How's Your Webcomic? #563

What went wrong? Has anything really discouraging ever happened in the process of making your comic? Has anything ever gone unexpectedly right?

Don't just post an image, let us know what your comic's called, and link us to it!

>/hyw/ CONTACT SHEET - add your webcomic site, contact information, etc
docs.google.com/document/d/1uwfOSHXfrgvcf--PkPz9jXL6p5RqIsrYvXYwgQpgT3k/edit#

> DRAWING PRACTICE and TUTORIALS
Ctrlpaint.com
drawabox.com/
line-of-action.com/
quickposes.com/en

> STOCK IMAGES and REFERENCE
People: senshistock.deviantart.com/gallery/
Scenery: shutterstock.com/
Character Design: pinterest.com/characterdesigh/

> FONTS
Blambot: blambot.com/
Create your own: calligraphr.com

> WEBSITE
Easy to use tumblr webcomic theme: tumblr.com/theme/39018
Dos and Don'ts for starting a site: pastebin.com/kNR2W5mV (embed)
Promoting your comic: miss-melee.tumblr.com/post/143483233951/

> ART and WRITING RESOURCES
makingcomics.com/
mediafire.com/folder/9pf1nwwa92lbp/Comics_for_making_Comics
cienciasecognicao.org/rotas/wp-content/uploads/2013/12/Robert-McKee-Story.pdf
courses.cs.washington.edu/courses/cse456/07su/administrative/invisible_ink_part_1.pdf
.../invisible_ink_part_2.pdf
.../invisible_ink_part_3.pdf
pastebin.com/BSVaT7uQ (embed)
/a5UmYWhT
/eTqaESTc
/pVkAE4uX

> PODCASTS and VIDEOS
chrisoatley.com/category/podcasts/
John Cleese on Creativity: [YouTube] John Cleese on Creativity In Management (embed)
Capeworld's Podcast: youtube.com/playlist?list=PL6isqHY5kZzHK6Gviy18SHXnz8hdrkgkx
Terrible Writing Advice: youtube.com/channel/UC3ogrx6d9oohf6D42G44j1A

>Brush Packs
CSP: mega.nz/#F!5xlV2IzJ!bg8BZB-oYaVrmD31S3fJHw

Previous thread:

Attached: didnt make this image but i saved it.jpg (1200x1165, 2.38M)

Other urls found in this thread:

youtube.com/watch?v=Pb5oIIPO62g
tapas.io/episode/1411967
webtoons.com/en/challenge/cardinal-junction/converging-paths-page-02/viewer?title_no=196040&episode_no=7
cardinaljunction.smackjeeves.com/comics/2794689/page-02/
tapas.io/episode/1272284
webtoons.com/en/challenge/ibrahim-coyle/list?title_no=270091
tapas.io/series/Ibrahim-Coyle
x6ud.github.io/#/
taleofjaspergold.com/
tapas.io/episode/1403045
webtoons.com/en/challenge/noughts-and-crosses/list?title_no=195592
twitter.com/LimitedThis/status/1130502476900253701?s=20
ghadar.smackjeeves.com/
tapas.io/episode/1408692
tapas.io/series/Merchant--Pike
tapas.io/series/The-Tale-of-Kit-and-Squeaks
assets.clip-studio.com/en-us/detail?id=1671340
assets.clip-studio.com/en-us/detail?id=1668352
assets.clip-studio.com/en-us/detail?id=1672591
assets.clip-studio.com/en-us/detail?id=1735589
assets.clip-studio.com/en-us/detail?id=1588676
assets.clip-studio.com/en-us/detail?id=1735578
assets.clip-studio.com/en-us/detail?id=1699429
assets.clip-studio.com/en-us/detail?id=1533675
rule34.paheal.net/post/view/3109721
archive.sonichu.com/cwcville/SchuComic.htm
freakanimes.com/habiti/comic/ch2-p9/
tapas.io/episode/1413636
webtoons.com/en/challenge/oni-x-fox/chapter-26-night-of-suspicion-5-6/viewer?title_no=36239&episode_no=195
youtube.com/watch?v=fdD7CgN5FGg
kotaku.com/tips-for-drawing-backgrounds-1759168924
youtube.com/watch?v=05fn1DlFRtY
sargista-wiki.fandom.com/wiki/Sargista_Wiki
tapas.io/episode/1416282
tapas.io/episode/1410321
tapas.io/series/Squires-for-Hire
twitter.com/SFWRedditImages

I forgot to fix the john cleese link. Sorry.
youtube.com/watch?v=Pb5oIIPO62g
first time I've forgotten it in dozens of threads I've made.

How'd I do?

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I like that not every sword comic has to be only about swords.

Cardinal Junction update! Take 2!

tapas.io/episode/1411967
webtoons.com/en/challenge/cardinal-junction/converging-paths-page-02/viewer?title_no=196040&episode_no=7
cardinaljunction.smackjeeves.com/comics/2794689/page-02/

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Eyyy Ardi, super belated fanart for you.
Had a lot of fun drawing Rau's ankles.

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hey how about dem politics

Bonus fountain pen doodle of a bile-hunter, too.

Lore-wise, bile-hunters are outcasts of the South Junction who've made a desperate living in scavenging/hunting for and selling black bile. A bile-hunter is noticed by his/her having one missing eye.

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looks like ass
and I'm an assman

>107689721

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wait, so all the outcasts with this particular job are all missing an eye?
meant to sarcastically quote

Gonna be free around Wednesday to work on a comic, finallly.
I might ask a writer here for collaboration since I want to practice doing some short story with a couple of pages.
I'm the guy who likes to draw horny Kamala btw, so if anyone has any ideas just tell me

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I love how that's just an identity you're confident in being known as.
Why not make that your comic? And if you don't want it to be a fancomic, invent a new character who has similar things you like about her?

I too can admire a perky posterior. Thank you, user.

>wait, so all the outcasts with this particular job are all missing an eye?

Pretty much.

I even have a description for them in my story bible.

"Those who brave such conditions often make a living through hunting for and trading in bile. Such outlier huntsmen are marked by a single missing eye; the successful ones at least. This traditional act of self-enucleation is believed to bestow the hunter an unseen eye to distinguish the quality of spirits/energies attracted to certain bile – an ‘eye’ into unseen layers."

Ah okay, it sounded like that was just something that happened to happen to them all. That'd be one hell of a coincidence.
So basically they're half as crazy as the Dead-Eye Druids, but twice as observant since Dawn and Courtney never actually went through with it.

In-universe, the South Junction is a murky bog of black arts and macabre rituals, so it's a reflection of their culture, even if they are outcasts. It's hard to detach oneself from a culture that essentially behaves as a cult, this particular one being a death cult.

yesterday's comic

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>Why not make that your comic?
Mostly because I'm in the mood for a collaboration. Fresh ideas and such.
I do want to make a porny Kamala comic eventually though.

Nothing like a cliche that redeems itself by going sideways, so to speak. First prize.

whoops, forgot to put back my trip because I was shitposting

What the hell man, this is so damn cute, love it! Thank you so so much! My favorite baby eater oni is getting popular.

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Oh right, and

>What went wrong? Has anything really discouraging ever happened in the process of making your comic?
Not really. I still dont think I have many views but thats only natural.

>Has anything ever gone unexpectedly right?
I like the people im meeting and by starting my comic I got curious about webcomics which gives me some more fun.

Unrelated to that today I woke up with a cold and skipped work. I really wanna get fired.

Also, my comic
tapas.io/episode/1272284
Is a romcom about a dark elf girl trying to convince a pirate priest to be into bondage.
Not really.

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Thanks. I'm just getting started so i really need to work on the basics.
I used those anime robot fap figurines as a reference for joints. Honestly i need to think long and hard how to mix 80s design without looking too bulky and still be flexible. I agree with you about knees but i'm pretty sure hip joints are fine.
Anyway i'll probably fuck off for a long time improving my art.

>What went wrong? Has anything really discouraging ever happened in the process of making your comic?
People very close to me telling me that I'm wasting my time and that nothing good would come from it.
>Has anything ever gone unexpectedly right?
Some people came across my work and offered me some great freelance jobs.
>Don't just post an image, let us know what your comic's called, and link us to it!
Reposting from the previous thread:

> IBRAHIM COYLE
>Ibrahim Coyle is just your regular con-man and a self-proclaimed PI, secret agent or whatever the client needs, as long as there's some cash on him . These are some of his wackiest adventures, so mostly all of them.

>Weekly part by part updates on Webtoons webtoons.com/en/challenge/ibrahim-coyle/list?title_no=270091
>Full episode updates on Tapas tapas.io/series/Ibrahim-Coyle

I've been working on this since 2014, started publishing it in 2015 and I've just recently managed to translate it in English.

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Very cute!
proportions could use some work, but good job nevertheless

I've been working on a comic for the last 6 years mulling it over and rewriting everything so I'm hoping to finally get started drawing it soon.

>I hope new thread guy is okay.
I'm fine (for the most part). I've been busy the past week and had to call it an early night last night. If I didn't have shit to do and places to be I'd say fuck today and go back to bed with my aspirin bottle and a movie.

You did a good job, OP. Thanks for stepping in!

Also a random link some people might enjoy: Search animal images via rotating a skull
>x6ud.github.io/#/

Do you realize how pathertic that is? YOU GOTTA MAKE IT. Dont let it sit for years while your life passes you by. it's not gonna be perfect and your gonna hate it, that's how it is with all art.

Posting a new page for The Tale of Jasper Gold that's just gone live.
taleofjaspergold.com/

>What went wrong? Has anything really discouraging ever happened in the process of making your comic? Has anything ever gone unexpectedly right?

Making comics is still a learning process. So the only things that go wrong are things that come with trial and error. The only discouraging thing that had happened to me was when I lost my mother sometime after I had finished completing the first chapter, and was going on to the second one. I had to take a break for a while to deal with her passing. During the third chapter, I was diagnosed with Meniere's, and due to the vertigo and vomiting, I would sometimes have to completely stop working on whatever I was doing to lie down. I don't know if this counts as something going unexpectedly right, but people seem to enjoy the comic so far. And that makes me happy to hear.

