Jazz general
ITT: Post the album with your favourite lineup on it
/jazz/
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Stan Getz and Bill Evans, even though I’m not that much of a fan of Getz. It has Richard Davis and Elvin Jones though.
Also California, Here I Come. Has Bill Evans, Eddie Gomez and Philly Joe Jones
Here’s a better question: what are some albums with an incredible lineup that don’t quite live up to the expectation? Pic related for me. Don’t get me wrong, it’s a great album but not quite as good as you’d expect based on the lineup. Somehow all the players sound slightly out of their element.
>Post the album with your favourite lineup on it
pic related
Lol no, this album is flawless in my opinion.
I guess I was expecting something else and it just didn't live up to my expectations. Jackie McLean's playing was especially disappointing to me. It's been a while though, maybe I should listen to it again.
It’s probably not my all time favorite but probably one of the best in modern jazz
Easy mode
Blakey's solo on Studio B is so juicyy hnnmnngg........
This album is underrated af. I only just heard it because it was on the January jazz calendar. I probably would have listened to it eventually because Dolphy is on it but I can’t believe I never see people talk about this one.
>imagine not listening to modern jazz in analog quality
why?
pic related
also, Free For All by Art Blakey
Definitely my favourite jazz album from this decade
nice drummers . . . will be digging these up
TNX
cool name
PM me if you want to buy a shirt
REEEEEEEEEEE criss cross posters GTFO
>album with your favourite lineup on it
Bud Powell's Modernists:
Fats Navarro
Sonny Rollins
Bud Powell
Tommy Potter
Roy Haynes
1949
what are the best jazz clubs in New York? Is it still worth going to see live jazz or is it all just for tourists now?
Every Weather Report album
>Personally, I get rather bored listening to the 100th version of a "standard". Therefore I tend to reward original compositions over covers. A well-played album of covers is... a well-played album of covers. An album of great compositions is... a masterpiece by that composer. (Incidentally, most jazz "standards" are not much better than pop songs, and often they actually "are" pop songs, something that, personally, I don't find very interesting).
>Ditto for live albums. Live albums are usually... bad albums. The improvised format rarely yields good music. A studio album has been made (hopefully) by selecting the best takes of a piece. The odds that a live version is as good as a studio version are rather slim. Which is exactly what I keep finding in live albums: bad versions of studio cuts.
>I am not too interested in the instrumental technique. I am more interested in emotion than in technique. Traditionally, jazz has been associated with technique (an odd mis-interpretation of the original spirit of Afro-american music by white intellectuals). I do not enjoy listening to music for the sake of a brilliant solo. That solo has to deliver emotion. If it is technically breathtaking but does not deliver any emotion, that musician is not very interesting to me. There is a difference, in my opinion, between a juggler and an artist. If the playing is barely passable, but it delivers a lot of emotion, that musician is a genius.
king of the rockists
Who is this?
Scaruffi
>I am not too interested in the instrumental technique. I am more interested in emotion than in technique. Traditionally, jazz has been associated with technique (an odd mis-interpretation of the original spirit of Afro-american music by white intellectuals). I do not enjoy listening to music for the sake of a brilliant solo. That solo has to deliver emotion. If it is technically breathtaking but does not deliver any emotion, that musician is not very interesting to me. There is a difference, in my opinion, between a juggler and an artist. If the playing is barely passable, but it delivers a lot of emotion, that musician is a genius.
This should invalidate his opinion as a critic of any art form if he can’t understand the relationship between technique and emotional expression in art.
based scaruffi
Music critics are some of the dumbest people, in general
What makes a jazz album good?
any "dark/moody" but "warm" songs like these?
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lol saved
and to think he wrote this about fucking jazz - which is probably, if ironically, the most expressive, if also the most technical, music which lacks any trace of wankery.
NOW THATS WHAT I CALL ROCKIST VOL. 12
are there any other abrasive but melodic guitar jazz albums in the vein of sonny sharrock - ask the ages?
Where do you find these alternate covers? Are they fan-made?
de monk man
>Sons of Kemet? That's going to be a yikes from me my dude. I only listen to real jazz like Craig Taborn, David Binney, Steve Coleman, Tim Berne, Matthew Shipp, Donny Mccaslin, Vijay Iyer, Mary Halvorson, Ambrose Akinmusire, John Escreet, Marc Ribot...
Liking Sons of Kemet is extremely nu-male tho
Yeah s o i b o i s just love their avant-garde contemporary jazz composers and hate spiritual jazz hip hop fusion with an SJW agenda. Definitely not the other way around.
They are often posted in sharethreads. Beyond that I don’t know.
I'm pretty sure that jazzthreadguy made them, he has a collage with these criss cross cover arts in his rym profile.
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t. Never once listened to any of those artists
shipp and Ribot are well known...
I had ribot come speak to a class I was in once
super down to earth
>Mary Halvorson
That woman does things that leave me stunned.
>Sons of Kemet
I actually want this shirt
whats the Asian bit say?
Damned if I know
this is great my man, thanks
kys yourself
I love classic jazz from the pre-bop era.
Ok