haven't described waifu-bait, fujo-bait, slick action sequences, romance or much of anything that appeals to teens really, at least not on a surface level, especially since the central relationship is how a young teen relates to his mother at an age most teen boys want nothing to do with them.

As such if you ever pitch this I think you should focus on the supernatural elements and the physical risks Lucas encounters from enemies. It seems like you've got a rich inner life planned out for Lucas and his mother but its hard to make that seem appealing so I would develop these other aspects of your idea more. Is there any reason the mother has an Asian name? If you're Asian or mixed maybe incorporating how being raised by someone from a different culture affects the main protag could be interesting.

If you give up that easily instead of taking the critique as constructive I dont know what to tell you

I do take the critique as constructive. It's unoriginal ergo useless. It's not unique.

OK having critiqued most of the ideas here is my summary:

I want everyone who submitted an idea to actually read through this thread and read every idea. You probably wont (and likely wont read this) given the lack of (you)s but I really, really think you should. I think you'll start to realize that a lot of the same themes, setups and ideas are pretty similar. This points to a couple of things. Either your inspirations are too narrow and shallow and you need to broaden the kind of media you consume, or that you should share your more out there ideas since they will be more unique. And that ideas in and of themselves are not enough, in all likelihood no idea you have is that unique, and you need to stand out but having work ethic, putting it together, and executing your idea better.

Some of the bigger knocks I'm seeing is that a lot of the shows are unfocused. Keep things as simple as you can, you can always expand on your initial simple premise later. Know who your audience is. You don't need to have pirates AND ninjas AND explorers AND scientists. You can have a show that's just about pirates or just about explorers etc

Past threads kicked off with formats for people to fill out and I think that helps a lot. In the future these threads should have a format for things like demographic, genre etc.

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In. Other words we find a different job because we are not fit for this.

>one dude that actually goes through all this shit actually acts like an real fucking exec

Fuck me next time we'll call the thread something else

Ok so,
In a world that’s like ours, but not, there’s magic of all kinds. Paladins slay undead, priests heal and protect using the powers of their gods, and mages of all kinds are an everyday sight.

Our hero, the son of an enchanter-blacksmith, wants to go on a journey. He’s always wanted to be like the heroes of old. He’s dreamed of being a knight in shining armor, and saving the princess and all that other shit. He’s got all the standard trappings of your basic protagonist, so he’s a pretty ok guy (if a bit naive). Problem is, nothing ever actually needs saving. Everyone’s got everything handled. Of course, the hero doesn’t know this, so he sets out on this perpetual quest to save the world and be a hero.

Major plot points:
On the other side of the world, an evil king gets a prophecy from his Oracle about someone who will eventually end his reign of terror. The protagonist fits this description, so the evil king sends his grandson and granddaughter to get rid of the boy. However, it’s made pretty obvious that the person in the prophecy isn’t the protagonist, and neither of the grandchildren really give a fuck. The protagonist actually burns down his own house and thinks the grandchildren did it, which kicks off the plot, At the end of the series, it’s revealed that the grandson is actually the prophecy child, and he accidentally kills his grandfather (but let’s the protagonist take the credit because he doesn’t want to be in trouble.)

Characters:
Protagonist: dense but nice guy. Will never intentionally save anyone or anything he didn’t cause to be in danger in the first place, usually causes problems. Actually skilled at smithing, but it rarely comes up. Fire magic, maybe.
Love interest: a priestess that believes the protagonist is actually a great hero in the making. Functionally the protagonist’s tard wrangler. Healer. Water magic, maybe.

Frenemies:
Grandson: a wind mage that’s kind of an asshole. (1/2)

Thanks again! I know sincerity doesn’t inherently sell but I think long-term it helps with the life of a show or story. Early Spongebob is still talked about like it aired last week but it’s been talked about for so long because it’s made with so much heart. Thanks for pointing out how I should pitch the show though, I hope I can make it come to life one day.

The story is pretty personal, I tried to write the abusive mother angle in a few short stories while in high school to try and better understand my own psycho mom. She’s from Korea, but none of the culture or language stuck so I’m only making Kagura Asian because I thought it would be kinda cool and add an inside level of relatability. I know I could go on about cool scenes or hot babes or dumb gags or whatever, which isn’t inherently wrong, but I think a sincere, more personal story would stick out amongst other ideas here and get more serious feedback. Thanks again, dude.