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>I really wanna get fired.
That sounds like it's time to get a new job.

>What went wrong? Has anything really discouraging ever happened in the process of making your comic?
Before starting my webcomic I expected to have a few readers. You know, just a few. Hasn't really happened.
>Has anything ever gone unexpectedly right?
Uhhh, I can draw a little bit now, and some people like my non-webcomic stuff.

tapas.io/episode/1403045
webtoons.com/en/challenge/noughts-and-crosses/list?title_no=195592

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twitter.com/LimitedThis/status/1130502476900253701?s=20

A quick comic

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In three months Ill have enough money to move to Canada for a new job so ill resign then! My webcomic will probably move forward more quickly for a while then.

I swear to god I'll find some motivation I swear.

you know exactly why you're lacking readers
my main beef is that you have almost as many views as i do

I mean, your stuff probably sucks too.

Post your comic

medli from my school sketchbook

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Boomping with another art I got, by EliTanDark
First time I get some of my baddie.

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I was lacking pose inspiration so I recycled the pose of a 3 year old unfinished sketch. then I realized I had to fix a bunch of it. Just try not to look at her elbows

Don't fuck off for too long, I'm really interested to see where this goes
The hips might look right because that's how a woman is shaped, but if you play around with the right toys you'll see what I meant about the diagonal joint not moving right. All my old ninja turtle figures had the same v-cut hips, and if you rotated the legs forward, their heels would be facing each other. It took playmates til 2008 to figure out this problem.

That is insanely useful

I like this premise.

bump for great justice

Yea Forums can I get your opinion. Do you think it's viable to just be a webcomic writer who collaberates with others or do you think that dynamic is a set up for failure?

i think most artists already have their own ideas they want to draw. Unless you pay them.

A belated welcome back to one of my favorite webcomics. I look forward to the continuing adventures of Ben, Rodney, and cosmic horrors that lurk beneath the shadows with the vengeance of eons long passed.

>What went wrong? Has anything really discouraging ever happened in the process of making your comic? Has anything ever gone unexpectedly right?
Well, nothing! except for tomorrow showcase, that came unexpectedly right!
Ghadar Adventures, read it now!
>ghadar.smackjeeves.com/
I'm gonna take a hiatus until next week, sorry!

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>I lost my mother
Stay strong. I worry about this everyday as I"m drawing. How did she pass? How old are you? How's the comic doing? Sorry for all the questions, I'm looking for some direction.

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the majority of big successful webcomics have separate authors and artists.

I have. I've offered people the opportunity to name their price and they just never get in touch with me afterwards.

My question is:

Do you think that on the internet, where everyone is a creator of some form these days, it is possible to convince another person to have some sort of shared passion in creating a singular idea if it has come from another person?

Dunno. Id love to have Erins author draw a comic idea I have though, his artstyle fits it perfectly.

Reposting some stuff since i came in at the ass end of the last thread and it was nothing but political shitposting.

Critique my shit up lads.

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This was just for more practice.
I play a game where i spout random words and try to make characters out of them. I discovered you can make a mad scientist by putting 'Doctor' in front of anything.

I might use these for filler villains.

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it happens all the time

She passed away due to cardiac arrest. At least that’s what the autopsy says. I’m not quite sure the direction you’re looking for, as I don’t know what your personal life is like. But I had a lot of friends and family that helped me get thru it. And each month just felt easier to get by. The comic is doing fine. It’s even being published by a small press furry publisher. I know thoughts of losing someone like your mother might stress you out, but when it happens, be open to receive help, and love from friends and family. It gets easier to deal with as time goes on.

I hope that helps user.

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Re-posting page 1 of the new Tom N Artie Tales story and next is on friday.

tapas.io/episode/1408692

>What went wrong? Has anything really discouraging ever happened in the process of making your comic? Has anything ever gone unexpectedly right?

Probably first thing that went wrong was when me and my artist had to rush to get something ready for C2E2 2018. We didn't have a complete issue ready by then but compiled a preview version together. She went pro-bono for that afterwards and it took me 5 months to pay her for all the work. I was thinking the whole time she wouldn't want to keep working on the project after that but thankfully she still wanted to continue.

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sketching out pgs 35 - 39 for Merchant & Pike.

>What went wrong? Has anything really discouraging ever happened in the process of making your comic?
Burnout. I drew my comic too fast and I just lost all energy and interest. To alleviate it, I spent a month or so doing anything else besides drawing my webcomic. Ended up with a punk pig animation.

>Has anything ever gone unexpectedly right?
I don't know. People like the hatching I do for my comic. So that's a bonus. Doesn't amount to more followers or anything, but that's on me for never advertising my work. :V

tapas.io/series/Merchant--Pike

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you do push yourself hard. I shouldn't be surprised that's what Punk Pig was.

Any contemporary/Scifi artists here wanna collaborate on a webcomic? I can somewhat pay you.

Its been 3 years and I still have no idea when, how and what will become of my webcomic.

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looks familiar. you've posted here befo?

Almost a year ago, yeah. However I my art has literally been through 3 stylization overhauls so I don't think I'm the one with the art you have in mind

It reminds me a little (though not entirely) of this one comic with a gruff human and a blue-gray incubus that constantly emitted smoke... but that dude developed wrist problems

I lost my father 6 months ago - he was a lung transplantee, until one day he caught a simple cold and through various complications eventually passed away. I was finally ready to do something with myself, aside from university, as in writing down a story and completing a short-comic so I can show publishers when the time comes. I had no friends to go through the ordeal with me. Some of the acquaintances I have still don't know I lost my dad. Obviously it was an immense setback. The gnawing creative void widened, and as of now I have been practicing art for 3 years and still no headway on what the hell I'm going to do with myself in that regard.

Even though I generally dislike furries, it's pretty nice art you go there. Hope you do well.

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My dad also died after a stint in the hospital. I think that might be the worst thing ever, because you have worry followed by relief when he gets out and you think everything's fine. It still hasn't really hit me, but his dad is devastated.

I thank God that my grandfather passed away 3 months prior to my dad. He has lost his wife and all his family and I couldn't bear the thought of seeing his reaction to losing his son before he goes.

Life sucks, and don't let anyone tell you otherwise. Maybe existencialism would be a good setup for a comic?

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Fun with lips!

Found some cool lip tools!

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I don't know what it is about your current artist's style, but it gives me a sense of deja vu. It's feels like I knew this style from when I was a kid and it gives me serious nostalgia vibes, but I just don't know how or why

a brush that just automatically adds the lip pattern, complete with shiny stuff?

it's very Sam and Max isn't it

Lip pattern and shiney gloss are separate brushes, but they come in a pack

HOW DO I COLOR SKIN

what type of skin? what style?

start with orange
lighten and desaturate for caucasian
darken and slightly saturate for a tan. increase for native americans, southeast asians, or northern africans.
darken but remain desaturated for the majority of the sorta middle-brown sorts like your middle easterners, hispanics with a lot of spanish, etc.
add yellow for indonesians or obama (don't forget the chocolate pudding lipstick)
darken considerably and keep saturation middlin' for a negro, then lighten or dark depending on just how much of the tar-brush he's been hit with. resist the urge to paint his lips red or white, neither of these are accurate.
red or blue for oni, but technically any color is acceptable.
light pink for albinos.

Still plugging away. Last few shadows and bits of polish to do, now.

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first page completely colored, planning to release the comic in batches over the course of the summer. i hope i can stick with a good ratio of quality to quantity.

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This looks really weird and kinda gross with your style. It would probably look better to just do simplified lips, instead of slapping shiny hentai-butthole lips on super simple faces.

I'm 100% certain Dewd is aware of that, and is just having fun
Please tell me I'm right.
This is a nice scene layout.

>be me
>starts drafting the next chapter in my fantasy comic
>fuck, this script is looking solid!
>start to get the rough drafts in place
>character models and background
>fuckyeah.wav
>s-start to feel insecure in my ability to design characters even when contemporaries say it's fine
>start to work on comic
>start having mild panic attacks when things arent looking how I want them too.
>start to break out in hives
>sweating a lot
>ohfuckohfuckohfuck
>dad was right, I should have been a plumber
>am i really wasting my time with this?
>maybe I should try again
>no! This I am going to push through these next 20 pages!
>start to cry
>not even half way through yet
>go to bed
>wake up
>rinse repeat

This is just Tuesday mind you.

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Whoops!

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Is it even possible to come back after not updating for years?

yes. the trick is to show improvement

Say, where'd you find that brush? Asking for a friend....

this is nice, thank you

mostly white and brown-ish

im honestly surprised Ed had other candidates to command the initiative appart from Gasparro.

Realizing that basically all human beings are orange was an amazing revelation for me. It makes sense with simple math too, skin is white on its own, blood is red, melanin is yellow when it's thin enough that you can see through it. Put it together, you get orange cream. before that it's hard to figure out exactly what color beige-flesh-tone is because it's so vague.
melanin is one of those odd things like iodine where it looks brown and goes orange and yellow as it thins, things like that are totally weird but pretty cool

I find it hard to believe some sort of collaboration could work, it's hard to trust anyone. It's better to do every part of your comic alone. If my income depended on it I would just do some physical labor or something, not something where my intellectual property is entangled with someone else's.

you gotta set those decisions up ahead of time, make agreements, get 'em in writing.

Sadly user i do not know, it's a bunch of japanese letters.

This. Successful indie collabs are extremely rare. Usually one person's passion/commitment/standards exceeds anothers, and usually the "writer" is just a glorified idea guy who thinks he can write because he has access to a computer.

Agreements on paper have no value, eventually no contracts will be enforced so it's best to avoid all the stress and drama from dragging people to court.

Tonight on Saffron and Sage, foolproof math and foolproof schemes! Read the rest at SaffronComic.com etc!

The fun part about having an outline but being mostly improvisational is these little character foreshadowing beats where "makes people wear parachute pants" is added to the list of character traits I need to remember Milk has when she finally shows up.

Cinnamon is just tremendously fun to write but she's also a character who works best when she doesn't get too much screen time.

