>Morrison's age is not an issue for anyone,
It's an issue for him. LA is a city of the young.
>most screen writers on movies are near or at this age and many are older.
They're not. Most *working* screenwriters are younger. Those trying to break in are generally under 30, with a sizeable minority under 40. The rest are basically outliers.
By 59, as a working screenwriter, I would expect you to have at least one feature under your belt, or a string of tv episodes, or like a Netflix miniseries or something. He's got nothing. He waited too long.
>Bradley Cooper
Bradley Cooper who's been a working actor for 20 years and has been producing - not just having his name credited as a producer, but actually doing all the boring finance and logistical crap - for five years, including on major motion pictures?
He's got more experience than Miller or Morrison by a country mile. If that's your comparison - some actors do other stuff - you've got nothing.
I sincerely hope you don't think this for real. Comic book scripting is not like film storyboarding. Writing a film scene is not the same as writing a tv scene or a stage scene or a prose scene or a comic book panel. Each medium has different needs that must be satisfied, you can't just hop on and yell fasta mamma, and nobody's going to throw money at you just because you think they should.
You know who's written for comic books and movies? Chris Yost. You know why he's written for movies? Because he didn't just focus on comics from the start of his career. He was already writing spec scripts for attention when he graduated. Comics were something else he did, not something he just switched between with tv and film because it's all the same shit. He took the time to learn the way each works and gets hired on that basis.
I get it, every comic book writer thinks they've got a billion dollar movie in them right now, but the truth is most of them don't, just indulgent, unfilmable crap.