(Continued)
Grandson is probably the “smart guy” but mostly just mocks everyone else. Protagonist figures he’s his “rival character” but grandson mostly just likes to laugh at his retardation. Perpetually competing with his cousin, Grandaughter, for the throne.

Grandaughter; musclegirl Amazonian waifu. Asian-esque, because it makes my pp hard. Couldn’t care less about the entire thing, just coming along because she was told to and because she doesn’t want Grandson to get any advantages over her. Constantly drunk off her ass, and themed after an oni. Hobbies include drinking, brewing beer, gambling, and beating the shit out of grandson (and being beaten the shit out of by grandson) in anime-tier rival duels with him.

Main bad guy:
Grandpa Evil King Guy
An evil asshole that’s the only serious person in the show. Has no idea that the protagonist is a dumbass and misconstrues everything he hears about the protagonist as actual heroic behavior. Gets killed by grandson accidentally.

Suits always get a bad rap. Even as someone with a personal creative vision I think hating them blindly is shortsighted. I think ALL execs want to approve great shows but if they don't make money the shows can't get made and the exec gets fired. Unfortunately money is part of the equation, so I try to be sympathetic to the suits.

I think most of us here work without ever getting feedback and I think things like demographics, merchandising potential etc are all valid concerns a suit would have and something creators should consider. I don't mean to stomp on dreams but I try to provide critique and alternatives that could improve the ideas shared because chances are these ideas haven't been shared anywhere else.

I wouldn't mind doing more critiques or threads but future threads REALLY need a format for people to fill out. At least to get people thinking harder about their ideas so I wade through less unreadable poopoo.

If you're gonna make her Asian you need to justify it in the story or have a reason for it beyond your own feelings about your childhood. This does concern me because it implies that you might write for yourself and not to entertain and engage the audience. Shows shouldn't have inside jokes that could impede a viewer's understanding of the story or characters. Make her white, or actually explore the cultural angle but don't do it half assed and don't do it half assed just to please yourself. Otherwise though its still in my top 5 for this thread.

>An exec wants to know
>potential audience for this is just too narrow
>I think teen girls would like this
>Minus the last two meme arrows
>But not an original idea?
These are the worst things you said. There is a difference in the art of an actual pitch, a dream pitch, and a one-man short, in terms of scope and freedom.
That being said, whenever you were giving critique, it was good critique. The best pitch is something that covers the theme and tone and premise and characters, having character art means a lot, and certain things might not work for certain audiences, but i can tell that you are personally larping as an exec informed by focus groups and merchandising for no reason. (let me tell you my show is merchandiseable)

>Not gonna deal with something that is so admittedly a rip-off, that could be a legal liability and I'm not gonna approve paying for something that could land us in hot water. Be original user.
this one stung the most because it was mine. I'm seething so i'm going to break it down why this is wrong.
Venture Brothers and Rick and Morty are premised around the idea of parodying comic books and sci-fi, respectively. The main cast of those shows are lifted entirely from existing IPs, but(and here is the key part) re-analyzed and re-imagined in order to tell new stories with them. The Important thing is that you can tell a new story, and MH, Terraria, Minecraft, each tells practically no story(but the player being a prodigy at everything and all the in-universe characters swoon at them) But have infinite possibilities for new ones.

I would appreciate it if it was actual criticism. If you had read my script and then chipped at my character designs or the character interaction or my pacing or my story, i would have taken it to heart and cut away at something, but it seemed i was the only person for which you didn't have any criticism nor praise. You merely said "This is too much of a parody to be taken seriously."
thx for reading.

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>This does concern me because it implies that you might write for yourself
>Make her white
this is a very bad thing to say, while
>or actually explore the cultural angle but don't do it half assed
this is true.
a non-white american doesn't need a "reason" to reason to exist.
That being said, don't neglect her personal story. heck, if it weren't for the nice setting, you could fast forward a few decades and make her vietnamese to tell a different story.