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If anything it's backgrounds. I'm good with designing characters but backgrounds were never really my forte. Also dialogue, You feel like since you know all the ins and out's of these characters that you know what they'd say in any situation without it sounding cringe.

It's hard doing all this by myself but rewarding to see people giving critique and like my work. Also Here's the newest page.

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forgot the page link
, tapas.io/series/The-Tale-of-Kit-and-Squeaks

Weed is legal here now, would it help me with my creativity? A lot of times I feel like I'm stagnant in my creative process and need some sort of kick. I don't like alcohol for working, the lines don't turn out well and you get really tired really fast.

I think this speaks for its fucking self.

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you will never like anything you do, nothing you make will ever live up to what you have in your head, you gotta learn to cope with that. Make what you can make, that's all that matters is that you're trying, dude.

Probably not. Weed mostly just makes feel relaxed and generally in a good mood, you don't trip balls on weed.

But if you get some weed, some friends, and a copy of the first Sam Raimi Spider-Man you have all the ingredients you need for an incredible Friday night.

Your comic will never, ever, ever be as good in paper as the dream comic in your head, but you're the only one who sees that dream comic so you can hoodwink everyone else.

A good exercise can be to make some comics, and then lock them in a drawer for like three months before reading them back. You'll have mostly forgotten making them, and you can see the work a little bit more objectively. This helps you see the flaws, but it also helps you see the good. Reading my old shit and laughing at a joke past me wrote this an oddly empowering experience.

R8t my webcomic.
I accedently drew it backwards.

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love Toby parker, 3 is also hilarious in a Kung Pao sort of way.

No one?

>I might ask a writer here for collaboration since I want to practice doing some short story with a couple of pages.
I'm kind of interested, if no one else has gotten back to you.

What program at least?
If you got it from a website you could link that.
only agreements on paper have value or can be enforced.

If you have trouble getting creative because of an inability to relax, yes. Otherwise, no.

What do you mean by contemporary?

clip studio's asset store, it's free.

Don't know if your post got flagged and removed because it had an email, but I shot you a message before it was taken down.

>assets.clip-studio.com/en-us/detail?id=1671340

I made some headway on designs, thumbnailing and plotting, over this last weekend. I've also figured out a name, which wound up being a pretty big hurdle, so I'm planning to register a domain soon. Has anyone had good experiences with Geekghost? I know it was in the tutorial, but I wanted to canvas you guys first.

>What went wrong
Got talked into a more sensible career, told I couldn't take art seriously as a way to earn a living; spent the last 7 years trying to be a grownup and have a big boy job.

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Bueno. Thanks a munch. I'm always getting commissions where people want cum splatter and It's not super fun to draw.

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STOP STALKING ME, COFFEE BEAR! I KNOW YOUR LIFE IT BETTER THAN MINE, STOP RUBBING IT IN!!!

I deleted it myself because I got a reply. But I just replied to you too if you're the S&S guy

Might just be because her artstyle looks similar to some other European artists. I've seen a few who her style matches so I can understand the nostalgia feeling.

what is this eurocomic kino?

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I like to think that's hot cocoa.

CSP has a lot of... um... "splatter" brushes that you might find useful. The trick is knowing how and what to search for.

>assets.clip-studio.com/en-us/detail?id=1668352
>assets.clip-studio.com/en-us/detail?id=1672591
>assets.clip-studio.com/en-us/detail?id=1735589
>assets.clip-studio.com/en-us/detail?id=1588676
>assets.clip-studio.com/en-us/detail?id=1735578
>assets.clip-studio.com/en-us/detail?id=1699429
>assets.clip-studio.com/en-us/detail?id=1533675

Making brushes like these are super easy, I'd suggest making your own so it matches your art better.

It's more the convincingness of the effect, not the need to have a brush to apply it instead of doing it by hand. Thanks!

Eyyy servant of the succubus guy
way past due making you fanart as well. Figured a porn comic of such a scope as yours deserves something appropriately lewd, so I'll have to just link to it
rule34.paheal.net/post/view/3109721
and post this defaced version.

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Wanted to give you guys this electrifying thumbs up! Always makes me happy to see you all working hard on your webcomics and art. Keep it up! I haven't been interacting as much on here in the past weeks but I really am grateful for these threads.

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You're a treasure. You are in a chest.

How'd I do?

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I think the last panel should just be her stabbing a dude. Why say what you can show?

Sword needs more holes.

Haha thanks! As long as I'm not a buried treasure chest of course haha

Makes me want my own wholesome sword! I do agree with though, showing her stabbing someone would probably make the joke even stronger.

The artist is Vany (there's usually a long stream of As in that) an artist from Italy I'm working with on this current Tom N Artie Tales story. This won't be the last time you see her art in Tales as she's going to come back for a second story and possibly do a variant cover for Issue 3 of the main comic.

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what if..a webcomic about chrischan?

archive.sonichu.com/cwcville/SchuComic.htm
Gotcha covered friend

Im still drawing fucking hands, shit is hard

break it down in forms then detail from there. don't make it harder than it has to be

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I think the moral is you need at least SOME sort of redeeming quality to your shite content

it's beautiful

Thanks. I've been slowly working up the nerve to start working on it and you help me realize that I'm worrying too much about making it perfect.

Don't course correct mid-production. Do that one chapter, publish it (or put it on a back burner), come back to it and make the next one better. Rinse repeat.

freakanimes.com/habiti/comic/ch2-p9/

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i laughed out loud but for real

>Chase Week.png

hands are cancer to draw.

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Chase week?

Really? :)

just googled it. :/

Hands aren't really that bad, I feel like people make a bigger deal out of it than they should. I know I resort to nub/ball hands alot of the time but even in my more detailed drawings, feet are harder for me.

After several attempts I give up on my loss pic of Rau for the tournament thing. Next time I should go with a character im actually eager to lewd.

Anyways.

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>giving up on giving in
good job. that's a pretty big image though

>I know I resort to nub/ball hands alot of the time
Well the point is to not downgrade your vision for the sake of convenience. If you don't want to kill yourself less everytime you look at your drawings, you're not doing right.

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my point is that I CAN do hands when I want to, and that I have a much harder time with feet/shoes

Why isnt this underaged poster banned yet

Does Yea Forumsmblr even care about hat?

Because not only is he not underage, but you have no proof or reason to think so.

>Why isn't this person I don't like banned
This isn't Discord, brother.

put your trip back on
discord isnt Yea Forums, youd have to explicity make it obvious that you are underage to get banned for it, accusing others doesnt mean anything

And now for something different.

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That's fanart of that character drawn by french metal comic guy right?

gloryhol. why was I blanking on that so hard?

Yes

I finally started updating mine again

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Anyone has a battle comic?

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Been working on some character designs for another comic too.

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That's awesome, and I like that I was able to recognize it.

Love it. Good stuff. still hoping you do more with monsters again someday

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I don't understand why the author didn't flip the genders of these two characters. Rudolf emasculates himself so consistently that it's almost (but not quite) embarrassing to watch. Goodlove also makes way more sense as a man.

Pages look OK otherwise, albeit the dialogue is a little choppy.

Got a question for ya, /hyw/. To introduce a comic and its cast to an audience, would you prefer to make the first chapter an average day in the main characters' lives, or a chapter that starts at the very beginning of these characters' stories?

Show us enough of the daily life to understand the status quo, then get to the inciting incident and start the story.

A confident man and a submissive woman? in 2019?
Imagine the support you'd get from angry pent-up guys. Nobody wants that.

Those are the two best choices. It's tough to decide which one to go with, it basically depends on what kinda story it is. What's the appeal, what is it that's going to get us hooked, long-term?

Too many niggers

>Rudolf emasculates himself so consistently that it's almost (but not quite) embarrassing to watch.
I have a weird suspicion that Goodlove herself is a self-insert and the author loves boys who submit to their partners. Which is totally within her rights, but is still a little disconcerting.

Start with the conflict. That's what we're reading for.

Everyone there seems perfectly cultured and well-dressed, I'm not seeing any pants around knees or stolen sneakers.

based author

I wouldn't speculate on anyone, but I would assume more "manipulated by Lifetime into being scared of anything other than weak, effeminate men" than "loves boys who submit"

First page all done, would appreciate your opinions.

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Yeah this. I already worked with people doing some fan stuff of a world/characters we were fans of and I also did some original thing with others. The first thing usually works for me, there is no profit behind it and the parameters are set since we create stuff for already existing characters. The latter is horror, because first of all you and the other will most likely love completely different things and disagree on fucking everything, and aside from that you have one guy who is the boss and (main) writer and if I have learned one thing in my life it's that 95% of these so called writers are people with abyssmal writing skills and even worse creativity.
Also, I noticed that they love to blame the artists for everything. I worked for one who created the worst possible stereotype/parody shit years ago, nobody cared about that stuff, I brought in some ideas and online people we talked with liked the ideas and yet, he always fucked it up with bringing some cheap comedy and selfinsert faggotry in and shittalked me all the time for not drawing some fucking background line clearly enough until I told him to suck my dick. I wasn't even payed it was just a "friendship" thing.

I can’t draw

Face seems slightly more tilted than the head in panel 1, especially looking at the eyebrows vs the horns.
Overall this looks kind of wonderful and cute.

Not the user above but I recently lost my father too as well as one of my friends, coincidentally both around the same time. I barely have any people I am close to, now my only family is my mother and my best friends who lives quite far away and I always fear losing them too, especially since my mother is already old and gets all kinds of weird issues lately. I swear hald of the people older than 50 I knew I my life died of cancer when they're 60 or so.

Thank you user, Now that you mention it I do see some mistakes with her head

New Oni x Fox update!
Tapas: tapas.io/episode/1413636
Webtoons: webtoons.com/en/challenge/oni-x-fox/chapter-26-night-of-suspicion-5-6/viewer?title_no=36239&episode_no=195

>What went wrong? Has anything really discouraging ever happened in the process of making your comic?
The biggest thing that went wrong was burnout on Color Seekers. As of late I've been making daily visits to my grandmother in the hospital which has been rough and I've gotten much less work done.

>Has anything ever gone unexpectedly right?
On the good side, having my comics go over well with others, making new friends, and funding two Kickstarters has been great.

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Some beginning concepts of a robot I'm designing

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Fuuuuck I haven't updated in ages, Been a while since I've been in these thread too.I always feel bad for posting so rarely cause i'm pretty busy.

I'm McLovin' it
We all missed you.

I wonder: how long did this page take your to draw and fully color? Looks like once hell of a time investment.

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how long does it take for you guys to churn out pages?
i just started linework on my roughs and it feels like it is taking forever. it doesnt help that i changed my style since i started the roughs so they aren't much help. Also i cant sit too long due to my back problems.
does the process get faster with time? It feels like my art is getting better but the time sink has been my first true obstacle.

It gets faster over time, but it gets slower as you get better, so you can't really predict it.

The process does get a little faster with time, but the main thing about drawing comics & animation and shit is that it just takes a lot of time to do, no matter what skill level you're at. This is also the main obstacle when it comes down to balancing art and a career - most people just can't actually find the time to get good at drawing and create projects of their own unless they cast away nearly all of their other interests and hobbies.

>you get faster with time and slower with skill.
so its constant.
i guess the good news is, my work schedule is moving to four 10 hour days per week. hopefully i can use the extra day off to devote to this.

It's not exactly constant, it's more like a wave where you get better, but then you start adding new details or skills or you get adventurous with angles, and it takes longer again until you master those.
good luck with that, that sounds awful to me. but so does any work.

I'd hazard I take 8-10 hours, conservatively, to fill an 11x17 board.

No wonder people try doing this for a living

>tfw watching all these new comics blow up on reddit and have massive influx of patreons while your dogshit comic has been stagnating for years

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Finished this page

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Depending on the needs of the page and my ability to go uninterrupted, it can take anywhere from 4-8 hours.

just snuck some lips in there

Very cool lips, cool art man. Keep it up the same way and never let anyone change you

You arent replying to yourself right?

Thanks dudes, i decided it would be good idea to only have the lips in close up shots instead of all the time.

Drafts of the next two pages.

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Also finished a page of the RP comic

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Another design for this robot

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I wish I had more commenters. Don't you guys want more people to let you know if you're doing something right with the story or not? Sometimes, it feels like readers don't want to say anything to avoid meddling with your artistic vision. We're not like the big network guys, we don't bite.

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Did you remember to stretch today/last night, /hyw/?

youtube.com/watch?v=fdD7CgN5FGg

yeah that's how I feel
I stopped getting injuries when I stopped going to work and started getting plenty of sleep.

sure wish i had a single comment on why people dropped my comic literally overnight
the entire viewership just gone

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make sure your site is working

it's comicfury

This page took me about 5 hours to pencil. That’s not including the roughs, thumbs and planning.

I want to say it does get faster over time. But it also depends on how much detail you’re planning on putting down for each panel.

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It's worse when you do get messages, but it's only from people begging you to read their stuff or just to follow them.

Looking good!

are you actively promoting your comic on social media platforms or just waiting for word of mouth growth?

that site goes down all the time

i dont use any social media whatsoever

Then you're a friend of mine

here's your comment asking why people stopped reading. they aren't looking for your comic and aren't exposed to it on social media.

fuck social media
also you appear to have made an error and confused FINDING the comic with existing readers continuing to read.

Thoughts?

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>Thoughts?
No, but feelings.

You pretty much won't go anywhere without it these days.

>"B-but muh social-political commentary--"

Just ignore that shit. Post your shit. Talk about your shit. Post on other people's shit. Social media is all about making connections with other people, and if you're not doing that IRL or online, you're not going anywhere.

I have been losing interest in mine. I have over 100 pages of content and I am burnt out it seems. I wanted to make something like one piece in space but with different aspects.

nope, both continuing to read and finding a comic have to do with developing a fandom. developing a fandom requires advertising that content exists, social media is one facet of advertising that will have the best spread for the lowest cost. It shows to old and new readers that there's interest in the comic, interaction with that content and that it's not limited to it's hosting site. current readers will always drop off to single digits if they don't feel like there's interest or fandom to participate with. you know, being social? sorry for figuring you'd be able to grasp that connection without having to explain it...

i passively read every webcomic, never interact with the intended discussion sites and only shitpost about them on a chinese website

You need an additional panel between 4 and 5 to show better movement transition from being in the trench to peeking out of it. Or, you can alter panel 4 to have the shadow of him standing up. It's a bit to quick of a break as is.

I do that in media that is social but isn't "social media"
like what we're doing right now.
Why would a person need to see social media advertising to continue reading a comic they're already reading? What kind of sick, sad person would quit reading a comic because they aren't hearing anyone else talking about it? And why do you not only think those people are numerous, but almost everyone?

This probably won't mean much given it's more anecdotal, but years ago there was a movement(?) that largely started on deviantart where artists were encouraged to ignore or shit on commenters directly if any posts or comments on their work didn't fit some (often) arbitrary ideal. For example you couldn't say it looks similar or reminds you of another artist, no unprompted critique especially from "nobodies", don't ask questions on ongoing webcomics (yes, this was a thing for a while), don't ask questions if you aren't friends/mutuals, and so on. If you did you'd either get blocked/ostracized, vague posted, or called out in a blog post and openly mocked. Unfortunately that shit is still around and perpetuated to varying degrees on sites like tumblr where newbies learn that that's supposed to be the norm.

I'm rambling a bit, but my point is that there's been a depressingly long history of narcissistic jackasses on an unwarranted ego trip who have made it their life's purpose to make sure their audience is absolutely terrified to interact with them literally ruining the experience for everyone else.
Trying to get people to interact with you isn't going to be just fighting their apathy for attention, but all that shit I mentioned as well. Make sure you're being the person that openly and actively welcomes and seeks interaction as well as fights against the toxic mentality.

This has been a biased psa

Oh god, I've seen that shit on DA. It's sad how we all used to fantasize about what it'd be like if kids ran something, made the rules themselves... but in practice, you get DeviantART and fandom wikis.

I just like sad and wimpy cute boys.

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I worked on it on and off for about a week, spent the whole evening coloring it yesterday

i feel my back grounds suck and I also find it tedious to make as well. How do I combat this?

Perspective practice and front-loading work on repeated environments with different camera angles. I hate this site, but it's easier to locate these good how to tuts here than hunting them down on twitter: kotaku.com/tips-for-drawing-backgrounds-1759168924

It also helps if you know when a background will be repeated in other frames. Messing with the zoom or position of a larger background will let you get away with cheating on those without it looking repetitive.

Whatever Phara is saying needs to be bigger and clearer, especially when scaled down. No one will be reading that page at 1:1 scale.

Both characters are dressed in dark grey; it would be better if they had different colours and/or accessories to differentiate them. Especially in the top panel, where Vivian is blending into Phara's hat.

I would flip the middle panel as well; top and bottom panels have Vivian on the right, so why not keep those relative positions down the page?

a couple hours but i spread it out over the course of my entire life

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Good points, thanks user

I'm sorta new here, am I allowed to post my comic if its pornographic? Or should I hide the nipples and stuff?

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this is a blue board so you cant post anything nsfw, you can link whatever you want just fine though

Alright thanks

about 2 and a half hours to finish this page.
finally onto chapter 2

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new thread?

please man have mercy where can i see this in its entirety

Nice. What will the story be about? Looks western-ish which is god tier.

look at some shit regarding disney's multi-plane camera work, and it'll help you break backgrounds down nicely

>blue boards

Man something died in this site when that was implemented.

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That would be a couple of years before Yea Forums came to be. Around the time Yea Forums - anime/random turned into just random.

Now I feel old. Thanks.

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It's really just because we can't have nice things. Posting the odd lewd image without having every thread degenerate into porn.

i don't think you'll like the answer
i post the pages every other week to my patreon
if thats not enough i'm gonna make books when i'm done drawing everything
its an expression of my own disintegrating notion of self, and a narrative about a man trying to cope with the onset of that experience
also my entry into most pretentous wankcomic 2019

whoa, kaiju girls!
or rather, when they started enforcing it. I miss 2010

The people who ruined things, in every single instance, were trolls dedicated to ruining the nice things others had. As long as everyone suffers from the acts of a few because consequences are handed out to groups instead of individuals, nothing can ever be good.

Careful, you're getting dangerously close to normie mentality.

Started learning to draw so I can draw comics.
How long should i wait until i start?
As a base, 0 experience in art. Drawing min an hour a day. (Currently working my way through Loomis)
Should I focus on the basics before trying to move in panels?

now

normies think the opposite of that

Just start drawing them whole sale?
Finite amount of time to practice, just don't all at once?

it depends where you are

i started about a month or so ago at the same level. i have no idea ehat i m doing so i just dove in. my comic looks autistic as fuck but i do feel i am slowly improving.
good thing about being completely ignorant is that you are willing to try anything. i finished loomis and just got to work.
your art can only get better over time. sometimes its cool to see how artists improve.

>loomis
Most depressing way to learn how to draw. Anecdotal lessons aside, the only real way to learn how to draw is to do so entirely by yourself - although it does take much more time. Even if you do, for some reason, decide to use guides to teach you how to draw, it will take you an inordinate amount of time to get to an "acceptable" state (assuming you aren't immensely talented).

Difficult to gauge when you're "there", since art is very subjective (personally why loomis is cancer), but usually it takes 5+ years of intense practice to get to a universally decent level. If you're the age I think you are, you shouldn't be posting on this board. If you are old enough to post on this board, I feel sorry for you.

>Why would a person need to see social media advertising to continue reading a comic they're already reading? What kind of sick, sad person would quit reading a comic because they aren't hearing anyone else talking about it? And why do you not only think those people are numerous, but almost everyone?
Not him but that's a really good question. Anyway it appears you're not very fond of social media (twitter, Facebook etc)? I feel you, that shit's either boring or cancer

I mean, the closest to that I've ever felt is I've stopped being interested in drawing fanart of a show because nobody's talking about it, and I want to show it off to other fans. if I'm gonna be ignored, it might as well be my own original stuff being ignored

Is comicsgate an exploitable resource for getting attention to your comic?