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You're looking for unique but that isn't exactly what sells. By your standards, TTG shouldn't be a success at all because it's based on an old concept with a comedy twist. If someone were to lay out a hook for you with that, you would have called it useless.

I never said I was an exec, I was always larping

Describing something as a rip off doesn't sound good, you should phrase it more charitably and take more pride in it. If you pitch something like this you should be open to the possibility that an exec will be too cautious to approve something so heavily based off other things, even if in parody form, especially if they are recent. And even then mind you that each potential exec has their own personal preferences and biases and I think you can tell what sort of things I am inclined to. I'm sorry yours didn't rouse my attention, the reality is not everyone will love what you make and pitching and developing something usually involves a lot of initial rejection, you need to steel yourself more. If you're seething now remember this isn't a real rejection, you need to be strong. If you think 'focus groups' and 'merch' well chances are who they pitch to may in fact be influenced by things like that.

If you want actionable advice NOW I think the humans should be less cute looking, not enough contrast compared to the other two little characters.

I guess I wasn't clear enough because the reason I said 'make her white' is because I was concerned the OP was straddling the line between putting too much of himself into the story or not enough. Either make her white and establish more distance between himself and the story go more full steam with it, if that makes sense.

Genndy-esque Thundarr the Barbarian.
Make Thundarr look a bit like Mamoa
Ariel is already a sexy magical girl
Oogla is a toyetic creature
Most of the villains are Kirby-designed Wizards, Demons, Robots (so inoffensive violence).
Post-apocalyptic settings are hot.
There's a classic/nostalgia factor at play.
Barbarian with a "lightsaber" that predates anything Lucas did.

You got mutants, monsters, magic, robots, lightsabers, barbarians, sorceror princesses....
This thing hits every hot button.

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*or go more full steam

Is that really in the spirit of the thread though? People probably want feedback on their original ideas even if they never pitch them. Asking for nothing but remakes would be a depressing thread. Not like original stuff doesn't ever get approved, just not as much sadly. As a person in front of another screen I'm frankly more interested in reading original ideas and that's what most of the submissions to the thread were anyway.

Maybe if we had a thread for just reboots and reimaginings I'd critique differently but only some ideas here fell into that camp to begin with

The OP didn't specify completely original, just ideas. If I'm not mistaken, you're the one who also wants to talk demographics, as in the marketing angle, which makes for an even more depressing thread since then it narrows it down to marketable demographics, where creativity tends to die in favor of the safe realm of what has been known to work.

It's funny though, even when you break it down like that, there are these hail marys that work for some reason like Regular Show and We Bare Bears.

fair enough, wish it was possible for all good ideas to get made

Regular Show is harder to explain but honestly I think WBB has pretty straightforward appeal.

Regular Show had the wacky humor angle that gets more laughs than WBB. They both appeal to millenial crowds (RS has the main characters state they're 23 at the start of the series and they age six years through the series and WBB has the main cast in their mid 20s) but WBB is paced more like anime slice of life in humor which is why it's a bigger hit I'm Asia.

>implying anyone wanted feedback on their idea from a soulless marketing standpoint and not just a fucking story standpoint

Yeah thanks for the "not original idea???" (critique) though dude really good stuff

Small galactic combat force(6-8 individuals)working as special operatives under a quasi-democracy, with the "president"(dictator) being their commander/occasional field leader. Ensemble cast that would consistently change as a result of characters getting killed.

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In a post-post-apocalyptic setting where the Midwest is a major economic power and piracy thrives on the high seas of the Great Lakes, an aristocratic ne'er-do-well and her enabling partner scheme to keep their traveling companion, a fugitive monk carrying a stolen mystical artifact, from saying the world in hopes of maintaining their lifestyles.

Adventure Fantasy, an unlikely group finds themselves on a quest to defeat a murderous cult trying to revive a baby worm god. None of this for the good of the realm shit either, as each person wants this quest to succeed for purely selfish reasons.

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>Pitch this AFTER you've published your book to critical and commercial success
Thanks.

>Seems like it would appeal to women.
It probably would desu. Two out of three of the main characters are female after all.

standard Isekai show execpt the MC instead of having weird cheat powers is popeye levels of strong, completely with completely ludicrous effects of his strength

Basically just an isekai show that's just about the fun part which is watching an entire setting get wrecked because of one powerful outside actor. Also he doesn't get a harem but an entourage of weirdos that he beat up

Has there been an isekai about a speedrunner?
It'd be funny to see main character man essentially skip through large parts of the series or at least optimized/break the game in funny ways.
>MC bunnyhops most places, maybe surfs on roofs and other smooth surfaces.
>Half a press
>Kill an absurdly powerful monster by kicking a bucket at the right angle to fuck with the speed values and propel it like a missile
>Ancient puzzles are solved by clipping through a crack in the wall.
>People of the setting call it chaos magic

I want a cartoon to do with my country that isn't fucking garbage, heres hoping
>Scotland
>evil businessman 'accidentally' breaks an ancient pact by destroying a portion of the Caledonian forest
>since the Roman times the pack has kept the human world and the fairy world separate
>some fairies are fucking pissed, others know it was an innocent mistake and are trying to fix it quietly
>pissed fairies go to the businessman's home city (Edinburgh) and start to wreck shit covertly
>blowing up telephone lines, disconnecting internet, pulling a building apart slowly brick by brick that kind of thing
>son of one of the site workers meets a pissed fairy
>fairy calms down and agrees to fight these fairies with the boy
>show wouldn't be like gravity falls
>show would be more like JoJos with a fight with a new fairy every week which would have to be beaten or outsmarted in a really weird way
>turns out businessman is a sympathetic villain as his little sister was taken by the fairies years ago and he broke the pact to try and get her back
Scotland is a spooky place Edinburgh is a spooky place, fairies as they originally are are spooky, its too perfect

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Two men, dressed in suits, awaken in a seedy hotel room in Maine. They have no idea who they are or how and why they got here. All they find in their room is an envelope, car keys, and a tape recorder. The envelope contains roughly 500 dollars, a map of the US showing a route connecting all fifty countries, as well as fake IDs. The tape recorder plays the message of an unknown woman, who promises them answers to all of their questions, if they simply "follow the map and pick up the pieces", sort to speak. She tells them she'll contact them as soon as she can, but for now, to follow her instructions.

The series would follow these two guys as they begin a cross-country trek across the United States, traveling the well-worn roads of backwoods Americana, along the way getting caught up in distinct folklore and myth of each state. In one episode, they get caught up in a century old dispute between undead miners and the people of a little mining town in Pennsylvania, in Louisiana they deal with the voodoo zombie of a blues musician (voiced by CW Stoneking) who seeks peace by finding his "Alice", and in Boston, help an up-coming young gangster find his great grandfather's fortune in long-forgotten Lovecraft Country. All of their adventures would be influenced by folklore, culture, urban legends. and stories of Americana life.

Of course, the overarching plot would be just who these two guys are. Why did they lose their memory? Why are they being followed by a secret organization who seem hellbent on capturing them for unknown information? Will they ever find a decent place to eat on the road? Little bits and pieces would be placed throughout the episodes, some in plain sight, others in the background, others you'd have to do research for. Think what Gravity Falls did, along those lines.

A crime solving mystery show like case closed but without the stupid. Also real crimed not just who stole the teachers book.

For each state, there will be 50 episodes, or 52 for the finale, allowing them to explore each state without missing any. Hopefully, each episode would have a distinct feel and soundtrack. For example, Kentucky would have a very calm, bluegrass type of soundtrack, and would feature rustic little towns nestled in the mountains, while say, Nevada would have something like a pedal steel ambient sound, to couple with the imagery of a little tin desert town stuck in the 1950s California-style. Each setting would be its best to stand out and be unique, rather than just put our heroes in big cities that could look the same visually.

Think of it, in the short term, as Gravity Falls meets Sam and Max Hit the Road, two possibly dangerous guys journeying across an Americana landscape infused with the weird and supernatural, while uncovering their pasts and a conspiracy dating back to the days of the Founding Fathers.

I could talk more if you all want more, as not to hold up the thread

I'm guessing it'll end in Hawaii right? Or Alaska. Have you get a solution to the mystery that you can tell us or would that 'spoil' it if the cartoon ever does get made?