Do you regret doing Loomis first or did it help?

Well, I am certainly old enough to post here and not really young. Why would you be sad if someone is taking up a new skill? You are never too old to learn. I'm not looking to make a career, I have a very fulfilling one already. I've just always loved comics and want to try drawing one now that my job has calmed down. I know practice is needed and I am in no rush to get to production. Just looking for advice on how to properly learn so that I am not wasting too much time.
Why do you hate Loomis? It seemed like the standard guide to me.

Most people are dumb and forgetful
Say you release 1 page a week. People forget about it. Life happens, you miss a week. Then you forget to check and it's out of sight and out of mind.
But if you're on twitter, interacting with people and showing up in their feeds?you dont get forgotten

I am just ideologically opposed to the notion of "learning" to art. If you don't seek this professionally, then disregard my comment completely.
Loomis is simply the most predominant one on these boards, and the one I was referred to most of the times when seeking advice. I got tired of it really quickly. By no stretch of the imagination am I overly capable as an artist, but I got to where I am artistically by my own methodology, without needing guides.

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You don't seem to know how internet browsing works. You're not alone.

It's nice to hear someone as good as you saying that, but you are aware most people don't have that much success with that method, right?

Well you need to define "success". I started drawing when I was 15 (by that I mean that before 15 I was literally drawing stickmen), and after 6 years I got to this level (though I had 1.5 years of army, through Highschool and now College, so amount of invested effort varied) Regardless, I think the most fruitful thing my methodology provides is unique stylization, and a much greater sense of accomplishment than what you get from copying shit and styles from youtube videos and guides.

That's a pretty long time. Some of us definitely aren't a fraction as good as you, with much more practice. It just happens that way.

What was your method of self study? Just looking at things and then drawing them? Did you learn construction, shading, or perspective just by looking?
Because honestly that sounds at a genius level if you got to your level in 6 years. (Assuming that level in consistent in completed works the ink area is definitely professional quality)

>the only real way to learn how to draw is to do so entirely by yourself
This is really bad advice.
Very few people can learn to draw well without guidance and study. While Loomis is a bit of a meme, it is still an immensely helpful guidebook, and when people meme "Loomis" what they really mean is "learn constuction and form."
You have a decent understanding of construction and form, but you have major weaknesses in anatomy and more complex forms like clothing folds. It would benefit you immensely to study, even if you don't want to be a "pro" it's useful to push yourself to learn, lest you stagnate.

>This is really bad advice.

Seriously. I hate this meme where everyone thinks they've somehow jumped ahead of the race by ignoring everyone's advice and struck out on their own.

Loomis isn't necessarily some sort of be-all, end-all source that you HAVE to use. Art is like anything else in life; People just advise that you look to other sources to see the other people who have been there. This helps you find the shortcuts quicker, and avoid the common mistakes other people made, so you don't have to spend time making those mistakes, recognizing those mistakes, and then fixing those mistakes.

>People just advise that you look to other sources to see the other people who have been there. This helps you find the shortcuts quicker, and avoid the common mistakes other people made, so you don't have to spend time making those mistakes, recognizing those mistakes, and then fixing those mistakes.
Bingo.
Some people can learn solely from observation and practice, but very people can do that well. There's no point in reinventing the wheel and figuring out how to draw all on your own from the ground-up, when hundreds of better artists have devised ways to draw effectively. Even if you do come up with your own techniques and methods, you can often improve them by drawing upon pre-existing methods and merging them with yours.
You don't HAVE to study Loomis. I personally think Hampton is a better book, and he covers the same basics that Loomis does in a more digestible way. But if you are intent of drawing, and do want to get better, you should study. Avoiding it doesn't make you bold and innovative or rebellious, it just makes you ignorant.

That's what separates talent from skill. Talent's nice, but it's unreliable. And when you have it, you feel like everyone must have it too.

The funny thing is most people recognize that you can't reliably do things on your own, even if some people do pull it off, but their solution is to do what everyone else is doing, even if only a certain percentage who do that succeed at it.

Only a certain percentage succeed because only a certain percentage stick with it and put in the effort to learn. Anyone can say "I want to draw," download some PDFs on art and buy a sketchbook, but very few people keep up with the learning and study.
If a person picks up Loomis or Hampton, reads through it, and studies all the drawings and does all the exercises to the point where they can do them with competence, they will learn and improve by the end of it. The problem is, most people don't bother putting in the effort. People pick up the book, skim over it, maybe do a few doodles, and then wonder why their art isn't great yet.
People might not learn at the same pace, some might have a more difficult time than others, but if someone actually does the work they will simply get better. And if someone isn't seeing improvement, they in all likelihood haven't done enough work yet.

>What went wrong? Has anything really discouraging ever happened in the process of making your comic?
The growing feeling that I can't do a good job. But I have to push or get rid of thoses feelings in order to make what I want to share with others.
Negatives aside, nice to see everyone's work so far, helps motivate me to work as well. Gonna draw my characters enjoying summer (since school ends tomorrow here).

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i thought loomis helped immensely with my faces. only problem i had is that it kinda got me stuck on perfectly round heads for a bit. took me a while to start doing jawlines and hair and stuff. i think its a great starting point, but most of what i learned were gleamed from youtube tutorials and these threads.you can tell from my art posts earlier in this thread that i am still a shitter, but they are decidedly less shitty compared to a few months ago.
best advice anyone gave me was to just draw every single day and dont be afraid to get out of your comfort zone.

>Only a certain percentage succeed because only a certain percentage stick with it and put in the effort to learn.
What a convenient way to write off failure that doesn't fit into your rigid philosophy.

do studies, learn different ways to draw
but honestly the most i learned was from actually drawing my comic

its like reading in school, you won't actually learn if you aren't given specific purpose

Sorry for a bit of a blog.

Is anyone else here a writer thinking that they might go further as a visual artist? Feels like I started writing because I wasn't happy with my art when I was a kid/teen. But for as long as I can remember I've always gone for visual mediums like cartoons/games/movies over books. I call myself a writer while also reading the least out of everyone I know. Currently neck-deep in writing a novel and I'm not sure if it would be worth it to take the plunge and practice drawing again.

Maybe I just think it'd be cool to have drawings of my characters.

new pages also

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>i thought loomis helped immensely with my faces. only problem i had is that it kinda got me stuck on perfectly round heads for a bit.

I think that's why its important to have multiple sources you're using, than just any one given source or book.

Comics are kind of an interesting thing, because they require you to kind of know how to draw everything, from everywhere, from every angle, and every perspective. People, animals, objects, landscapes, buildings, interiors, etc, if you want the reader to truly believe the things you're creating.

Most comic artists generally just copied the comics and characters they liked, and then slowly morphed it into their own styles. As with anything, variety is the spice of life. You should draw upon multiple inspirations and sources. If you just did nothing but study Loomis, its its like eating a bologna sandwich and a glass of water, every day, for every meal.

Plus, in this day and age, there are countless resources at all of our fingertips by way of the internet. "Loomis" isn't the important thing. The important thing is seeing how people are deconstructing, then reconstructing what they see, and their methodology for doing it.

>loomis helped immensely with my faces. only problem i had is that it kinda got me stuck on perfectly round heads for a bit.
>I think that's why its important to have multiple sources you're using, than just any one given source or book.
>C

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woops

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How to choose art style of comic to fit the theme? Super lost on what I should pick.

These comics are lookin' good btw.

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think about art direction and what emotion you want to convey with your art in the story you want to tell

but at first its okay if you try to loosen up and see how you actually like drawing

you won't learn if you don't start

You could dip your toe into it by making your books illustrated.

i started with writing. i have a lot of short stories that i always start and leave unfinished. ive been told that i am a good writer, but my ideas just dont translate to text. i get bored and unsatisfied with it it after a while.
this comic thing is the first time that my ideas are getting realized, problem is i have to figure out how to actually draw.

Well I know how to draw "decently" it's that I've gone through soooo many styles and they all feel like they work and I don't know which to choose since I will have to keep it for the rest of the comic.

What I would like is if there is like a creator's blog or panel or interview detailing how they chose the art style for either their cartoon or comic.

Don't circlejerk, please. Also, please be more specific in your critique, no vague allusions to terminology.

"just by looking?" A LOT OF LOOKING.

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you never know how you want things to look like until you actually start paneling
having a "style" is one thing, but directing your story is entirely another

Well, they do that in Japanese light novels, so that might be a thing.
This is pretty much how I've been feeling about my writing recently, though this is the first serious project to which I've managed to dedicate myself. And yeah, figuring out how to actually draw is the difficult part. With text, people have to actually read it before they know whether it's good or bad, but with visual art people can judge the quality pretty quickly. Immediately knowing that my work was trash might've been what pushed me away from art in the first place.

The guy looks mostly good, though his thighs could maybe be a bit thicker. They're only about as thick as hers. And maybe his legs could be a bit longer.

The girl has basically no rib cage, but more if an issue, she has no pelvis, hips, or butt at all, which makes her look like a string bean.

Yeah, I guess she needs more ass.

it's literally the 'i grew up on anime/cartoons and get all my learning from that' style.

there's a lot of proportion issues here, but I get the impression this is a sketch. the other art he showed previously was much better.
100% wrong. anime would have taught this guy better proportions and much more attractive faces, but much less dynamic posing

It's already light years better than 95% of the garbage posted here.

>the other art he showed previously was much better.

I haven't really gotten that, personally. Sam kinds of mistakes in that image as, say, here proportional issues, anatomical issues, perspective issues, etc.

That said, I don't want to discourage the guy, because its still pretty decent, and with some refinement, could be really good. But not with the attitude that he can just ignore any potential outside help, influence, or study.

>100% wrong. anime would have taught this guy better proportions and much more attractive faces, but much less dynamic posing

I don't know about that. It looks relatively anime to me, but mostly in some of the exaggerated faces and reaction. Looks like some straight up JoJo inspiration, and if not, it looks kinda street/underground/graffiti inspired.

>i grew up on anime/cartoons and get all my learning from that

Good deduction. I genuinely think western cartoons are pretty bad artistically, and that manga far exceeds them in any capacity. Do you get your artistic inspiration from looking at Picasso?

>100% wrong. anime would have taught this guy better proportions and much more attractive faces, but much less dynamic posing
Attractive faces is entirely subjective, so pretty irrelevant. I'm a lot more JoJo inspired, so the more weeby type doesn't suit me. As for proportions, I still don't really have any idea what you guys are on about (except the ass). Again, very hard to take in criticism when you're being vague.

Did you use a jojo character for a reference/trace of the guy? The styles and technique looks very different between the girl and the guy

Well I'm not finished, still doing the outline, so yeah - he's gonna be more stylized when I'm doing the shading and everything.

>But not with the attitude that he can just ignore any potential outside help, influence, or study.
Genuinely curious where you got that impression from.

>Genuinely curious where you got that impression from.

>Most depressing way to learn how to draw. Anecdotal lessons aside, the only real way to learn how to draw is to do so entirely by yourself

>Picasso
that the only artist name you know? do you realize there are other forms of illustration aside from pop culture? learning how to draw from overly stylized products is obvious because of the lack of structural/anatomy knowledge. it would still be better for a person to self teach drawing from a fashion magazine than cartoon/comic and you can spot the difference

How does that, in any way, cross out doing studies and being influenced? All I was saying is that using premade guides as scripture instead of building experience yourself is unintuitive and ruins the spirit of expressing oneself - hence, the "ideologically opposed".

A difference which you haven't quantified yet, in any way. I don't get why you'd think that drawing inspiration = only using those sources for the sake of reference (JoJo is especially good for anatomy, btw). That kind of attitude is verging on the same pretentious narrow-mindedness that made me really tired of Loomis and the autists that follow him to the letter on /ic/. Literally sucking the fun out of exploring.

>How does that, in any way, cross out doing studies and being influenced?

Well, the guy you originally responded to asked what he should be doing, and you told him Loomis was a "depressing way to learn to draw."

On top of that, you later in that post said;

>Even if you do, for some reason, decide to use guides to teach you how to draw,

The fact that you say "for some reason" makes it sound like there's something wrong with using guides, books, or other sources to learn fundamentals, or methodology from other people.

Look, we all want to strike out on our own, and develop our own styles and methods. No one wants to just straight up copy what other people have done, and people don't even like really seeing that anyway, but it sounds like you're discouraging people from using that type of help just because you didn't particularly like it.

You're right. In hindsight, it does sound like that. I guess I let my inability to conform to simple guides get the better of me. I just genuinely feel the best way to progress is through mistakes you make on your own, rather than correction you learn from something else - (horrible time consumption aside).

No one is saying people have to conform to guides, though. You seem to be taking this stuff so literally for some reason. They're there for reference and guidance. Not to be 100% followed as absolute truths.

And people are just saying to use them because there's no reason to make mistakes that people figured out years, or decades ago. If you're having problems drawing hands, there's zero reason to keep slamming your head against the wall, drawing after drawing, trying to figure them out, when you could probably reference something, or see how someone else breaks the hand down into parts to help yourself a little better. That's to AVOID wasting time on common mistakes that other people may have a shortcut for. The less time you're making basic, amateur errors, the more time you can actually be working on more complex, derivative, advance things.

Im feeling absolutely miserable now but I managed to make another page.

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Good way to transition back from derailment.

Interesting choice of movement in this sequence, although it isn't very clear - specifically in terms of momentum. Aside from the kick away, it isn't very clear what happened.

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well, it comes right after this page. Rau destroyed the tree with a kick, Priest was behind and tried a double arm-swing (his movements are limited by the chain) lunging himself towards her, she dodged it by going down, on the movement he ends up above her and she kicks him doing a roll.

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If anything, your comic is seeping with enthusiasm (which I lack entirely). Obviously the anatomy, structure and such needs work but you probably know that. One thing worth noting is that more paneling indicating small motions/positioning in space will really help the combat sequences.

Hm, you are right, Ill try to implement it for the incoming action storyboards. Since Ill be having quite a few of those.

Also thank you, enthusiasm is the only thing I can be sure about my comic.

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Finished this page!

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hey Yea Forums how do you do the title for your comic, just write on a nice font?

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lonely...I'm, so lonely...I have nobody..to draw my shiiiiiiiiiiIIIIIIIITT

>Sam kinds of mistakes in that image as, say, here proportional issues, anatomical issues, perspective issues, etc.
I dunno, there it looks intentional. He looks totally in control of what he's doing.
>Jojo
okay I forgot about jojo, good point. That kind of anime has never been my favorite, and it does often have that kind of crazy anatomy too.

Just because somebody uses picasso as shorthand for ugly faces doesn't mean that's the only artist they know. What's wrong with a reference like that?

Angel's a cutie as usual. I thought she was half human half flying pig. I guess I don't remember ever seeing her mom.
Liking this face

What idea, mate?

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do NOT give this man your idea. he is going to become rich off it and let money change him

I wasn't using Picasso as a shorthand for ugly faces, to be honest - I was trying to contrast what was said regarding taking inspiration from anime/cartoons as a defecit. I mean, where else and why would I go out of my way to delve into artistic inspiration from other sources (like mainstream art)? Why is it wrong to be inspired mainly from manga, and how exactly is it different from literally 99% of the people who post here?
Also, the ugly part is subjective, but I can see why sonlme would think: one thing I hated most about anime that I watched was sameface (literally same characters with different hairstyles and eyecolors). That fear of creating characters that look too much alike sort of forced me to come up with "unique" character designs, thereby making some charactera look different (mostly eyeshape, cheekbones, noses and such being varied). Also the fact that anime was supposed to teach me how to make "pretty" faces was preposterous in that regard, seeing as animes rarely have any variability in the facial structuring in their respective series (those who do, often enough stand out)

And with that, the last person on your side in this thread has changed his mind.

>sides
What are you, 12?
I don't post here because of virtual headpats, you know - the criticism I get here is pretty informative.
.

Neat to see you working on a comic squishy

The last person agreeing with and defending your points, then.

Like I said, it's completely irrelevant whether you defend my points or not. Sure, many of the artists here get a nice confidence boost from compliments (me included), but ultimately our goal is to improve. Which is why I prefer more criticism rather than a generic "nice, dude!". If I wanted that I'd go to plebbit.

I appreciate criticsm, if it has actual merit ("your feet should be a bit more proportinal and less shaded" as opposed to "your anatomy and structure is all wrong"). The one guy who commented on the ass, for instance

I disagree with that guy as well. I think it is silly and shallow to write off anime and manga because there are plenty of substyles within. Hate it or love it; Jojo looks unique. But in my eyes, so does Dragon Ball. So does Ito with all of his manga with a somewhat more realistic style.

It’s lame for people to write it off, but I’m an in total agreement that the current sameface moe “Am I kawaii sempai!? Uguu~” is boring and detrimental.

both of those have merit as they have to do with construction. your logic is wrong if you say crit only has value if the person presenting it isn't being blunt in their opinion. projection much?

They only have merit if you actually say what you mean with "anatomy". What fucking use is it to me if you can't point out what part of the anatomy is wrong. If anything, it goes to show that either you're incapable of actually figure out what you mean when you use such general terminology, or alternatively, you're a twat.

>"Jojo is a bad manga"
>"Why?"
>"Why do I need to explain? Projecting much?

Redline it then. Looks good to me.

>("your feet should be a bit more proportinal and less shaded" as opposed to "your anatomy and structure is all wrong")
>both of those have merit as they have to do with construction.
>doesn't realize talking to separate user

defensive and projecting

Not sure what am I projecting, or what you mean by structure, or why is it so hard being concise abd to the point. Care to enlighten me?

I think the only discouraging thing for me anyways is trying to draw a scene only to realize "oh damn I don't know how to draw this"
but in a way it's encouraging at the same time. Like in order for it to look good I gotta draw more. I guess in that sense my comic is just for me to practice my drawing skills

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look at reference
see how other artists have done it
(of course, don't straight up copy)
but really workout those analytical skills as an artist to see how you can do something like what you see
don't take short cuts for things you don't know how to do

quality c o c k

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I'm not the op, but here's some stuff I noticed. You drew the man's shoulders too wide, to the point where the shoulder and chest seem disconnected. I find it helps to remember that the deltoid and pectoral are stuck together, kind of lick puzzle pieces, and are both attached to the clavicle. I think you understand the basic forms of a lot of the body and muscles, but you miss a lot of the nuance. One example of which is in that man's calves. Head-on, the calf has a certain rhythm, the outer line of the calf is rounder, and has a higher peak than the inner calf, whereas you drew it looking more or less symmetrical.
I think the woman's anatomy looks nicer overall. However, her lower arm is disproportionately long. There are a whole slew of structural issues with the feet, the one closer to the camera is out of perspective. With the angle the leg is at, the sole should be facing the viewer, rather than the foot appearing in profile. The biggest issue with the feet is that they just don't resemble the actual 3-d forms of feet well. I think this video summarizes how to correct them the best: youtube.com/watch?v=05fn1DlFRtY

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Doublepost because I just noticed this, but you have some extra proportional issues. The guy's arms are very long, his fingertips look as if they're reach his knees, while for more realistic proportions you usually want the fingertips to reach mid-thigh.

Who are you? :0

i'm not even the user that was giving the original comment on structure... but fine have a redline. shoulders, ribs, and hips are all turning at odd/broken angles away from the supporting bones/muscle groups. did a basic quick fix ink of what can look like with fixes and tried to mimic style a bit but too tired

need to learn for anatomy: hips, ribs, shoulders, rule of thirds and range of movement

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Good work.

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lovely hands and feet

Good work on the redline user!