>When season 1 ends with June 6, 1995

youtube.com/watch?v=7JDwablWzDE&list=PLFC5408DD38D0DE44&index=17

I have no idea what this is, but I want more.

I do have a solution to the mystery, yeah, if you want to hear it

ye

Ace Combat Zero.

Its about a bunch of street wise black people living in cave man times. How did they get there? What are they doing? Idk but I can tell you they teach the dinosaurs how to get one over on the cave MAN.

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Sounds hilarious.

Okay, so the idea is that cryptids and folklore are indeed very real, obviously, and that they have been around for really quite some time, such as during the American Revolution. The Founding Fathers had knowledge about these cryptids, and were pretty concerned. Religious frenzies around the colonies weren't uncommon, and people were on edge about demons and hauntings still, from their Puritan forefathers. In an undisclosed incident in New Jersey, 1773, a town witnessed a "massive, bird-like creature" flying around the countryside, and flew into a religious panic, accusing British soldiers of bringing a demon to terrorize them, that witches were bringing dark evil to light, and generally flew into such a panic they almost burned the town down until stopped by an official.

This worried the Fathers, as rightfully, how could people be comfortable in their homes and in this new country they founded when such supernatural events could occur. Would you want to raise a farm where a giant bird could swipe away your cattle? Or built shipping industries along rivers where huge prehistoric monsters dwelled? Sure, they could try and spin it into folklore, but that would just be living up to the hype, sort to speak.

So, in response, a secret society was established: the Brotherhood of Cryptology and Supernatural Study, or just the Brotherhood of Crypts to be simple. Overseen by Benjamin Franklin, this society would catalog, collect, and research all the weird and unknown things that plagued the new American frontier. In time, they believed, they would ease the American people into understanding the supernatural, and learn to deal and live with them just as they did the natural wildlife.

So, the Brotherhood did it's job well, keeping tabs on all unknown events and occurrences from little outposts and enclaves across the colonies, and eventually keeping the whole supernatural thing into old folklore that wouldn't get out of hand.

Sup Consul

Okay this guy gets to meet the princess about a bridge he wants to build, but the princess turns out to be lesbians for the guy's sister.
It is a "power of love" kind of show but also the main guy is an ace

This, right fucking here.

When Manifest Destiny rolled along, and people were moving to the new, unknown areas of America's backyard, the Brotherhood grew in membership, sending veteran members Lewis and Clark to act as advance scouts, on secret missions to prepare for the expansion. After all, what would the American people do if they went out to California and found a bunch of shadow people (Dark Watchers) hanging out to surprise them? It would ruin the Manifest Destiny plan and drive the people back, of course.

The Brotherhood continued like this for many years, slowly preparing to allow the American people time to fully realize the truth of their supernatural world, and understand it in a responsible way. However, WW1 and WW2, especially with the dropping of the atom bomb, confused and worried elders of the Brotherhood, who realized that maybe the world wasn't ready for this kind of knowledge, that if we could produce something so horrible as a weapon of destruction, what would stop us from abusing the sciences of the supernatural into hellish doom?

As such, the Brotherhood abandoned their goal, and became focused on keeping their knowledge a secret, so that no one may ever abuse it for horrible gains. Although some felt that they shouldn't be so quick to forsake the people, and instead return to the old ways of thinking.

Two scientists came into play, a man and a woman, both of whom sought to change the Brotherhood back to its old ways of thinking. However, the male scientist felt that the American people had become "soft" and wouldn't handle the incredible information they had, going crazy with fear and paranoia. He sought a world where the strongest people could live with the weird, to tame and conquer it instead of learning how to hide. A world in which he would lead the people into full understanding, even if it meant destroying everything to begin again. A sort of "supernatural survival of the fittest", kind of like Armstrong was doing in MGS.

>First one has a too thin premise.
Hate to argue, but it's supposed to be an anthology. The framing device is supposed to be thin because otherwise there wouldn't be room for the rest of the episode's story.