Hopefully the op of the pic will realize that someone saying "work on structure" or other general stuff still means something and often time means the one saying it doesn't exactly know whats off when someone who has experience can tell what needs to be fixed instead

draw more hypno porn

Fisher. I’m working on something myself but had to take a break because I wasn’t getting any sleep

great stuff there, all cuties

The discord misses you Fisher! But yeah, take care of yourself

So i'm reading drawabox lessons and he says you should learn to draw from your shoulder. Is this really necessary? I don't have 15 inch drawing tablet to go all out.

it's not a must, it's just a way/trick to help people to keep from hyper-focusing/applying too much pressure on perfecting one line to the detriment of the whole picture... it's more helpful in traditional mediums versus digital imho and I do both

This is more than acceptable! Good job!

A what?

A while back someone mentioned a site that makes custom fonts.

Does anyone know what that site is?

I tried some blambot fonts, but they just don't fell right.

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How's the surrender pic coming?

Wonderful!

>Every girl has long hair
>no one's fat
>no trannies
Sis, you were on a good way with making them black, but you didn't score that many tumblr points after all.

i like the sky

>www.calligraphr.com
It's got a free version, but I believe you need to create an account to actually download the fonts. I used it at one point when it was still called "myscriptfont", and it does alright. It's very limited so if you wanted extra characters you'll have to pay money or edit the font in some other software.
Fontforge is free software you can download to make fonts yourself. And of I remember right, inkscape also has the ability to make fonts.

I haven't posted in a while but I just wanted to let you know that I read the entirety of WTAOH. I really wish you tightened up the writing because with the right tone, your comic could be a lot better.
I'm not goi'g to shit on you because this is n't constructive criticism. All I can say is that i think that you rebooting west tree could do wonders. Think about long form narrations, thighten up your pacing, don't rush the pages. I just want you to know that I can see potential, a'd that your behavior evolved those past years in a good way, but you need to stop rushing your pages, sit back, and take the time to think throughoutly your characters

Thanks I will check those out

I used a green to light green gradient. And then I used this specialty brush that is free on clip studio paint.

The tricl with that brush is to start with white and paint in a continuous circle around the layer

You can see it more in this panel

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With all the fuckups adobe's been having, I'm surprised clip studio hasn't put up a sale to attract more people.

They don't need to, adobe shooting themselves in the foot is all they need

But the thing is, is that i dont want west tree to be a long form narrative and to be an episodic series.

but if it makes you feel any better i'm gonna be doing long form narratives in the middle and the end.

That and i plan on making a better intro/starting point for the 6th year anniversary.

Different user here, but I think it's honestly even worse as an episodic series. I've tried reading West Tree by jumping to random chapters and reading from there and I was completely confused. You have all these weird and off-putting characters that are difficult for readers to understand the point of, I went back and reread the comic from the beginning to just try and figure out what some of the characters deals were. It's not like a cartoon like Fairly Odd Parents or something, where even though it's weird and has fantasy elements you can easily figure out the premise and point of the show from just watching a random episode. I honestly am not sure what the premise of West Tree is even after reading 10 chapters of it, and I understood it even less when reading random misc chapters.

Yeah, i've been making it up as i've been going on since like high school i think, the beginning is a mess, it's just whatever makes me laugh, but i've gotten more of a structure down at about chapter 21 or 22. and i've been doing a basic outline of the story since then.

And i'm highly against redoing west tree, it's just some thing that i think would be a complete waste of time.

God I want to be part of your world so badly.

Really, every few chapters feels like a reboot anyway, so there's both no point in worrying about it. Like people said, it's not something you can make sense of by going back and reading it all (which I've also done), it's just... clearly a comic that someone's been working on for years and changed their mind a lot, gaining new influences, changing gears, it's just a big experiment and we get to read the logs.

Redesigned some armor for my comic the other day.

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Still waiting for more updates! I like how rough this all looks, like they're really just cobbling together what they have and trying to get by.

From a few months back.

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Thanks a lot man!! currently working on a new page right now, should be finished by Sunday.

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I like the old boots and belt better, but everything else is a great improvement. I bet you're going to wish you kept the fewer-stripes after drawing them a few dozen times though.

Thanks man! I was thinking the same thing with the stripes as well once I realized I put way less in the original lol I might change it if it gets too tedious.

I liked the old belt as well, but I had a hard time imagining how it looked without the cloak.

Do you guys think good writing would be able to counteract poor drawing skills, or do you feel that niche is already filled? I can think of a few comics with poor art, but I feel it’s usually less of an issue due to the nature of them. Xkcd is the first thing I can think of.

Tails gets trolled. Honestly you need a really great hook to start reading comic with bad art.

About to put out the Overfiend Comics Sonic book on digital, hope people will enjoy it

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Just looking at that, how can I not?

Only Rococo in that image is mine, the other girls are from the submission hold event.

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That's what I meant
Oh I didn't realize it wasn't from a discord thing. That means I could have been involved.

Rate my character?

My idea is that he lives on the back of a sea turtle which is a reincarnation of his father, he travels the sea looking for a legendary sea witch in hopes of bringing his father back to a human body

Its supposed to be a cute web comic filled with small animated scenes filled with feels

Also his name is Moogi

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Its me! Dio!

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That's the cutest thing I've ever seen or heard. This needs to become a tv cartoon right away.
I would like to see his hair a bit more 'surfer' and a bit less '50s housewife' though.

what is something you wish you knew/did when you started your webcomic, Yea Forums?

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Probably that it wouldn't be a one-shot as I intended at first and that people would like the art but the concept would be too out there for the general liking.

Also, I'm fishing for some advice: Are weekly but shorter updates better, so that my audience can grow, or it doesn't matter and I should just publish aprox. 20 pages per issue on a monthly basis like a regular western comic?

The comic in question is

TGT's art isn't actually bad, the construction is crude but the composition and action are clear as fuck

Issue one's cover should look all Noir like. Heavy black and white contrast with Penti Cop on the cover.
2's should be like a flyer for the ball game.
3' should be like a Mars Attacks/Independence Day thing with someone using gaydar to detect the aliens.
4's could be like the cover is ripped in half as Retcon Ray fires his retcon gun.

Marie Ref sheet for my PREVIOUSLY unnamed comic project!
I found the title for my comic: TITAN BOUT!

I've written the whole plot, I just now need to do the scripts before starting drawing. I'd like to get better at inking before doing anything. I'd really like to get to a level that makes the reader be like: "this is the cowboy bebop of webcomics!"
So yeah, I still need to get better at art. I've started seriously getting into colors last week and i think i'm bearing my first results here.

Should I call myself titanbout user? I'll miss gloryhol user as a name

Also i hope her tits aren't too big this time lol my friends complained about the fact her tits were too big for such a muscular frame

Dewd, the thing is in an episodic series, either you go back to the status quo or you dont, that's why i was like "reboot it". The problem is that the character devellopement is sometimes very bad for instance, Annabeth changed radically (the eye color thing) like 3 times? Making him basically a different character each time. You've grown up since high school and maybe matured. That's why i'm like "reboot it". I think with some clever writing and well thought stuff you could get on a "it hurts!!" level of fun.
re-read it hurts!! i think to see what gob's doing right that you're doing wrong. You got the same vibes, but not the same treatment for a reason.

just don't sexualize your characters tho, like, your art style doesn't lend well with that.

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good coloring
you need to just give us a name that means you, regardless of what you're making. Like Frenchy LaRue.
Those tits are not only reasonable, they're realistically flattened in that top.

He may not have good visuals for sexual stuff, but he's good at writing it. That nice mix of innocent and classically filthy, it feels like reading an old MAD Magazine.

like I really only sexualize characters so much because it's really fun and easy to write sex joke, not to mention it's just plain fun to draw.

Also someone has to be liking it because i've gotten 5 lewd draw requests on my super secret lewd tumblr.

And episodic doesn't mean status quo, do you see Venture Bros going the way it once was? no, they have events that change the characters lives up, but they still do something different every episode.

I wouldn't call VB very episodic though.
There is such a thing as suffering under your own continuity, but I feel like you've gotten to the point that it's just nothing at this point, I wouldn't worry. Anyone reading it is going to pick up on that. The only thing is it makes reading the old pages sort of a waste since it won't help you in any way. if anything it's a distraction having that past knowledge.
(And that's not even touching on aborted plotlines and characters like Annabeth's sister.)

>That nice mix of innocent and classically filthy, it feels like reading an old MAD Magazine.
It just feels wierd and out of place. The visuals are a massive turn-off, and the writing seems more like the author's own fetishes and fantasies being shoved in rather than something actually amusing. I love comics that can get a little lewd, whether it be for laughs, character development, or just titillation, but the stuff in West Tree just makes my eyes glaze over.

Yeah, you have a point about that, which is why i'm basically gonna be askin' readers to move to a certian page when the 6th year anniversary comes around, unless they're hard core or something.

>Annabeth's sister.

Hah, that's pretty much lost media at this point, she was never even mentioned in the comic ever.

Well, i think that might just be a you thing user.

This

Now we know why coldfusion likes dewd

I suppose it's not for everyone, but nothing is sexy to me if it is for everyone. And I'm used to anything the tiniest bit NSFW being described the way you describe this
I'm not exactly turned on by the comic, but I'm waiting for him to get better at art, because I sure as heck will be then.

>I'm waiting for him to get better at art
user, I...

I'm waiting..
for him to get better..
at ART. okay? It's going to happen, and it's going to be hot. You think Van Gogh came outta the pussy drawing Mozart?

I don't know this is well, but my fandom had 230+ viewers yesterday, and we just moved to a new Wiki.
Is this a sign that I should keep going?
Please, I need advice

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your what?

I own a fandom and mostly, it's starting to get more and more popular
And it's growing too fast for me

Finished this page!

Got some more new brushes, makes the background makeing progress a lot more easier, also Neptunia has bubbles again!

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you own a fandom

hooray for bubbles.
was that supposed to say philistine?

yes,i probably should have looked that up instead of sounding it out.

I do, I do.
I really hope it gets a tv show!

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Post webcomic panels you saved.

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I wanted to post another from the same comic but I failed at croping it.

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Post link

It's a early Wiki but it's still in the works, here is the Wiki.
sargista-wiki.fandom.com/wiki/Sargista_Wiki

trying to wrap my head around painting backgrounds lately

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Boy I am so close to being able to tell what's wrong with these, but I'm not there yet.

Here’s a dumb comic i made for fun... ( it’s unfinished)

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and a male deer at that

I gave up on my comic

All fake perspective, I didn't do vanishing points so it's probably extremely wonk. In my defense it's partly for the sake of composition and having to work in portrait mode for a landscape.

If that is a problem it's not the one I'm close to detecting
it's something about how mushy the shapes are

The mushy shapes are what I'm working on primarily, part of it is that I got a bunch of new Krita brushes and am still familiarizing myself with them. That, and I tend to zoom in and out inconsistently so the size of my brush strokes is probably very inconsistent. But I'm a lineart kind of person, not a painting kind of person, so it's a whole different mode for my brain eyes to work in.

Yeah I have that same problem, it's so weird moving from lineart to painting
It can help if you start out with solid shapes

Is it wrong to give up on drawing a comic?

its wrong to give up on your dreams user

my dream was to be an animator, which I gave up

It would probably be best to try and just write a quick ending rather than just up and quit.

IKTFB
drawing is so hard and drawing quality comic art is so time consuming

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I don't really see the point in drawing or writing if I can't improve

As long as you can hold a pen you can improve your art. If what you're doing isn't working, try something new. Human beings are wired for problem solving.

How's this drawing of a cat, Yea Forums?

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I'm already 23

adorable. This simplified cartoon style will work just fine, but there are a few little things you can do to improve your catnatomy. Mainly the shape of the hind legs. Most of the time they should be pretty much shaped like a question mark when at rest, and if one foot is stretched out instead, it should reach all the way to the face.

Have a shit pep talk courtesy of my ass: Life is suffering and struggle, the only true free will available is deciding your purpose in this world. That is, you decide what your goal in life is and what amount of effort you wish to invest in it. If you make it your purpose in life to be a victim, you will be a victim. A hard worker? You will be a hard worker. Make a product or reach a goal? The same will happen unless you've decided to change your purpose before reaching its conclusion. It's when you are impatient and unwilling to suffer or struggle for a purpose that is when the change happens. This is why a quitter will have the purpose of being a quitter and a crazy person like Chrischan will still be a creator. Failure is part of learning, suffering, and struggle. Perfectionism is the enemy of progress but the ally of self-improvement and purpose.

Age is a terrible measuring stick of success and deciding life purpose. It should only be taken in to account when it comes to planning, physical health, and time management.

no update this week and probably not next week, too busy with finals but pls keep checking out continental breakfast my dudes thanks

Age is meaningless as long as you got a (mostly) healthy mind and body. Stop putting up artificial hurdles for yourself.

So i had to take a break from doing line work on my pages. My actual comic looks so much shittier than my random drawings. I think its because the roughs im using are from before i changed my style. I am trying to compensate, but i should probably start from scratch. (Though i kinda want to do the 'progressively gets better over time' thing)

Anyway, I drew some more plot relevant kaijus. Check out these green bois.
The most important one is Thought Bubble. He is sort of the impetus for the entire plot line and has a role in Tad's origin and the origin of the main villain of the story.

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At least you have really good writing. that's going to take you far.

If it makes you feel any better. I just started drawing seriously at 27.
I am absolute shit at it, but it's fun and has helped get me out of depression.
Everyday i hope to get a little less shit, and so far, at least to me, it feels like i am succeeding at that.
So just do it mate. Its not like you can get any worse from trying.

>The same will happen unless you've decided to change your purpose before reaching its conclusion. It's when you are impatient and unwilling to suffer or struggle for a purpose that is when the change happens
Can you elaborate on this

Thank you. Im hoping my comic can survive on my writing, because it sure as hell isnt going to do so on my art.

When you decide that the effort and struggle is too much to reach your decided purpose. You've basically changed what your purpose is.

example: I'm going to make a good comic. This is too hard and things are turning out how I want. Rather that work through the struggle you give up. You're new purpose is giving up or a different project/goal you've decided to work on. You have changed your purpose before the completion of your prior choosen purpose.

chapter 6 has started
webtoons.com/en/challenge/noughts-and-crosses/list?title_no=195592

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What's the webcomic equivalent to bloopers and outtakes?

Redraws and rewrites.

alternate sketches of scenes you post on your patreon for nobody, or scenes without their effects laid on

becoming a meme, like lost

extra pages at the end of a comic

Still working on this guy. I feel pretty good about the bigger hair/shoulder pads on the right, just not sure on the colors.

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I wish I could design something this cool so effortlessly

>effortlessly

I wish, I've been tweaking this design for months, and I'm STILL not sure if it works, at least on the colors side of things.

Glad you like, though, means a lot! Trying to create a pirate crew, going for a biker-esque look for them. Here's another member of the crew, Auntie Anchor.

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the jeans are throwing you off I think. they're so lightly purple when they should be pure denim blue to almost cyan

We need more pirate comics

Are these your main characters or just side characters?

They're meant to be the main, reoccurring villains. Here's my main characters, Urchin and Snoots. Urchin used to be part of their crew till she was booted off. I think of her as Pippi Longstocking mixed with Tank Girl.

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Her sidekick reminds me of the bone comics

Fred is a boomer confirmed

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k

Nah. If you want inspiration, turn your electronic information devices off and go outdoors. After a couple of hours with no displays and no music your brain will start to look for entertainment.
One of the MST3K guys started his career by taking the most boring job he could come up with. And his brain would immediately look for funny things to save itself. After a workday he had plenty of jokes for his stand up comedy show.

Pot will just give your brain what it thinks it needs and numb it.

I'd go big shoulders, but not so big hair. Doing both just feels crowded and the shoulderpads do more good for the overall silhouette. The little bones and gold rings are great though.

Don't think there's a single art style in these threads that appeals to me more than yours.

Does everyone use Webtoon to put out their comic? or something gay like Instagram?

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The memeability was too great.

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Tapas, webtoon, comicfury, smackjeeves.

Only Tapas, webtoon, and social media is worth it.

>social media
I hate using facebook and twitter, am I doomed to the unknown unseeable abyss forever?

Facebook isn't really good for much of anything either way, unless you make a facebook page for your comic, which it seems like few people really do.

Twitter isn't bad for just sending out quick notes to your followers and readers to keep them up to date on things.

Art and comics have always been about connections and ties to other people, and social media is a useful tool for doing that. Otherwise, you're just uploading pages to a site which people likely aren't going to see if you're not promoting it anywhere.

Make sure you have friends who will make memes of your humble comic, people. It will get you through the hard times.

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>If you want inspiration, turn your electronic information devices off and go outdoors. After a couple of hours with no displays and no music your brain will start to look for entertainment.
Can confirm this. I repair atm machines and usually move around the city by walking or public transport. I don't have a smartphone so i usually do exactly what you are talking about. Really i had no intentions doing a comic or even drawing, but now i'm kinda inspired.

>what went right
An acquaintance of mine took a liking to the comic, and passed it on to his old colleague, Fred Patten.
>what went wrong
Fred Patten died before returning with a verdict.
tapas.io/episode/1416282

>people
being bored forces your brain to entertain you, but working kills your motivation and energy. Better to train your brain to keep the inspiration flowing

Next page of Tom N Artie Tales is up!

tapas.io/episode/1410321

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prologue all colored in. time to work on the actual first chapter.

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I'm not the biggest fan of the comic itself but I like this art style more desu

Sometimes I just want to work on a shitty capeshit comic with a writer, does anybody want to?

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Whats a good hosting site for webcomics other than tumblr?

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>tfw no one memes my comic...

and so many people told me it was reaction image material too...

Exactly how played out are super hero stories?

What I have in mind is more superhuman stories, rather than super heroes in costumes. Though I suppose there isn't much of a difference.

do you guys think clip studio will go on sale soon or should I just bite the bullet?

smackjeeves

They don't announce it beforehand, but judging from the past I'd say June or July it'll be on sale. More likely June.

ew, who actually uses CSP?

what do you prefer to use?

photoshop

mspaint

Ahh shucks, thanks a lot! I want to try to actually get the comic moving faster, too, but it's at least moving.

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wtf grandpa, what year are you from

technically a self-defeating mockery, since photoshop was a better choice in the past

No problem man, I LOVE cartoon art styles like this. That background art is lovely. And don't worry about the comic moving slow, the fact that you're making a comic at all is the important part. Should probably get on that train myself sometime soon.

>Implying we'll even get a comic before Dustin gets a cartoon deal at Nickelodeon

>implying nickelodeon will ever greenlight anything good again

I want to kill myself

No

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could always start drawing porn

tapas.io/series/Squires-for-Hire

Working on the lines fo the new page. Trying out some new perspective shots to spice things up a bit

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If you have to ask, the answer is "played out enough".

Really you have to decide how important being 'original' is to you. If you make something without the goal being to be a special, unique little premise, you can start to tell the real stories that only you can tell.

Are you the HornyKamalabro?

>If you have to ask, the answer is "played out enough".

That's a good point. I suppose the premise isn't too unique on its own. The story had its own little quirks and I think the characters are pretty interesting. I think it'd just be a fun story to write.

Then you should go for it. Don't worry so much.

Why bother anymore?

I'm getting the new thread set up right now.

Bringing this up again: do you think it's time to take off capeworld's podcast from the list? Episode 7 was posted on September 25th, 7 months ago at this point and I don't recall it being discussed much in these threads for quite some time.

Okay, well. I have a new tied for favorite character... Gonna need to see her in color, and then fanart's coming your way.

Last time this was brought up, they had said they were doing new ones soon
but since they didn't.. yeah, I guess we'd better take it out. Make more podcasts, guys.

>she sees your webcomic

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anyone else who works traditional having issues with ink because of the humidity? my ink is bleeding more than usual, it's really annoying. Also, new page

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I blame squids.

If they start making podcasts again I see no issue adding the link again, but right now 7 months and no new episode makes me think it's dead (at least for now).

One of the many reasons I stick to digital now. Too many summers with 90-100% humidity ruins both mood and paper.
You can try and keep your paper stored in airtight containers, and only take out what you need when you need it as a temporary solution.

Migrate