Of your going that route of America discovered and catalogued Curtiss as America was discovered/civilised you should take into account that the Spanish reached the Californian coast in the 1530s and had a presence there long before manifest destiny so if your autistic about historical accuracy you should take into account what the Spanish/the Mexicans did about the cryptids too

To do this, Steven (who we'll just call now) sought to begin a ritual that would merge the world we know to what he believed was a world of "limitless knowledge, a place where everything from biology to human thought was connected by supernatural ideas". With this knowledge and power, he would be able to effectively wipe out the "softened, bored" America and begin anew. However, Steven needed certain elements for his plan, and sent two of their finest agents (that's our heroes) to retrieve them, duping them by saying they were critical for an experiment to trick them.

Just as the two agents had gotten the final piece of the ritual, the woman, who had discovered Steven's plan, warned the two, and managed to convince them to help her bring him down. Steven did find out, and sought to hunt the three down to extract what the agents knew, framing the three as dangerous criminals. Desperate, they fled to a seedy hotel in Maine to hide out, where in a final act to save themselves, the woman through some special medicine, erased the agent's memories, so they would lose all knowledge of the information. Needless to say, it worked, and the woman fled, leaving them a message to meet her when they can find her. The plan would be to keep them moving across the US, to better hide them from Steven's view, rather than just bring them back at once. Basically, keep them on the run until she could regroup with them, unaware the medicine didn't just erase the valuable knowledge they sought, but their identities as well.

(Tldr: Two amnesiac agents of a secret Brotherhood built around protecting America from the supernatural become involved in a power struggle by two scientists, all the while exploring the unknown and weird that they have long forgotten) Sorry for the long posts, should work on summarizing more

>Cryptids are real and live alongside humans
>Not just typical urban legends, but also yokai and shit
>Anyway, a human and Mothman become roommates and best pals.
>And the show is essentially just the human and Mothman doing stupid shit and getting into all kinds of shenanigans with their cryptid and human friends
>There's going to be at least one lamp joke regarding Mothman

Dude thisnis an incredibly powerful pitch

>Appear out of nowhere and start warping reality
>Some people think you're some sort of demon, others a demigod
>Carry unorthodox weapons like a bucket, some rope and a brick, normal weapon is a knife
>Strip down to underwear in certain situations for extra speed
>Date girl based on what item/power she'd give you.
>Skip plenty of dialogue at first because you've heard it several times.
>Certain moves are dangerous because you could possibly scatter your soul across the universe or "fall out of world"
>Baffle friend and foe with a "half jump" as they try mo
>Final super attack is aligning your QPUs and jumping through the fabric existence as space and time try to correct itself and "break the sequence"
>A literal scuttlebug farm at home

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But they already made Quasi at the Quackadero!

it's supposed to be a movie

It’s literally just all of my fetishes being subjected to the main characters

So Flex Metallo?

Ok so get this: science fiction and high school drama parody
Let me start off with my first episode plot.
>random nobody science nerd starts creating different drugs to try and gain some popularity
>school is populated by animals and humans alike, as well as sentient robot teachers, vending machines, and even pencils to give students learning advice
>main character gives his homemade edibles out after testing them out on himself, just hallucinogenic effects
>gives it to a humanoid teacher first, and she starts experiencing deeper emotions and even pain
>she asks for another, this time the edible gives her something akin to super strength
>whole class is amazed and starts asking MC for an edible. He obliges, charging a mere dollar per edible
>this drug has different effects for every life form. For example, crocodiles pass out into a coma, dogs turn extremely hostile, humans have seizures on the ground or experience hallucinations in some cases, robots have super strength etc.
>he has to help fight off the rogue students and faculty with his friends, a robot vending machine and a red fox
>they run to his home, trying to find something to remedy everyone’s adverse effects
>they find a shock machine, which when turned on, sends them back exactly one day before the day’s events

You know what? yes. I had the protag as a kid before and i think making him a young adult kind of took the magic out of it. having him run away from a terrible orphanage to get a job at this place seems better story-wise (also here's another character from the toon)

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Thank you!

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Bump

>anime style show about a knight protecting a kingdom that is largely responsible for most of the world the story takes place in
>knight is never seen unmasked or without armor so has a reputation
>is quiet and reserved, big as fuck, think the mountain from GOT
>kingdom is attacked by a dragon and his minions from underground (hel)
>knight puts up a fight solo but still loses
>is thought to be killed by being toasted by the dragon but it actually just melted the armor off and he’s blown back to a nearby river
>rescued by a sorcerer who restores his health and gives him new bitching armor and shield
>says to beat the dragon he has to go on a quest to find a sword that was designed to kill him
>knight has amnesia due to the battle so doesn’t remember a lot of his history or abilities

All I got so far, don’t have a name for anyone, I was going along the lines of it being like samurai jack just with sword and sorcery fantasy as the backdrop.

This is just My Name is Earl but with more incel shit.

The guy isn't spineless or meek, he just isn't very fit and relies on book smarts and creativity, the older woman is a high school dropout with street smarts and physical toughness.
The woman dropped out of high school to get married but everything went to shit and she had to run away and turn to crime. The young man was falsely #MeToo'd so even if he is proven innocent his life is still ruined, thus he becomes an absolute misanthrope before he meets the older woman.

Fantasy world. A sttory about bored kidnapped Princess, who finds out the "bad" guys, aren't really bad, and decides to stay with them, to keep up the sharade and not be expelled she becomes a minion.

heres one ive been working on for close to a year. im pretty tired so not going to type out the whole thing but just a bit of the setup.

>rural town in pennsylvannia
>history of werewolf attacks and thats basically all the town is known for because its so isolated and has nothing really
>boy lives with his mum and she owns a witch shop for all your magical needs
>goes to local small highschool
>sees qt3.14 chick has crush on
>is working the store while his mum is upstairs
>she comes in, too awkward to talk, mom calls him out from hiding behind the counter
>ends up awkwardly talking to her and asks her out
>she says yes and leave, hes like always depressed and shit about his dad going away and stuff but hes actually happy
>couple days later they decide to hang out do teen date stuff
>walking home its starting to get dark
>out of nowhere werewolf jumps out, bites girls leg, runs away
>she turns bcuz full moon
>she freaks out, boy freaks out, he runs home
>he hurry up and gets inside locks the door and goes to sleep
>hour or so later is woken up by rocks getting thrown at his window
>girl is asking if she can stay because her parents would freak
>ends up making a sleeping bag for her in the neighboring shed so she can sleep out there and theyll figure it out in the morning
>next mornig shes back to normal, they go to school and want to figure out whats going on
>visit boys cousin who lives in a trailer with the boys aunt (this guys literally just a self insert of me cuz hes a big /x/ conspiricist hippy)
>takes them to the command center/his room
>searches through /x/ alien posters looking for lycanthropy stuff
>is way too excited about seeing a werewolf irl
>they try and figure things out before the next full moon

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(cont.)
>meanwhile corrupt guy who runs a fracking business is buying out land and people in the area hate him
>he ends up being a werewolf and the kids find out
>one night theyre confronted by him and they use one of the boys moms magic potions against wolves to injur him and he scratches himself to get it off
>next day tells townsfolk he was attacked by a werewolf to throw off suspicion
>pilot ends with cliffhangar of how they can thwart him.
this is more fdetailed especially this last part and i have all this written up on google drive and stuff but typing it all out is a lot. im actually really trying to get this produced and im spending a decent bit of my time on it. i just wish i had the art skill to be able to convey this to images. ill have to find an artist sometime who wants to help me out. but i fully intend to at least get a pilot made for this if nothing else. its a passion project. but id love to hear feedback so i know what i should/shouldnt do and advice if this even is a good idea.

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We need somebody reviewing these.

How about two brothers find themselves in a mysterious 18th century world where paranormal things happen and musicals break out at random, oh and also maybe they could have some sort of animal to guide them, like a bird maybe. Also a bad guy. Basically a story of the brothers trying to find their way home. Sound good?

Sounds like a fetish.

This

>big strong scottish redhead lumberjill milf
>living in the woods with her only son outside of a big but shitty city
>world is shitty as well. Guerrilla warfares between differents factions scattered all around the globe happen all the time
>MC doesn't care, she only tries to raise her child
>MC presence is pretty intimidating which brings her troubles
>Ghosts from the past resurge with even more troubles
>MC doesn't care, she has an axe
Also
>MC works at nights as a pole dancer because single mother

Yeah. She's going to be Toadie tier minion.